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Paris between 1814 and 1852 was the capital of Europe, a city of power and pleasure, a magnet for people of all nationalities that exerted an influence far beyond the reaches of France. Paris was the stage where the great conflicts of the age, between nationalism and cosmopolitanism, revolution and royalism, socialism and capitalism, atheism and Catholicism, were fought out before the audience of Europe. As Prince Metternich said: When Paris sneezes, Europe catches cold. Not since imperial Rome has one city so dominated European life. Paris Between Empires tells the story of this golden age, from the entry of the allies into Paris on March 31, 1814, after the defeat of Napoleon I, to the proclamation of his nephew Louis-Napoleon, as Napoleon III in the Hôtel de Ville on December 2, 1852. During those years, Paris, the seat of a new parliamentary government, was a truly cosmopolitan capital, home to Rossini, Heine, and Princess Lieven, as well as Berlioz, Chateaubriand, and Madame Recamier. Its salons were crowded with artisans and aristocrats from across Europe, attracted by the freedom from the political, social, and sexual restrictions that they endured at home. This was a time, too, of political turbulence and dynastic intrigue, of violence on the streets, and women manipulating men and events from their salons. In describing it Philip Mansel draws on the unpublished letters and diaries of some of the city's leading figures and of the foreigners who flocked there, among them Lady Holland, two British ambassadors, Lords Stuart de Rothesay and Normanby, and Charles de Flahaut, lover of Napoleon's step-daughter Queen Hortense. This fascinating book shows that the European ideal was as alive in the nineteenth century as it is today.
Between 1814 and 1852 Paris was a city of power and pleasure, a magnet for people of all nationalities that exerted an influence far beyond the borders of France. Paris was the stage where the great conflicts of the age, between nationalism and cosmopolitanism, revolution and royalism, socialism and capitalism, atheism and Catholicism, were fought out before the audience of Europe. As a contemporary proverb put it: when Paris sneezes, Europe catches cold. PARIS BETWEEN EMPIRES tells the story of this golden age, from the entry of the allies into Paris on 31 March 1814, after the defeat of Napoleon I, to the proclamation of another Bonaparte, his nephew Louis-Napoleon, as Napoleon III in the Hotel de Ville on 2 December 1852. During those years, Paris, the seat of a new parliamentary government, was a truly cosmopolitan capital, home to Rossini, Heine and Princess Lieven, as well as Berlioz, Chateaubriand and Madame Recamier.
In this social history of Europe's most famous city during its golden age, Mansel tells the story of the political turbulence, dynamic intrigue, violence in the streets, and the societal wars that took place in upper-class salons. 32 page photo insert.
Paris: city of love, food and fashion. Paris: the city that played host to major historical and cultural dramas. Paris: a modern metropolis. Paris is all of these, all at once, all the time. There is a unique fusion of past and present in this purposefully grand and well-planned city. The Triumphal Way, which runs straight from the Louvre through the Tuileries Gardens, across the Place de la Concorde - where the guillotine once stood - through the Arc de Triomphe towards the Arche de la Défense and into the modern business district is just one example of the many eras that remain present. Famously a city for walkers, Paris has echoes of its history at every turn. Wandering through Montmartre, you will discover the birthplace of the energetic cancan at the Moulin Rouge; stroll around Montparnasse and see the haunts of American writer Ernest Hemingway; observe the striking new Opéra de la Bastille, which stands in the same place as the notorious prison. To walk in Paris is to walk in history. Cecil Jenkins recounts the often turbulent history with due attention to social conditions and cultural development as well as to the political events that shaped the city. It is the colourful story of a city emerging to modernity through repeated conflicts, both internal and regional: a struggle between piety and passion, prince and peasant, against competing countries in Europe.
The Oxford Handbook of the French Revolution brings together a sweeping range of expert and innovative contributions to offer engaging and thought-provoking insights into the history and historiography of this epochal event. Each chapter presents the foremost summations of academic thinking on key topics, along with stimulating and provocative interpretations and suggestions for future research directions. Placing core dimensions of the history of the French Revolution in their transnational and global contexts, the contributors demonstrate that revolutionary times demand close analysis of sometimes tiny groups of key political actors - whether the king and his ministers or the besieged leaders of the Jacobin republic - and attention to the deeply local politics of both rural and urban populations. Identities of class, gender and ethnicity are interrogated, but so too are conceptions and practices linked to citizenship, community, order, security, and freedom: each in their way just as central to revolutionary experiences, and equally amenable to critical analysis and reflection. This Handbook covers the structural and political contexts that build up to give new views on the classic question of the 'origins of revolution'; the different dimensions of personal and social experience that illuminate the political moment of 1789 itself; the goals and dilemmas of the period of constitutional monarchy; the processes of destabilisation and ongoing conflict that ended that experiment; the key issues surrounding the emergence and experience of 'terror'; and the short- and long-term legacies, for both good and ill, of the revolutionary trauma - for France, and for global politics.
The Napoleonic wars did not end with Waterloo. That famous battle was just the beginning of a long, complex transition to peace. After a massive invasion of France by more than a million soldiers from across Europe, the Allied powers insisted on a long-term occupation of the country to guarantee that the defeated nation rebuild itself and pay substantial reparations to its conquerors. Our Friends the Enemies provides the first comprehensive history of the post-Napoleonic occupation of France and its innovative approach to peacemaking. From 1815 to 1818, a multinational force of 150,000 men under the command of the Duke of Wellington occupied northeastern France. From military, political, and cultural perspectives, Christine Haynes reconstructs the experience of the occupiers and the occupied in Paris and across the French countryside. The occupation involved some violence, but it also promoted considerable exchange and reconciliation between the French and their former enemies. By forcing the restored monarchy to undertake reforms to meet its financial obligations, this early peacekeeping operation played a pivotal role in the economic and political reconstruction of France after twenty-five years of revolution and war. Transforming former European enemies into allies, the mission established Paris as a cosmopolitan capital and foreshadowed efforts at postwar reconstruction in the twentieth century.
1848 was a year of revolution throughout Europe. Examining the economic, social and political crises, this book evaluates the political history of France during the revolution of 1848 and the French political culture of the time.
In 1840, conflict within the Ottoman Empire gave rise to a serious all-European crisis which led to a diplomatic rupture between France and other Great Powers. The crisis was given the name of the natural frontier which divided France from the rest of Europe: the Rhine. Although the Rhine Crisis did not lead to armed conflict, many states were deeply worried by the unfolding events and by the failure of the peace so carefully negotiated at the end of the Napoleonic Wars. Combined with accumulated political, social, national and economic problems, there were fears of general social upheaval and perhaps even revolution. This book uses the Rhine Crisis to evaluate the stability of the European States System and the functionality of the Concert of Europe in this period. In doing so, Miroslav edivy offers an original and deeply-researched insight into the history of international relations in the pivotal years between 1815 and 1848."
A brilliant modern translation by Christine Donougher of Victor Hugo's thrilling masterpiece, with an introduction by Robert Tombs. This is the best translation of the novel available in English, as recommended by David Bellos in The Novel of the Century. Victor Hugo's tale of injustice, heroism and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him. But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, and by the relentless investigations of the dogged policeman Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty. 'A magnificent achievement. It reads easily, sometimes racily, and Hugo's narrative power is never let down ... An almost flawless translation, which brings the full flavour of one of the greatest novels of the nineteenth century to new readers in the twenty-first' - William Doyle, Times Literary Supplement 'The year's most interesting publication from Penguin Classics was [...] a new translation by Christine Donougher of the novel we all know as Les Misérables. You may think that 1,300 pages is a huge investment of time when the story is so familiar, but no adaptation can convey the addictive pleasure afforded by Victor Hugo's narrative voice: by turns chatty, crotchety, buoyant and savagely ironical, it's made to seem so contemporary and fresh in Donougher's rendering that the book has all the resonance of the most topical state-of-the-nation novel' - Telegraph 'Christine Donougher's seamless and very modern translation of Les Misérables has an astonishing effect in that it reminds readers that Hugo was going further than any Dickensian lament about social conditions [...]The Wretched touches the soul' - Herald Scotland
Award-winning historian Zachary Karabell tells the epic story of the greatest engineering feat of the nineteenth century--the building of the Suez Canal-- and shows how it changed the world. The dream was a waterway that would unite the East and the West, and the ambitious, energetic French diplomat and entrepreneur Ferdinand de Lesseps was the mastermind behind the project. Lesseps saw the project through fifteen years of financial challenges, technical obstacles, and political intrigues. He convinced ordinary French citizens to invest their money, and he won the backing of Napoleon III and of Egypt's prince Muhammad Said. But the triumph was far from perfect: the construction relied heavily on forced labor and technical and diplomatic obstacles constantly threatened completion. The inauguration in 1869 captured the imagination of the world. The Suez Canal was heralded as a symbol of progress that would unite nations, but its legacy is mixed. Parting the Desert is both a transporting narrative and a meditation on the origins of the modern Middle East.