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In this sensitively told tale of suffering, brutality, and inhumanity, Worse Than Slavery is an epic history of race and punishment in the deepest South from emancipation to the Civil Rights Era—and beyond. Immortalized in blues songs and movies like Cool Hand Luke and The Defiant Ones, Mississippi’s infamous Parchman State Penitentiary was, in the pre-civil rights south, synonymous with cruelty. Now, noted historian David Oshinsky gives us the true story of the notorious prison, drawing on police records, prison documents, folklore, blues songs, and oral history, from the days of cotton-field chain gangs to the 1960s, when Parchman was used to break the wills of civil rights workers who journeyed south on Freedom Rides.
Tells the story of Parchman Farm, from its beginnings as a penal farm at the turn of the century to the 1972 court decision that sealed its fate. Memories and opinions of former convicts and employees form the heart of this narrative. This work is a greatly revised edition of the author's Brokered Justice: Race, Politics, and Mississippi Prisons, 1798-1992, which was published in 1993 by the Ohio State University Press. Taylor is professor of criminal justice at the University of Southern Mississippi. Annotation copyrighted by Book News, Inc., Portland, OR
In 1900, the Mississippi legislature appropriated funds to purchase approximately 4,000 acres of farmland in Sunflower County, the heart of the Delta. The state's aim was to establish the Mississippi State Penitentiary, commonly known as Parchman because of the hamlet where it is located. From its inception, the prison farm was designed to preserve the vestiges of the antebellum South. Legislators believed they had designed the ideal correctional institution because Parchman would turn a profit, preserve the planter culture, and keep the black population enslaved in the Jim Crow era. The 1930s represented a turning point in the life of the prison. During this time, the Depression caused a drop in profits, some political leaders initiated measures to improve the standards of care for the inmates, and the New Deal's Works Progress Administration Writers' Project brought musical historians to Parchman.
In 1947, 1948 and 1959, renowned folklorist Alan Lomax (1915-2002) went behind the barbed wire into the Mississippi State Penitentiary at Parchman. Armed with a reel-to-reel tape deck--and, in 1959, a camera--Lomax documented as best an outsider could the stark and savage conditions of the prison farm, where the black inmates labored "from can't to can't," chopping timber, clearing ground and picking cotton for the state. They sang as they worked, keeping time with axes or hoes, adapting to their condition the slavery-time hollers that sustained their forebears and creating a new body of American song. Theirs was music, as Lomax wrote, that "testified to the love of truth and beauty which is a universal human trait." Their songs participated in two distinct musical traditions: free world (the blues, hollers, spirituals and other songs they sang outside and, when the situation permitted, sang inside as well) and the work songs, which were specific to the prison situation.A chilling account of how slavery persisted well into the 20th century in the institutionalized form of the chain gang, "Parchman Farm" includes two CDs with 44 of Lomax's remastered audio recordings and a book of more than 70 of Lomax's photographs, many published here for the first time.
One woman's harrowing, unforgettable account from the nadir of Jim Crow Mississippi
In October 1965, nearly 800 young people attempted to march from their churches in Natchez to protest segregation, discrimination and mistreatment by white leaders and elements of the Ku Klux Klan. As they exited the churches, local authorities forced the would-be marchers onto buses and charged them with "parading without a permit," a local ordinance later ruled unconstitutional. For approximately 150 of these young men and women, this was only the beginning. They were taken to the Mississippi State Penitentiary in Parchman, where prison authorities subjected them to days of abuse, humiliation and punishment under horrific conditions. Most were African Americans in their teens and early twenties. Authors G. Mark LaFrancis, Robert Morgan and Darrell White reveal the injustice of this overlooked dramatic episode in civil rights history.
A companion novel to Finding Langston, recipient of a Coretta Scott King Writing Honor and winner of the Scott O'Dell Award for Historical Fiction. Behind every bad boy is a story worth hearing and at least one chance for redemption. It's 1946 and Lymon, uprooted from his life in the Deep South and moved up North, needs that chance. Lymon's father is, for the time being, at Parchman Farm--the Mississippi State Penitentiary--and his mother, whom he doesn't remember all that much, has moved North. Fortunately, Lymon is being raised by his loving grandparents. Together, Lymon and his grandpops share a love of music, spending late summer nights playing the guitar. But Lymon's world as he knows it is about to dissolve. He will be sent on a journey to two Northern cities far from the country life he loves--and the version of himself he knows. In this companion novel to the Coretta Scott King Honor wining Finding Langston, readers will see a new side of the bully Lymon in this story of an angry boy whose raw talent, resilience, and devotion to music help point him in a new direction. A Kirkus Reviews Best Book of the Year A Junior Library Guild Selection! Named a Best Multicultural Children's Book by the Center for the Study of Multicultural Children's Literature A Bank Street Best Children's Book of the Year! A Bulletin of the Center for Children's Books Blue Ribbon Book Praise for Finding Langston, a Coretta Scott King Honor Book and winner of the Scott O'Dell Award for Historical Fiction "There aren't any explosions in this spare story. Nor is there a happy ending. Instead, Langston discovers something more enduring: solace."--The New York Times * "this crisply paced book is full of historical details of the Great Migration and the role a historic branch library played in preserving African American literary culture."--The Horn Book, Starred Review * "This is a story that will stay with readers long after they've finished it."--School Library Journal, Starred Review * "The impact on the reader could not be more powerful. A memorable debut novel."--Booklist, Starred Review * "A fascinating work of historical fiction . . . Cline-Ransome at her best."--Kirkus Reviews, Starred Review * "Finding Langston is about cultural heritage and personal growth and, at its heart, about finding home wherever you land."--Shelf Awareness, Starred Review
In 1968, during Albert Lepard’s fifth escape from a life sentence at Parchman Penitentiary, he kidnapped Lovejoy Boteler, then eighteen years old, from his family’s farm in Grenada, Mississippi. Three decades later, still beset by half-buried memories of that time, Boteler began researching his kidnapper’s nefarious, sordid life to discover how and why this terrifying abduction occurred. Crooked Snake: The Life and Crimes of Albert Lepard is the true story of Lepard, sentenced to life in Parchman for the murder of seventy-four-year-old Mary Young in 1959. During the course of his sentence, Lepard escaped from prison six times in fourteen years. In Crooked Snake, Boteler pieces together the story of this cold-blooded murderer's life using both historical records and personal interviews—over seventy in all—with ex-convicts who gravitated to and ran with Lepard, the family members who fed and sheltered the fugitive during his escapes, the law officers who hunted him, and the regular folks who were victimized in his terrible wake. Throughout Crooked Snake, Boteler reveals his kidnapper’s hardscrabble childhood and tracks his whereabouts before his incarceration and during his jailbreaks. Lepard’s escapes take him to Florida, Michigan, Kansas, California, and Mexico. Crooked Snake captures a slice of history and a landscape that is fast disappearing. These vignettes describe Mississippi’s countryside and spirit, ranging from sharecropper family gatherings in Attala County’s Seneasha Valley to the twenty-thousand-acre Parchman farm and its borderlands teeming with alligator, panther, bear, and wild boar.
#1 NEW YORK TIMES BESTSELLER • An intimate and revealing portrait of civil rights icon and longtime U.S. congressman John Lewis, linking his life to the painful quest for justice in America from the 1950s to the present—from the Pulitzer Prize–winning author of The Soul of America “An extraordinary man who deserves our everlasting admiration and gratitude.”—The Washington Post ONE OF THE WASHINGTON POST AND COSMOPOLITAN’S BEST BOOKS OF THE YEAR John Lewis, who at age twenty-five marched in Selma, Alabama, and was beaten on the Edmund Pettus Bridge, was a visionary and a man of faith. Drawing on decades of wide-ranging interviews with Lewis, Jon Meacham writes of how this great-grandson of a slave and son of an Alabama tenant farmer was inspired by the Bible and his teachers in nonviolence, Reverend James Lawson and Martin Luther King, Jr., to put his life on the line in the service of what Abraham Lincoln called “the better angels of our nature.” From an early age, Lewis learned that nonviolence was not only a tactic but a philosophy, a biblical imperative, and a transforming reality. At the age of four, Lewis, ambitious to become a minister, practiced by preaching to his family’s chickens. When his mother cooked one of the chickens, the boy refused to eat it—his first act, he wryly recalled, of nonviolent protest. Integral to Lewis’s commitment to bettering the nation was his faith in humanity and in God—and an unshakable belief in the power of hope. Meacham calls Lewis “as important to the founding of a modern and multiethnic twentieth- and twenty-first-century America as Thomas Jefferson and James Madison and Samuel Adams were to the initial creation of the Republic itself in the eighteenth century.” A believer in the injunction that one should love one's neighbor as oneself, Lewis was arguably a saint in our time, risking limb and life to bear witness for the powerless in the face of the powerful. In many ways he brought a still-evolving nation closer to realizing its ideals, and his story offers inspiration and illumination for Americans today who are working for social and political change.
In Our Own Words is a collection of prison writing from Vox's Prison Writes Initiative (PWI). The program is a Creative Writing program set-up for Mississippi inmates, a first of its kind in the state. The stories in the book are from inmates of Parchman Farm, Mississippi's oldest and only maximum security prison. The book is edited by VOX's editor and program director of the PWI, the poet Louis Bourgeois.