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Paramnesia is a powerful collection of poems that dives deep into the experience of living with intense emotions and depression. The author uses vivid and simple imagery to describe the feeling of standing on the edge of a cliff, caught between falling into sadness and fighting to stay strong. Each poem captures the struggle of moving back and forth between these two extremes. This book isnt just about feeling sad; its about the ongoing effort to understand and cope with those feelings. The poems reflect the ups and downs of life, the fear of falling back into darkness, and the quiet strength that comes from never giving up. Paramnesia is a journey toward self-acceptance and hope, offering comfort to anyone who feels alone in their struggles. Its a reminder that even in the hardest times, theres always a way forward.
Winnie-the-Pooh meets The Blair Witch Project in this very grown-up tale of a camping trip gone horribly awry. Twelve six-year-olds and their three adult chaperones head into the woods on a camping trip. None of them make it out alive. The Laws of the Skies tells the harrowing story of those days in the woods, of illness and accidents, and a murderous child. Part fairy tale, part horror film, this macabre fable takes us through the minds of all the members of this doomed party, murderers and murdered alike. “Excellent...crystalline." —New York Times, Summer Reads
Life constantly seems to be wavering between really good and really bad for Owen, a lonely sixteen-year-old still reeling from the unexpected death of his mother and a fresh move to Toronto. After ducking into an old bookstore to escape high school bullies, Owen discovers that he can travel to a parallel, twisted version of the city using a magical tablet called a Battledoor. He encounters new allies, bizarre creatures, and the ultimate antagonist who will stop at nothing to procure the magical Golden Slate for himself. Forced to work closely with friends and enemies in order to return home, Owen is faced with a series of choices that will prompt him to discover courage he never knew he had, explore the possibility of romance, and try to find a way to let go of his painful past and move on. But is Owen ready to finally take control and become the protagonist of his own story? /
For fans of The 7 1⁄2 Deaths of Evelyn Hardcastle and David Mitchell, a genre bending, time twisting alternative history that asks whether it's worth changing the past to save the future, even if it costs you everyone you've ever loved. Joe Tournier has a bad case of amnesia. His first memory is of stepping off a train in the nineteenth-century French colony of England. The only clue Joe has about his identity is a century-old postcard of a Scottish lighthouse that arrives in London the same month he does. Written in illegal English-instead of French-the postcard is signed only with the letter “M,” but Joe is certain whoever wrote it knows him far better than he currently knows himself, and he's determined to find the writer. The search for M, though, will drive Joe from French-ruled London to rebel-owned Scotland and finally onto the battle ships of a lost empire's Royal Navy. Swept out to sea with a hardened British sea captain named Kite, who might know more about Joe's past than he's willing to let on, Joe will remake history, and himself. From bestselling author Natasha Pulley, The Kingdoms is an epic, romantic, wildly original novel that bends genre as easily as it twists time.
SIMS' SYMPTOMS IN THE MIND has, since its first publication in 1988, become established as the leading introductory textbook on clinical psychopathology. This new edition has been fully updated to include advances in neuropsychology and cognitive neuroscience and changes can be found in the chapters on memory disturbance, disorders of time, pathology of perception, disorders of speech and language, affect and emotional disorders, and disorders of volition and execution. In some cases, novel classifications of the abnormalities under consideration have been provided together with additional pathological phenomena - including palinopsia, akinetopsia, zeitraffer phenomenon, exosomesthesia - many of which have been rediscovered or imported from neurology. The popular and distinctive features are the use of figures, tables and illustrative case examples which have been further enhanced with additional case examples from the classical literature, autobiographical narratives and fiction. New section headings provide firmer thematic unity to the content Check boxes summarize important points such as classification of particular areas Additional examples of psychopathology are included which are drawn from a wide source including fiction, autobiography and clinical textbooks Includes an extended range of abnormalities, including those which have previously been neglected, such as alloaesthesia, palinaptia, teleopsia, pelopsia, akinetopsia, palinopsia, and paraprosopia Fully updated description of the theoretical aspects of memory and its disturbance Fully integrated neuropsychological concepts of imagery and internal mental representations in the chapter on abnormalities of perception
Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.
How did Italian writers, scholars, clergymen, psychologists, members of parliament, and philosophers react to the advent of cinema? How did they establish a common language to discuss an invention that exceeded habits and expectations, and that transcended existing forms and categories of thought? This anthology gathers for the first time a large number of social discourses that in Italy tried to define and contextualize cinema from the 1890s to 1920s. What results is an impressive picture of a culture in distress at a 'scandalous' event and eager to appropriate it for the sake of modernization.
The Sunday Times No.4 bestseller Within the boroughs of London, nestled among its streets, hides another city, filled with magic.
This book introduces the reader to a clear and consistent method for in-depth exploration of subjective psychopathological experiences with the aim of helping to restore the ability within psychiatry and clinical psychology to draw qualitative distinctions between mental symptoms that are only apparently similar, thereby promoting a more precise characterization of experiential phenotypes. A wide range of mental disorders are considered in the book, each portrayed by a distinguished clinician. Each chapter begins with the description of a paradigmatic case study in order to introduce the reader directly to the patient’s lived world. The first-person perspective of the patient is the principal focus of attention. The essential, defining features of each psychopathological phenomenon and the meaning that the patient attaches to it are carefully analyzed in order to “make sense” of the patient’s apparently nonsensical experiences. In the second part of each chapter, the case study is discussed within the context of relevant literature and a detailed picture of the state of the art concerning the psychopathological understanding of the phenomenon at issue is provided. An Experiential Approach to Psychopathology, and the method it proposes, may be considered the result of convergence of classic phenomenological psychopathological concepts and updated clinical insights into patients’ lived experiences. It endorses three key principles: subjective phenomena are the quintessential feature of mental disorders; their qualitative study is mandatory; phenomenology has developed a rigorous method to grasp “what it is like” to be a person experiencing psychopathological phenomena. While the book is highly relevant for expert clinical phenomenologists, it is written in a way that will be readily understandable for trainees and young clinicians.