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With a continuously increasing desire for natural and comfortable human/machine interaction, the acoustic interface of any terminal for multimedia or telecommunication services is challenged to allow seamless and hands-free audio communication. Sound Capture for Human-Machine Interfaces introduces the practical aspects of microphone array signal processing and presents various combinations of beamforming and acoustic echo cancellation.
In the past few years we have written and edited several books in the area of acousticandspeechsignalprocessing. Thereasonbehindthisendeavoristhat there were almost no books available in the literature when we ?rst started while there was (and still is) a real need to publish manuscripts summarizing the most useful ideas, concepts, results, and state-of-the-art algorithms in this important area of research. According to all the feedback we have received so far, we can say that we were right in doing this. Recently, several other researchers have followed us in this journey and have published interesting books with their own visions and perspectives. The idea of writing a book on Microphone Array Signal Processing comes from discussions we have had with many colleagues and friends. As a c- sequence of these discussions, we came up with the conclusion that, again, there is an urgent need for a monograph that carefully explains the theory and implementation of microphone arrays. While there are many manuscripts on antenna arrays from a narrowband perspective (narrowband signals and narrowband processing), the literature is quite scarce when it comes to s- sor arrays explained from a truly broadband perspective. Many algorithms for speech applications were simply borrowed from narrowband antenna - rays. However, a direct application of narrowband ideas to broadband speech processing may not be necessarily appropriate and can lead to many m- understandings.
The book describes recent developments in aeroacoustic measurements in wind tunnels and the interpretation of the resulting data. The reader will find the latest measurement techniques described along with examples of the results.
This open access book provides a concise explanation of the fundamentals and background of the surround sound recording and playback technology Ambisonics. It equips readers with the psychoacoustical, signal processing, acoustical, and mathematical knowledge needed to understand the inner workings of modern processing utilities, special equipment for recording, manipulation, and reproduction in the higher-order Ambisonic format. The book comes with various practical examples based on free software tools and open scientific data for reproducible research. The book’s introductory section offers a perspective on Ambisonics spanning from the origins of coincident recordings in the 1930s to the Ambisonic concepts of the 1970s, as well as classical ways of applying Ambisonics in first-order coincident sound scene recording and reproduction that have been practiced since the 1980s. As, from time to time, the underlying mathematics become quite involved, but should be comprehensive without sacrificing readability, the book includes an extensive mathematical appendix. The book offers readers a deeper understanding of Ambisonic technologies, and will especially benefit scientists, audio-system and audio-recording engineers. In the advanced sections of the book, fundamentals and modern techniques as higher-order Ambisonic decoding, 3D audio effects, and higher-order recording are explained. Those techniques are shown to be suitable to supply audience areas ranging from studio-sized to hundreds of listeners, or headphone-based playback, regardless whether it is live, interactive, or studio-produced 3D audio material.