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Drawing examples from over 200 English-language and Spanish-language newspapers and periodicals published between January 1855 and October 1901, Paratextuality in Anglophone and Hispanophone Poems in the US Press, 1855-1901 argues that nineteenth-century newspaper poems are inherently paratextual. The paratextual situation of many newspaper poems (their links to surrounding textual items and discourses), their editorialisation through circulation (the way poems were altered from newspaper to newspaper) and their association and disassociation with certain celebrity bylines, editors and newspaper titles enabled contemporaneous poetic value and taste that, in the mid- to late-nineteenth century, were not only sentimental, Romantic and/or genteel. In addition to these important categories for determining a good and bad poem, poetic taste and value were determined, Bonifacio argues, via arbitrary consequences of circulation, paratextualisation, typesetter error and editorial convenience.
Drawing examples from over 200 English-language and Spanish-language newspapers and periodicals published between January 1855 and October 1901, Paratextuality in Anglophone and Hispanophone Poems in the US Press, 1855-1901 argues that nineteenth-century newspaper poems are inherently paratextual. The paratextual situation of many newspaper poems (their links to surrounding textual items and discourses), their editorialisation through circulation (the way poems were altered from newspaper to newspaper) and their association and disassociation with certain celebrity bylines, editors and newspaper titles enabled contemporaneous poetic value and taste that, in the mid- to late-nineteenth century, were not only sentimental, Romantic and/or genteel. In addition to these important categories for determining a good and bad poem, poetic taste and value were determined, Bonifacio argues, via arbitrary consequences of circulation, paratextualisation, typesetter error and editorial convenience.
This book provides an important critical analysis of the autobiographies of nine major leaders of national liberation movements in Africa. By examining their self-narratives, we can better understand how decolonisation unfolded and how activist-politicians sought to immortalise their roles for posterity. Focusing on the autobiographies of Peter Abrahams, Albert Luthuli, Ruth First and Nelson Mandela (South Africa), Nnamdi Azikiwe (Nigeria), Kenneth Kaunda (Zambia), George Mwase (Malawi), Kwame Nkrumah (Ghana), Maurice Nyagumbo (Zimbabwe), and Oginga Odinga (Kenya), the book uncovers the social and cultural forces which galvanized the anti-colonial resistance movement in African societies. In particular, the book explores the disdain for foreign domination, economic exploitation and cultural imperialism. It delves into themes of African cultural sovereignty before the colonial encounter, the disruptive presence of colonialism, the nationalist ferment against European imperial domination, the achievement of political autonomy by African nation-states and the corpus of contradictions which attended postcolonial becoming. With important insights on how these key historical figures navigated the process of self-determining nationhood in Africa, this book will be of interest to researchers of African literature, history, and politics.
To the River, We Are Migrants is Ayendy Bonifacio's debut collection. In this nostalgic volume, the image of the river carries us to and away from home. The river is a timeline that harkens back to Bonifacio's childhood in the Dominican Republic and ends with the sudden passing of his father. Through panoramic and time-bending gazes, To the River, We Are Migrants leads us through the rural foothills of Bonifacio's birthplace to the streets of East New York, Brooklyn. These lyrical poems, using both English and Spanish, illuminate childhood visions and memories and, in doing so, help us better understand what it means to be a migrant in these turbulent times.
A state of the field essay collection that offers new models for analysing time, space, self and politics in nineteenth-century American culture Across four parts of exploratory, creative and speculative essays, this book provides provocative frameworks and readings of canonical and non-canonical literature. The essays cover off-the-map places, warped historical chronologies, excessive selves, unlikely meetings and systemic incommensurability. Collectively they define original methods, categories and terrains for the study of the American cultural past. Altogether, this collection interrogates some of the most dominant critical moves of the past two decades and proposes alternative ways of working and thinking with the American nineteenth century. Edward Sugden is Senior Lecturer in American Literature at King's College London.
Hannah Lauren Murray shows that early US authors repeatedly imagined lost, challenged and negated White racial identity in the new nation. In a Critical Whiteness reading of canonical and lesser-known texts from Charles Brockden Brown to Frank J. Webb, Murray argues that White characters on the border between life and death were liminal presences that disturbed prescriptions of racial belonging in the early US. Fears of losing Whiteness were routinely channelled through the language of liminality, in a precursor to today's White anxieties of marginalisation and minoritisation.
Yiddish, Spanish, Hebrew, and English-at various points in Ilan Stavans's life, each of these has been his primary language. In this rich memoir, the linguistic chameleon outlines his remarkable cultural heritage from his birth in politically fragile Mexico, through his years as a student activist and young Zionist in Israel, to his present career as a noted and controversial academic and writer. Along the way, Stavans introduces readers to some of the remarkable members of his family-his brother, a musical wunderkind; his father, a Mexican soap opera star; his grandmother, who arrived in Mexico from Eastern Europe in 1929 and wrote her own autobiography. Masterfully weaving personal reminiscences with a provocative investigation into language acquisition and cultural code switching, On Borrowed Words is a compelling exploration of Stavans's search for his place in the world.
"A wonderful, wonderful book." —Maxine Hong Kingston Focusing on the relationship between two fiercely independent women—Teresa, a writer, and Alicia, an artist—this epistolary novel was written as a tribute to Julio Cortázar’s Hopscotch and examines Latina forms of love, gender conflict, and female friendship. This groundbreaking debut novel received an American Book Award from the Before Columbus Foundation and is widely studied as a feminist text on the nature of self-conflict.
This book is published by Floricanto Press. www.floricantopress.com "These times demand such acts of courage and skill." -Ana Castillo, author of The Mixquiahuala Letters, So Far From God, and Massacre of the Dreamers: Essays on Xicanisma "Dique Dominican is a candid, often moving account of what it was like for a Dominican-American to grow up in East New York . . . His story takes us back to his childhood in a small farm town near Juncalito, about 160 kilometers north of Santo Domingo, records his life in his hood and his move to Ohio in order to continue with his studies. As the author illustrates his family dynamics, the reality of his community, and his attempt to negotiate his way between English and Spanish, sharing with us, at the same time, his personal trajectory, ambitions, and reflections, Ayendy Bonifacio always keeps his own lucidity in front of pain, discrimination, and violence. Never overstated, his account is like a whisper which, however, forcefully demands to be heard." -Maria Cristina Fumagalli, author of Caribbean Perspectives on Modernity: Returning Medusa's Gaze and On the Edge: Writing the Border Between Haiti and the Dominican Republic "Language is home-and isn't. It makes room for us, allowing us comfort. Or it proscribes us, sending us into the vertigo of exile. In Dique Dominican, [Bonifacio] gets lost and found as he navigates the interstices where words struggle for meaning. A courageous, Babel-like journey!" -Ilan Stavans, author of On Borrowed Words: A Memoir of Language and general editor of The Norton Anthology of Latino Literature "A striking account of his journey from the campo in the Dominican Republic to Brooklyn to Ohio, as well as an exploration of independence and transcendence. The vivid details in this memoir portray more than the disparate places traversed, they reveal Bonifacio's own complex internal landscape. Intense, honest and bold." -Erika M. Martínez, editor of Daring to Write: Contemporary Narratives by Dominican Women AYENDY BONIFACIO is a Ph.D. candidate in English at the Ohio State University. He was born in Santiago de los Caballeros, Dominican Republic and raised in East New York, Brooklyn. He currently lives in Columbus, Ohio. Dique Dominican is his first book.