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No longer fearful to search for what lies beyond the known... beyond religious and ignorant boundaries. I'm embracing my own mind, my own spirituality and my own very out there ideas. Planting little weird seeds, for those who like the dark, unloved, thorny flowers. Attracting those with one foot in the world of the paranormal. Those that are not scared to think for themselves and love beyond man-made rules. Those that skip through the imaginary mists of time and those that baptise themselves in the rain. The light bearers, the shadow dancers... both sides of the same page. The lovers of poetry and hidden thoughts, desires and feelings. Those who are not afraid to look beyond boundaries.
The first book-length study of Samuel Beckett's complete poetry, combining new work from major literature critics and new critical perspectives.
Literary History in and beyond China: Reading Text and World explores the idea of literary history across the long span of the Chinese tradition. Although much scholarship on Chinese literature may be characterized as doing the work of literary history, there has been little theoretical engagement with received literary historical categories and assumptions, with how literary historical judgments are formed, and with what it means to do literary history in the first place. The present collection of essays addresses these questions from perspectives emerging both from within the tradition and from without, examining the anthological histories that shape the concept of a particular genre, the interpretive positions that impel our aesthetic judgments, the conceptual categories that determine how literary history is framed, and the history of literary historiography itself. As such, the essays collectively consider what it means to think through the framework of literary history, what literary history affords or omits, and what needs to be theorized in terms of literary history’s constraints and possibilities.
Reanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief’s subjectivity and uniqueness. It covers classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O’Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.
Over the last thirty years, more and more critics and scholars have come to recognize the significant influence of science on literature. This collection of essays focuses specifically on what poets in the twentieth and twenty-first centuries have made of modern scientific developments. In these twelve essays, leading experts on modern poetry, literature, and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the two cultures can and have come together in the work of poets from Britain, Ireland, America, and Australia.
Examining a wide range of ekphrastic poems, David Kennedy argues that contemporary British poets writing out of both mainstream and avant-garde traditions challenge established critical models of ekphrasis with work that is more complex than representational or counter-representational responses to paintings in museums and galleries. Even when the poem appears to be straightforwardly representational, it is often selectively so, producing a 'virtual' work that doesn't exist in actuality. Poets such as Kelvin Corcoran, Peter Hughes, and Gillian Clarke, Kennedy suggests, relish the ekphrastic encounter as one in which word and image become mutually destabilizing. Similarly, other poets engage with the source artwork as a performance that participates in the ethical realm. Showing that the ethical turn in ekphrastic poetry is often powerfully gendered, Kennedy also surveys a range of ekphrastic poets from the Renaissance and nineteenth century to trace a tradition of female ekphrastic poetry that includes Pauline Stainer and Frances Presley. Kennedy concludes with a critique of ekphrastic exercises in creative writing teaching, proposing that ekphrastic writing that takes greater account of performance spectatorship may offer more fruitful models for the classroom than the narrativizing of images.
For centuries, Westminster Abbey has inspired and challenged poets to try to capture and contain the spirit of its haunting beauty and worship-full reverence. This anthology includes poems written between 1413 to the present day, poems which contribute to the greatest epic imaginable in English, Westminster Abbey.
In its corners, streets, gates, bars, squares, boulevards, gardens, parks and cafés, the city maintains some of the focal points of “its†unconscious. These are found and explored everyday by surrealists who obtain the essential experience of surreality in metropolitan life. The concrete experience of exteriority (which in the following collective essay we concentrate only on the city limits and beyond them) requires from us a disposition closely akin not only to the sensible renewal of people, but also to existence and its poetic reserves, and to the revitalization of the interior life that is suffering a process of sterilization because of the convulsive technologization of interiority and the progressive forgetting of life outside.With texts and photos by: Mattias Forshage, Miguel P. Corrales, José Manuel Rojo, Bruno Jacobs, Guy Girard, Manuel Crespo, Eric W. Bragg, à ngel Zapata, Noé Ortega Quijano, Julio Monteverde, Vicente Gutiérrez, Silvia Guiard, Eugenio Castro
Famous for his visionary book, 'The Greeks and the Irrational' (1951), E.R. Dodds was not only a remarkable classical scholar, but also a poet with extensive links to 20th-century English and Irish literary culture. This volume explores his life, career, and legacy, including a group of memoirs by some of his pupils and friends.
Among the most profound questions we confront are the nature of what and who we are as conscious beings, and how the human mind relates to the rest of what we consider reality. For millennia, philosophers, scientists, and religious thinkers have attempted answers, perhaps none more meaningful today than those offered by neuroscience and by Buddhism. The encounter between these two worldviews has spurred ongoing conversations about what science and Buddhism can teach each other about mind and reality. In Mind Beyond Brain, the neuroscientist David E. Presti, with the assistance of other distinguished researchers, explores how evidence for anomalous phenomena—such as near-death experiences, apparent memories of past lives, apparitions, experiences associated with death, and other so-called psi or paranormal phenomena, including telepathy, clairvoyance, and precognition—can influence the Buddhism-science conversation. Presti describes the extensive but frequently unacknowledged history of scientific investigation into these phenomena, demonstrating its relevance to questions about consciousness and reality. The new perspectives opened up, if we are willing to take evidence of such often off-limits topics seriously, offer significant challenges to dominant explanatory paradigms and raise the prospect that we may be poised for truly revolutionary developments in the scientific investigation of mind. Mind Beyond Brain represents the next level in the science and Buddhism dialogue.