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A truly remarkable pictorial homage to Howard Finster's spiritual and artistic "garden" outside of Atlanta, Georgia. Finster has been busy for the last 25 years creating a kind of mystical Disney World populated by "found" sculpture, paintings, and writings. It would be easy to dismiss Finster as a "kook," but the contributing photographers ably capture for posterity the man's work with a loving detail that conveys the powerful urgency of his art. The color photographs are accompanied by Finster's own descriptions of how he created the garden, and commentary by fans such as David Byrne. Lacks an index. Annotation copyright by Book News, Inc., Portland, OR
'Lavish ... a celebration of the history and enduring romance of Islamic gardens' Washington Post As seen on the highly acclaimed BBC2 series Monty Don's Paradise Gardens, a glorious celebration of the richness of Islamic culture through some of the most beautiful gardens on earth. In the Islamic tradition, a garden with its central elements of water, the scent of fruit trees, and places for rest and reflection, celebrate heaven on earth. Paradise gardens play a central role in everyday life in the Islamic world, yet little is known about them. Monty Don and acclaimed photographer, Derry Moore, set off on a journey to find out more about the principles and immersive delights of paradise gardens and how a very different culture and climate has influenced garden design round the world. Their journey covers twenty-nine gardens from the Real Alcazar and the Alhambra in Spain, and Le Jardin Majorelle in Morocco, to Highgrove and a Mughal garden in Bradford in England. There are some spectacular and rarely seen examples such as Pasargadae and the Maidan in Isfahan, Iran, the birthplace of paradise gardens, as well as the more renowned examples such as Turkey's Topkapi Palace and the Amber Palace and Taj Mahal in India. 'A garden, green and filled with water is heaven on earth - it is paradise.' Monty Don ALSO BY MONTY DON & DERRY MOORE JAPANESE GARDENS: A JOURNEY An exploration of the exquisite beauty and fascinating history of the most beautiful and famous gardens across Japan, from Kenrok-en to the Zen gardens of Tokyo. 'A fabulous, bonsai-filled book' Daily Mail
Tired of his mother's shouting and the noise of the city, Peter runs away to a beautiful garden, where he stays until he finds a way to bring a part of it home with him.
Sweeping, voluptuous, and authoritative, Private Paradise instantly joins an elite collection of great and inspiring garden design books. Charlotte Frieze presents forty-one cutting-edge gardens, all richly photographed and profusely illustrated, emphasizing design, climate, and horticulture. Overarching themes of Aqua, Arcadia, Bold Geometry, Color, Nightscapes, Oasis, Sanctuary, and Urban cogently frame chapters about the challenges presented by the land, the climate, and the client’s interests. Located throughout the United States, these gardens demonstrate the intersection between traditional elements of garden design and current concerns such as sustainability, drought tolerance, and use of native plants. Private Paradise features the work of the most talented landscape architects and garden designers working in the United States today, including Topher Delaney, Marta Fry, Kathryn Gustafson, Raymond Jungles, Steve Koch, Ron Lutsko, Steve Martino, Pamela Palmer, Ken Smith, Christine Ten Eyck, and Thomas Wolz. In a publication that rightfully takes its place on the sturdy foundation of a century’s worth of garden surveys and design monographs, Private Paradise creates a compelling portrait of contemporary landscape design.
"Walks to the Paradise Garden is the last unpublished manuscript of the late American poet, photographer, publisher and bon viveur Jonathan Williams (1929-2008). This book chronicles Williams' road trips across the Southern United States with photographers Guy Mendes and Roger Manley in search of the most authentic and outlandish artists the South had to offer. Williams describes the project thus: 'The people and places in Walks to the Paradise Garden exist along the blue highways of America.... We have traveled many thousands of miles, together and separately, to document what tickled us, what moved us, and what (sometimes) appalled us.' The majority of these road trips took place in the 1980s, a pivotal decade in the development of Southern 'yard shows' and many of the artists are now featured in major institutions. This book, however, chronicles them at the outset of their careers and provides essential context for their inclusion in the art historical canon"--Back cover.
Paradise Planned is the definitive history of the development of the garden suburb, a phenomenon that originated in England in the late eighteenth century, was quickly adopted in the United State and northern Europe, and gradually proliferated throughout the world. These bucolic settings offered an ideal lifestyle typically outside the city but accessible by streetcar, train, and automobile. Today, the principles of the garden city movement are once again in play, as retrofitting the suburbs has become a central issue in planning. Strategies are emerging that reflect the goals of garden suburbs in creating metropolitan communities that embrace both the intensity of the city and the tranquility of nature. Paradise Planned is the comprehensive, encyclopedic record of this movement, a vital contribution to architectural and planning history and an essential recourse for guiding the repair of the American townscape.
Winner, Charles Rufus Morey Award, 1993 The valley of Malinalco, Mexico, long renowned for its monolithic Aztec temples, is a microcosm of the historical changes that occurred in the centuries preceding and following the Spanish conquest in the sixteenth century. In particular, the garden frescoes uncovered in 1974 at the Augustinian monastery of Malinalco document the collision of the European search for Utopia with the reality of colonial life. In this study, Jeanette F. Peterson examines the murals within the dual heritage of pre-Hispanic and European muralism to reveal how the wall paintings promoted the political and religious agendas of the Spanish conquerors while preserving a record of pre-Columbian rituals and imagery. She finds that the utopian themes portrayed at Malinalco and other Augustinian monasteries were integrated into a religious and political ideology that, in part, camouflaged the harsh realities of colonial policies toward the native population. That the murals were ultimately whitewashed at the end of the sixteenth century suggests that the "spiritual conquest" failed. Peterson argues that the incorporation of native features ultimately worked to undermine the orthodoxy of the Christian message. She places the murals' imagery within the pre-Columbian tlacuilo (scribe-painter) tradition, traces a "Sahagún connection" between the Malinalco muralists and the native artists working at the Franciscan school of Tlatelolco, and explores mural painting as an artistic response to acculturation. The book is beautifully illustrated with 137 black-and-white figures, including photographs and line drawings. For everyone interested in the encounter between European and Native American cultures, it will be essential reading.
A “certainly weird . . . strangely wonderful . . . [and] often irresistible” search to find the real Garden of Eden (The New York Times Book Review). Where, precisely, was God’s Paradise? St. Augustine had a theory. So did medieval monks, John Calvin and Christopher Columbus. But when Darwin’s theory of evolution changed our understanding of human origins, shouldn’t the desire to put a literal Eden on the map have faded away? Not so fast. This “gloriously researched, pluckily written historical and anecdotal assay of humankind’s age-old quixotic quest for the exact location of the Biblical garden” (Elle) explores an obsession that has consumed scientists and theologians alike for centuries. To this day, the search continues, taken up by amateur explorers, clergymen, scholars, engineers and educators—romantic seekers all who started with the same simple-sounding Bible verses, only to end up at a different spot on the globe: Sri Lanka, the Seychelles, the North Pole, Mesopotamia, China, Iraq—and Ohio. Inspired by an Eden seeker in her own family, “Wilensky-Lanford approaches her subjects with respect, enthusiasm and conscientious research” (San Francisco Chronicle) as she traverses a century-spanning history provoking surprising insights into where we came from, what we did wrong, and where we go from here. And it all makes for “a lively journey” (Kirkus Reviews).
When Eric Toensmeier and Jonathan Bates moved into a duplex in a run-down part of Holyoke, Massachusetts, the tenth-of-an-acre lot was barren ground and bad soil, peppered with broken pieces of concrete, asphalt, and brick. The two friends got to work designing what would become not just another urban farm, but a "permaculture paradise" replete with perennial broccoli, paw paws, bananas, and moringa—all told, more than two hundred low-maintenance edible plants in an innovative food forest on a small city lot. The garden—intended to function like a natural ecosystem with the plants themselves providing most of the garden's needs for fertility, pest control, and weed suppression—also features an edible water garden, a year-round unheated greenhouse, tropical crops, urban poultry, and even silkworms. In telling the story of Paradise Lot, Toensmeier explains the principles and practices of permaculture, the choice of exotic and unusual food plants, the techniques of design and cultivation, and, of course, the adventures, mistakes, and do-overs in the process. Packed full of detailed, useful information about designing a highly productive permaculture garden, Paradise Lot is also a funny and charming story of two single guys, both plant nerds, with a wild plan: to realize the garden of their dreams and meet women to share it with. Amazingly, on both counts, they succeed.
Explores the conviction that paradise existed in a precise although unreachable earthly location. Delving into the writings of dozens of medieval and Renaissance thinkers, from Augustine to Dante, this title presents a study of the meaning of Original Sin and the human yearning for paradise.