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Paradise Lost: a Divine Comedy or Profane Bathos? (, Ai-ichigen) breaks the spell, awakening the dreamer. For living in our dreams, we struggle to live in Paradise. Darwin said the origin of species was by means of natural selection, the preservation of favored races in the struggle for life; & history has borne him out. Proceeding from a faulty & partial memory, it needs repeating & constant amending; yet it renders no progress: history affirms the blind & random nature of human events! Schooled that by the labors of our native intelligence, we alone could subdue Darwin, we have made nature pay for our great industry. Our mighty institutions embrace Darwinian principles making us highly competitive through fear & separation. Love & unification we spurn to maintain our competitive edge, believing that by keeping our independence, our freedom we secure; for space & time were limited. These beliefs, being empirical, we never question. But what if Darwin was wrong? if things don’t evolve? if life were vouchsafed? For science avers that nature is lawless. It follows no rules in having no point or purpose. Positing a cosmic intelligence steering nature offends science. All the laws & meanings we find in nature are what science gives it. Yet were point & purpose never any part of this world, then how could we know them or even possess them in ourselves? & that includes our native wits. So, science concedes that life is deterministic &, promptly, reality dissolves; for life, we know to be uncertain & rife with choices. What we dare not question, this book answers. Strangers here we have become, thinking life in Paradise could ever be a struggle. Having turned fantasy into reality, Paradise is lost on us!
Paradise Lost: a Divine Comedy or Profane Bathos? (, Ai-ichigen) breaks the spell, awakening the dreamer. For living in our dreams, we struggle to live in Paradise. Darwin said the origin of species was by means of natural selection, the preservation of favored races in the struggle for life; & history has borne him out. Proceeding from a faulty & partial memory, it needs repeating & constant amending; yet it renders no progress: history affirms the blind & random nature of human events! Schooled that by the labors of our native intelligence, we alone could subdue Darwin, we have made nature pay for our great industry. Our mighty institutions embrace Darwinian principles making us highly competitive through fear & separation. Love & unification we spurn to maintain our competitive edge, believing that by keeping our independence, our freedom we secure; for space & time were limited. These beliefs, being empirical, we never question. But what if Darwin was wrong? if things don't evolve? if life were vouchsafed? For science avers that nature is lawless. It follows no rules in having no point or purpose. Positing a cosmic intelligence steering nature offends science. All the laws & meanings we find in nature are what science gives it. Yet were point & purpose never any part of this world, then how could we know them or even possess them in ourselves? & that includes our native wits. So, science concedes that life is deterministic &, promptly, reality dissolves; for life, we know to be uncertain & rife with choices. What we dare not question, this book answers. Strangers here we have become, thinking life in Paradise could ever be a struggle. Having turned fantasy into reality, Paradise is lost on us!
Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales. He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human. Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.
Ezra Pound belatedly conceded that T.S.Eliot "was the true Dantescan voice" of the modern world. With this assertion in mind, this study examines the relationship between the two poets. It attempts to show how Dante's total vision impinges on Eliot's craft and thought.
Although The Tin Drum has often been called one of the great novels of the 20th century, most critics have been baffled in attempting to draw its apparent chaos into a single literary framework. Here is the full-length study to penetrate the brilliance of Gunter Grass's style and uncover the novel's mythopoetic core. In A Mythic Journey: Gunter Grass's Tin Drum, author Edward Diller convincingly demonstrates the still valid relationship between modern and classical literary criticism. By reading The Tin Drum as both modern myth and historical epic, he provides a profound and sensitive interpretation of one of the masterpieces of 20th century literature.
DIV A literary master’s entertaining guide to reading with deeper insight, better understanding, and greater pleasure /div
Depicts the malign influence of a manipulative, insane father on his family and others.
Written by the author of "The Poetry of Seamus Heaney: All the Realms of Whisper" and "Contemporary Irish Poetry: A Collection of Critical Essays", this is a collection of critical essays on Seamus Heaney.