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Robert Carver, journalist and author of the acclaimed Among the Mountains', searches for high adventure and intense experiences as he follows the trail of a family mystery .
Serpent In Paradise is Dea's account of her quest for Utopia and of the heart-wrenching reality shared by the tiny community of Pitcairn Island - all descendants of the Bounty mutineers
“[From] a true independent, a self-declared extremist and ‘desert mystic’. . . . outstanding essays, travel pieces, and works of fiction” —Booklist This book is different from any other Edward Abbey book. It includes essays, travel writing and fictions to reveal Ed’s life directly, in his own words. The selections gathered here are arranged chronologically by incident, not by date of publication, to offer Edward Abbey’s life from the time he was the boy called Ned in Home, Pennsylvania, until his death in Tucson at age 62. A short note introduces each of the four parts of the book and attempts to identify what’s happening in the author’s life at the time. When relevant, some details of publishing history are provided. “This anthology, edited by his longtime editor and friend Macrae, makes for a splendid summary of his best work. . . . Anyone who doesn’t already know his work will find this volume, culled from more than a dozen books of fiction and nonfiction, an addictive introduction.” —Publishers Weekly “If your library is Abbey-deficient, this collection is essential.” —Library Journal “The announcement of a new Abbey book, whether essays or fiction, stirs a personal craving no other current American writer can satisfy.” —Los Angeles Book Review “A record as important and lovely as Muir’s and Thoreau’s.” —Bill McKibben, author of The End of Nature “Abbey’s work is a kind of blessed voice in the wilderness any way you take it, and a precious figure in our lethal time.” —W.S. Merwin, US Poet Laureate
My name is John Taylor. I’m a PI for hire in the Nightside, the dark and corrupt city within the city of London. Where the sun never shines and where pleasure and horror are always on sale—for the right price. Not a nice place to visit or a nice place to live. So you wouldn’t think I would care that it was about to be destroyed, by none other than my very own long-missing, not-quite-human mom. But I do. I was born here, I live here, and I got friends here. They might not all be acceptable in polite company, but they’re my friends, nonetheless. I know that I’m the only one who can stop her. The trick is, how to do it without fulfilling this prophecy that says whatever action I take, not only is the Nightside doomed, but the rest of the world will soon follow…
In order to save his homeland, Tull must find the great sea serpents and bring one of them back alive, but he must first pass through enemy territory
"An essay towards a natural history of serpents" by Charles Owen. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Despite the recent increase in scholarly activity regarding travel writing and the accompanying proliferation of publications relating to the form, its ethical dimensions have yet to be theorized with sufficient rigour. Drawing from the disciplines of anthropology, linguistics, literary studies and modern languages, the contributors in this volume apply themselves to a number of key theoretical questions pertaining to travel writing and ethics, ranging from travel-as-commoditization to encounters with minority languages under threat. Taken collectively, the essays assess key critical legacies from parallel disciplines to the debate so far, such as anthropological theory and postcolonial criticism. Also considered, and of equal significance, are the ethical implications of the form’s parallel genres of writing, such as ethnography and journalism. As some of the contributors argue, innovations in these genres have important implications for the act of theorizing travel writing itself and the mode and spirit in which it continues to be conducted. In the light of such innovations, how might ethical theory maintain its critical edge?