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...Therefore, the literary histories are put in front of an event- a literary one, certainly! - that they will have, volens-nolens, to mention, in the worst case, if not to analyze at an equal level with the other movements from the so large and complex field of the letters: the paradoxism.
There are people for whom are too few things they do not know how to do, to approach them, to understand them. There are people who is enough to look at them because they understood the significance in your eyes, are people for whom you have not finished the uttered sentence and they are given the solution, there are ...people!
In 1995 - when this monograph is published for the first time - we may consider that the paradoxist literary movement, initiated and organized by Florentin Smarandache, being accomplished as concerns the doctrine and having outlined its basic principles of action.
Because I have, finally, before my eyes two significant works- your volume, Destiny (published last year although it was written 20 years ago!) and a more special work, Outer-Art, that we have to talk about without fail later on-, we can start interviewing you.
In aesthetics, the paradox means the apparent resolution of an enigmatic situation (the result of such a process is the satisfaction of a distention), the emotional moving force being the unforeseen, the unexpected (which generates and also perturbs a new tension). Therefore, the paradox is simultaneously a conclusion and a provocation, consisting in the concomitance of the opposites, which gives it a real specificity.
Paradoxist distichs.
N-Norm and N-conorm are extended in Neutrosophic Logic/Set.