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In the third Quarterly Essay for 2002 John Martinkus details what is being done to West Papua by its Indonesian overlords. He illustrates how those who seek independence are killed and tortured for their cause. There is now no one like the Papuan leader Theys Eluay, murdered in 2001 by the Indonesian military, and a campaign of death and terror has been launched on those who raise the Morning Star flag. Martinkus shows how the wealth of the Freeport mine underpins a regimen of repression and he reports on the rise of Laskar Jihad, the imported Islamic extremists who spread fear inthe name of Indonesian domination. In a powerful, groundbreaking piece of reportage, Martinkus shows how West Papua is another East Timor waiting to happen and how this is made possible by the indifference of everyone from the United Nations to the Australian government. "John Martinkus' narrative is as engrossing as it is appalling. It is full of menace and madness and the smell of death." —Peter Craven, Introduction "The violence in West Papua today ... is being orchestrated by the same figures in the Indonesian military who were behind the events in East Timor ... the whole repressive network of the Indonesian military that laid [it] waste." —John Martinkus, Paradise Betrayed

Two months have passed at the Island Resort without a murder, missing person, or even a serious injury. Fingers crossed, Harriet Monroe hopes this becomes a new trend. No murder, no mayhem–just happy guests.

Every available room and cottage has been booked by the family and guests of a high-profile society wedding scheduled to take place at the end of the week. Harriet loves weddings and dives into the planning. Flowers, food, cake, music–everything is decided upon and set to go.

Everything but the wedding party, that is. Tensions in the families run high. The guests begin to lay bets as to whether the ceremony will take place. It’s all paid for so Harriet isn’t worried–until the matron of honor turns up dead.

A cozy mystery series set in a tropical island resort with female amateur sleuth Harriet Monroe.

In the third Quarterly Essay for 2002 John Martinkus details what is being done to West Papua by its Indonesian overlords. He illustrates how those who seek independence are killed and tortured for their cause. There is now no one like the Papuan leader Theys Eluay, murdered in 2001 by the Indonesian military, and a campaign of death and terror has been launched on those who raise the Morning Star flag. Martinkus shows how the wealth of the Freeport mine underpins a regimen of repression and he reports on the rise of Laskar Jihad, the imported Islamic extremists who spread fear inthe name of Indonesian domination. In a powerful, groundbreaking piece of reportage, Martinkus shows how West Papua is another East Timor waiting to happen and how this is made possible by the indifference of everyone from the United Nations to the Australian government. 'John Martinkus' narrative is as engrossing as it is appalling. It is full of menace and madness and the smell of death.' - Peter Craven, Introduction 'The violence in West Papua today ... is being orchestrated by the same figures in the Indonesian military who were behind the events in East Timor ... the whole repressive network of the Indonesian military that laid it waste.' - John Martinkus, Paradise Betrayed
Stumbling Through Paradise: A Feast of Mercy for Manuel del Mundo follows the journey of one Filipino family, who leave everything behind in order to build a new life for themselves in Canada, and their struggle to find their way. Blocked from finding work in their respective fields despite their qualifications and skills, they must decide between pride and practicality, survival and surrender. The choices and concessions they make will impact their lives, and the lives of their children, in countless ways. And in the end, it will be up to the second and third generations to offer redemption, and help create the paradise their parents had hoped to find. A story of determination and hope, Stumbling Through Paradise showcases the indomitable spirit of those willing to risk everything for the chance of a brighter future, and captures with great clarity, the bonds of familial love and loyalty, which may bend but never truly break.
Beginning with the earliest recorded accounts of wars among the American Indians, Nelson describes early European contact, including British trappers of the Hudson Bay Company, whose fur trading led to the Pig War, and the long bitter battles between whites and American Indians.
The acclaimed Nobel Prize winner challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation on race, religion, gender, and a far-off past that is ever present—in prose that soars with the rhythms, grandeur, and tragic arc of an epic poem. “They shoot the white girl first. With the rest they can take their time.” So begins Toni Morrison’s Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage. “A fascinating story, wonderfully detailed. . . . The town is the stage for a profound and provocative debate.” —Los Angeles Times
Who are the Greens, where do they come from and where are they going? In the wake of the Cunningham by-election and the Tasmanian results Amanda Lohrey, novelist and political thinker, looks at the philosophical background of the Greens, the history of the campaigns to save the wilderness and the election figures that suggest the Greens are making powerful advances towards becoming the major 'minor' party in Australia. This is a compelling portrait of the Greens and of their leader Bob Brown which depicts them as the most formidable attempt that has been made on the Left to deal with the damage of globalisation. ‘In Australia it is the Green, not the Democrats, who have emerged as the authentic representatives of this developing constituency ... They are not a collection of ersatz Liberals ... [they] are clear on the bottom-line accounting ... There is a crucial sense in which the Greens know where they come from.’ —Amanda Lohrey, Groundswell ‘Bob Brown in Amanda Lohrey's characterisation is certainly a man for all seasons. She emphasizes the skepticism as well as the spirituality and the kind of personal integrity that can hush a House of Parliament by force not of charisma but of conviction.’ —Peter Craven ‘She takes us systematically and in economic detail through the origins of the Green Movement as a new paradigm of what politics is or should be about – the ecological, the knowledgeable, respectful and restrained use of nature.’ —Canberra Times ‘Bringing her novelist’s eye to the history of environmental politics, Amanda Lohery paints a vivid picture of the Greens’ formative decades.’ —the Age Amanda Lohrey has written two Quarterly Essays, Groundswell: The Rise of the Greens and Voting for Jesus: Christianity and Politics in Australia. She is also the author of the novella Vertigo and of the short story collection, Reading Madame Bovary, which won the Fiction Prize and the Steele Rudd Short Story Award in the 2011 Queensland Literary Awards. Her novel, The Philosopher's Doll, was longlisted for the Miles Franklin Award and the International IMPAC Dublin Literary Award. In 2012 she was awarded the Patrick White Literary Award.
The first critical biography of one of the twentieth century's towering literary figures. Stephen Spender was a minor poet, but a major cultural influence during much of the century. Literary critic, journalist, art critic, social commentator, and friendend of the best-known cultural figures of the modernist and postmodernist periods (Yeats, Woolf, Sartre, Auden, Eliot, Isherwood, Hughes, Brodsky, Ginsberg-a "who's who" of contemporary literature). Spender's writing recorded and distilled the emotional turbulence of many of the century's defining moments: the Spanish Civil War; the rise and fall of Marxism and Nazism; World War II; the human rights struggle after the war; the Vietnam protest, the Cold War, and the 1960s sexual revolution; the rise of America as a cultural and political force. As David Leeming's fascinating biography demonstrates, Stephen Spender's life reflected the complexity and flux of the century in which he lived: his sexual ambivalence, his famous friends, the free-love days in Germany between the wars, the CIA-Encounter scandal. In David Leeming's capable hands, this comprehensive, unauthorized study of Spender is a meditation on modernity itself.
Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history--the beheading of Charles I, the Great Fire, the Blitz--but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself.