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"In October 1963, photographer André Kertész returned to Paris, almost thirty years after his emigration to the United States, for a retrospective of his work held at the Biblioth̀eque Nationale. Over a period of two and a half months, he devoted his days to photographing the ephemeral autumnal beauty of Paris--from Montmartre, Notre-Dame, and the Jardins du Luxembourg, to the Canal Saint-Martin and the banks of the Seine. Through the lens of his Leica camera, he produced more than 1,500 negatives and 313 color slides. From this wealth of images, he selected fifty-nine of his best photographs and crafted them into a ferroprussiate process blueprint for a book. This exceptional body of work remained unpublished during his lifetime but is reproduced here in its complete form for the first time, as the photographer intended."--Jacket.
A previously unpublished body of work from the late, great photographer André Kertész, featuring a collection of photographs that capture the ephemeral beauty of Paris in 1963. André Kertész, a master photographer of the twentieth century, was a pioneer in photographic composition and photojournalism who gained critical acclaim for his image distortions. Born in Hungary, he moved from Paris to New York during World War II. In 1963, he returned to Paris and took more than 2,000 black-and-white photographs and nearly 500 slides that capture the city’s essence—from Montmartre to the banks of the Seine to its gardens and parks. Kertész edited these photographs into book form, but the work was set aside and was only recently rediscovered in his archives, twenty-five years after his death. The previously unpublished material is reproduced here as he originally intended and completed with archival documents and a critical essay.
An essential compendium of James Baldwin’s most powerful nonfiction work, calling on us “to end the racial nightmare, and achieve our country.” Personal and prophetic, these essays uncover what it means to live in a racist American society with insights that feel as fresh today as they did over the 4 decades in which he composed them. Longtime Baldwin fans and especially those just discovering his genius will appreciate this essential collection of his great nonfiction writing, available for the first time in affordable paperback. Along with 46 additional pieces, it includes the full text of dozens of famous essays from such books as: • Notes of a Native Son • Nobody Knows My Name • The Fire Next Time • No Name in the Street • The Devil Finds Work This collection provides the perfect entrée into Baldwin’s prescient commentary on race, sexuality, and identity in an unjust American society.
The greatest threat to the Western alliance in the 1960s did not come from an enemy, but from an ally. France, led by its mercurial leader General Charles de Gaulle, launched a global and comprehensive challenge to the United State’s leadership of the Free World, tackling not only the political but also the military, economic, and monetary spheres. Successive American administrations fretted about de Gaulle, whom they viewed as an irresponsible nationalist at best and a threat to their presence in Europe at worst. Based on extensive international research, this book is an original analysis of France’s ambitious grand strategy during the 1960s and why it eventually failed. De Gaulle’s failed attempt to overcome the Cold War order reveals important insights about why the bipolar international system was able to survive for so long, and why the General’s legacy remains significant to current French foreign policy.
Painting, Politics and the Struggle for the ?ole de Paris, 1944-1964 is the first book dedicated to the postwar or 'nouvelle' ?ole de Paris. It challenges the customary relegation of the ?ole de Paris to the footnotes, not by arguing for some hitherto 'hidden' merit for the art and ideas associated with this school, but by establishing how and why the ?ole de Paris was a highly significant vehicle for artistic and political debate. The book presents a sustained historical study of how this 'school' was constituted by the paintings of a diverse group of artists, by the combative field of art criticism, and by the curatorial policies of galleries and state exhibitions. By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, the book traces the artists, exhibitions, and art critical debates that made the ?ole de Paris a zone of aesthetic and political conflict. Through setting the ?ole de Paris into its artistic, social, and political context, Natalie Adamson demonstrates how it functioned as the defining force in French postwar art in its defence of the tradition of easel painting, as well as an international point of reference for the expansion of modernism. In doing so, she presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in France during the two decades following World War II.
This spellbinding tale of friendship and enmity, of loyalty and betrayal, of pride and humility, that unites and divides a group of remarkable individuals, who are involved in the Hungarian Revolution and its aftermath. Exiles and emigres, ex-diplomats and Intelligence agents, former prizewinning writers, Party hacks -- all these former people struggling to resume their former more exalted positions, or giving up the pride of place they once enjoyed. Rothberg gives penetrating insights into how international policies are arrived at, how revolutions are won and lost, how the people who make the policies and fight the revolutions fare, and who pays the prices for their failures. In doing so, The Former People also makes clearer the mystery of how the Soviet Empire would, in the not-too-distant future, fall apart.
A powerful portrait of war and retribution. A beautiful story of love and forgiveness. "Words are power. They can bring you down, lift you up, make your heart soar, make you fall in love. Or make you hate." Paris 1944. Elise Chevalier knows what it is to love . . . and to hate. Her fiancé, a young French soldier, was killed by the German army at the Maginot Line. Living amongst the enemy, Elise must keep her rage buried deep within. Sebastian Kleinhaus no longer recognizes himself. Forced to join the Third Reich and wear a uniform he despises, he longs for a way out. For someone, anyone, to be his salvation. Brittany 1963. Reaching for the suitcase under her mother's bed, eighteen-year-old Josephine Chevalier uncovers a secret that shakes her to the core. Determined to find the truth, she travels to Paris where she learns the story of a forbidden love as a city fought for its freedom. Of the last stolen hours before the first light of liberation. And of a betrayal so deep that it would irrevocably change the course of two young lives life forever. Includes a Reading Group Guide.
An intimate portrait of the turmoil that spawned the New Wave in French Cinema, and the story of its greatest director, Jean-Luc Godard. Godard's early films revolutionized the language of cinema. Hugely prolific in his first decade--Breathless, Contempt, Pierrot le Fou, Alphaville, and Made in USA are just a handful of the seminal works he directed--Godard introduced filmgoers to the generation of stars associated with the trumpeted sexuality of postwar movies and culture: Brigitte Bardot, Jean Seberg, Jean-Paul Belmondo, and Anna Karina. As the sixties wore on, however, Godard's life was transformed. The Hollywood he had idolized began to disgust him, and in the midst of the socialist ferment in France his second wife introduced him to the activist student left. From 1968 to 1972, Europe's greatest director worked in the service of Maoist politics, and continued thereafter to experiment on the far peripheries of the medium he had transformed. His extraordinary later works are little seen or appreciated, yet he remains one of Europe's most influential artists. Drawing on his own working experience with Godard and his coterie, Colin MacCabe, in this first biography of the director, has written a thrilling account of the French cinema's transformation in the hands of Truffaut, Rohmer, Rivette, and Chabrol--critics who toppled the old aesthetics by becoming, legendarily, directors themselves--and Godard's determination to make cinema the greatest of the arts.