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This award-winning text on New Mexico folklore traditions is now available in a shorter edition.
J. Frank Dobie?s history of the ?mustang??from the Spanish meste_a, an animal belonging to (but strayed from) the Mesta, a medieval association of Spanish farmers?tells of its impact on the Spanish, English, and Native cultures of the West.
Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs. Both biographical and topical, this book chronicles not only the most influential of these "song catchers" but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also consider the role of technology--especially the phonograph--in the collection efforts. Chapters organized by region cover such areas as Appalachia, the West, and Canada, while others devoted to specialized topics from the cowboy tune and occupational song to the commercialization of folk music through song collections and anthologies. Ballad Collectors investigates the larger role of the ballad in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival of the 1950s and 1960s. Finally, this collection assesses the changing role of songs and song texts in the academic fields of folklore, anthropology, musicology, and ethnomusicology. Scholars and students of American cultural and social history, as well as fans of North American folk and popular music, will find The Ballad Collectors of North America a fascinating story of how the American folk tradition gained greater visibility, fueling the revolutions that would follow in the writing and performance of American music.
DIVThe place of music in different forms of work from the earliest hunting and planting to the contemporary office./div
"One of the finest works to come out in recent years on cowboy songs, in addition to being the first good collection of the cowboy's bawdy material. . . . A must for anyone who is a student of cowboy music--or anyone who just likes the sound of dirty subject matter rhyming." -- Hal Cannon, Journal of Country Music "A brave and honest step toward increasing our understanding of what cowboys really sing." -- Bob Bovee, Old Time Herald "A thorough piece of scholarship and collectanea and a valuable, welcome addition to cowboy song literature." -- Keith Cunningham, Mid-America Folklore "Logsdon has written the book with a scholar's attention to detail. But what shows through the scholarship is the collector's enthusiasm for the material. . . . A superb job in a difficult area." -- Angus Kress Gillespie, Journal of American History "A major contribution to the folklore and popular culture, history, and social psychology of American cowboy culture." -- Kenneth S. Goldstein, former president, American Folklore Society
In movies, stage plays, short stories, novels, newspaper articles, poems, and songs, literally hundreds of accomplished authors have been drawn toward the near mythical persona of Henry McCarty, aka William Bonney, alias Billy the Kid. This collection is a chronologically arranged anthology of excerpts from the Kid’s canon—including rare pieces of pulp fiction, chapters of popular novels, and selections from respected biographies. Each excerpt plays off the strengths of the others to finally create a compelling collage of character. This compendium is an essential addition to the library of anyone interested in the myths and the realities of Billy the Kid.
Authoritative guide to everything in print about lawmen and the lawless—from Billy the Kid to the painted ladies of frontier cow towns. Nearly 2,500 entries, taken from newspapers, court records, and more.
A central character in legends and histories of the Old West, Billy the Kid rivals such western icons as Jesse James and General George Armstrong Custer for the number of books and movies his brief, violent life inspired. Billy the Kid: A Reader’s Guide introduces readers to the most significant of these written and filmed works. Compiled and written by a respected historian of the Old West and author of a masterful new biography of Billy the Kid, this reader’s guide includes summaries and evaluations of biographies, histories, novels, and movies, as well as archival sources and research collections. Surveying newspaper articles, books, pamphlets, essays, and book chapters, Richard W. Etulain traces the shifting views of Billy the Kid from his own era to the present. Etulain’s discussion of novels and movies reveals a similar shift, even as it points out both the historical inaccuracies and the literary and cinematic achievements of these works. A brief section on the authentic and supposed photographs of the Kid demonstrates the difficulties specialists and collectors have encountered in locating dependable photographic sources. This discerning overview will guide readers through the plethora of words and images generated by Billy the Kid’s life and legend over more than a century. It will prove invaluable to those interested in the demigods of the Old West—and in the ever-changing cultural landscape in which they appear to us.
Includes section "Book reviews."