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Paradise from behind the Iron Curtain provides a detailed survey of the key responses to Milton’s work in Hungarian state socialism. The four decades between 1948 and 1989 saw a radical revision of previous critical and artistic positions and resulted in the emergence of some characteristically Eastern European responses to Milton’s works. Critical and artistic appraisals of Milton’s works in the communist era proved more controversial than receptions of other major Western authors: on the one hand, Milton’s participation in the Civil War earned him the title of a ‘revolutionary hero,’ on the other hand, religious aspects of his works were often disregarded and sometimes proactively suppressed. Ranging through all the genres of Milton’s oeuvre as well as the critical tradition, the book highlights these diverging responses and places them in the wider context of socialist cultural policy. In addition, the author presents the full Hungarian script of the 1970 theatrical performance of Milton’s Paradise Lost, the first of its kind since the work’s publication, including a parallel English translation, which enables a deeper reflection on Milton’s original theodicy and its possible interpretations in communist Hungary.
"Readers will discover the failures of Kissinger ́s policy of detente in the early 1970s, the mistaken departure from Carter ́s balanced policy toward China and the USSR, and the near-collapse of the embassy due to intelligence failures"-Foreign Service Journal. "Ober ́s book recounts it all, along with the personalities and events of the time now mostly forgotten: dissidents and refuseniks, Victor and Jennifer Louis, Nina and Ed Stevens, U.S.-Soviet summits, microwaves, bugged buildings and typewriters, fires, spy dust and spy mania . . . It ́s all there, the pageant of U.S. Embassy Moscow 1970-90, a place so unlike today ́s walled air-conditioned, high-rise embassy fortress a block away as to beggar the imagination."-Richard Gilbert, AmericanDiplomacy.org "You have wonderfully captured the way things were in the Soviet Union in the 1970s and ́80s. I don ́t know anyone who has done it better."-Donald Connery, former Time-Life correspondent, Moscow. "Together with much wisdom about American diplomacy, this rich memoir provides keen insight into Russian thinking and behavior"-George Feifer, "The Girl from Petrovka".
The Sixties occupy a prominent place in popular culture and scholarship as an era of global upheavals, including the Civil Rights Movement, de-colonization, radical social movements, student and youth protests, and the Vietnam War. This pioneering book explores the seemingly isolated Eastern bloc and a non-capitalist context, demonstrating the impact of those global upheavals on young people in Poland in the form of international youth culture, protest movements, and counterculture.
While the world was reading one story, God was writing another. In 1977, amidst the bitterly cold days of the frigid Cold War, a young couple responded to God’s dramatic call on their lives to go and live covertly behind The Iron Curtain. Filled with faith and buffeted by fear, they left the familiarity of family and the security of NATO to locate behind enemy lines inside Communist Poland in order to establish a Kingdom beachhead of evangelism and discipleship. From award-winning author Debby Thompson, Pulling Back the Iron Curtain is a collection of personal and intimate stories revealing a firsthand account of that unique assignment. Now, with authenticity and vulnerability, this pioneer missionary makes known to the world the tender and dramatic workings of God even behind the Iron Curtain.

Hearings

United States. Congress. House. Committee on Appropriations

Published: 1956

Total Pages: 1024


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