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Paracelsus (1493-1541) stands at a crossroads associated with the Renaissance and Reformation. His cosmological-meteorological writings exemplify the turning point that concluded the older worldview and opened fresh avenues. His nature philosophy is inseparable from his medicine. This volume encompasses Paracelsus’s writings on cosmology and meteorology in the German original with facing-page translations. The reliable source texts have been treated with methods of critical edition. The source text and translation are accompanied by commentary elucidating their obscurity through the context of his full corpus while placing them in the context of the best secondary literature from his time to the present.
The cosmological-meteorological writings of Paracelsus (1493-1541), presented here for the first time in the most reliable German versions with facing-page translations and thorough text-based and historical commentary, are essential documents of the transition from the medieval to the modern era.
Drawing upon Huser's 1589 publication of Paracelsus' works, this dual-language volume combines a critical edition of Essential Theoretical Writings on philosophy, medicine, nature, and the supernatural, with new English translations and extensive commentary on the second largest sixteenth-century German-language corpus.
Drawing upon Huser's 1589 publication of Paracelsus' works, this dual-language volume combines a critical edition of Essential Theoretical Writings on philosophy, medicine, nature, and the supernatural, with new English translations and extensive commentary on the second largest sixteenth-century German-language corpus.
Paracelsus is commonly regarded as one of the great figures of sixteenth-century Europe and of German intellectual history. This book examines the content of his writings in order to clarify it and its historical context.
Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
Idealist Alternatives to Materialist Philosophies of Science (ed. Philip MacEwen) makes the case that there are other, and arguably better, ways of understanding science than materialism. Philosophical idealism leads the list of challengers but critical realism and various forms of pluralism are fully articulated as well. To ensure that the incumbent is adequately represented, the volume includes a major defence of materialism/naturalism from Anaxagoras to the present. Contributors include Leslie Armour, John D. Norton, and Fred Wilson with a Foreword by Nicholas Rescher. For anyone interested in whether materialism has a monopoly on science, this volume presents a good case for materialism but a better one for its alternatives.
A history of medical science--emerging from the ignorance of the swamp (malaria="bad air) to the sophistication of microbiology and the emergence of germ theory of disease in the early 1900's. written in an engaging style by a former WHO researcher, an excellent text for appreciation of the background of modern medicine.