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Mi nombre es Antonio Anteliz Zurita, nací un 5 de Agosto de 1947 en la ciudad de Puebla. Curse mi Primaria en la Escuela Motolinia, mi Secundaria en el Seminario Salesiano de Don Bosco en Puebla y en San Pedro Tlaquepaque Jalisco, mi Preparatoria en el Colegio San SEBASTIAN de Aparicio, estuve 3 años en la Universidad Autónoma de Puebla, cursando la carrera de Ciencias Económicas Administrativas. En 1968 me vine a la Ciudad de Chicago, en 1970 comencé a escribir sobre deportes en el semanario más prestigioso de la "Ciudad de los Vientos", LA RAZA, posteriormente escribí en los diferentes periódicos y revistas de Chicago, como EL NORTE, EL HERALDO, CHICAGO DEPORTIVO, EL EXTRA, EL TELEGUIA, ETC.; estuve tres años trabajando en la radio LA TREMENDA, en un programa titulado "Hablando de Deportes". Fundé con Jorge Alvarez el primer grupo Teatral de Chicago. Coproduje un cine video de la película titulada "El chorizo del carnicero" y escribí dicho libreto. Hice televisión en Chicago en el programa de Alva Molina en el canal 26, he salido en UNIVISION en el programa de República Deportiva, Despierta América. En TELEMUNDO en Sálvese Quien Pueda. Incursioné en el cine mexicano actuando en 8 cines videos al lado de Mario Almada, Alfonso Zayas, Flaco Guzmán, El Flaco Ibáñez, Edgardo Gazcon, Armando Araiza, Cesar Bono, etc. Tengo un personaje cómico de un monaguillo bien irreverente llamado "Agapito Melocras" y conjuntamente a mi compañero el sacerdote "El cura melcacho", les hemos abierto a varios comediantes su Show. Tengo alrededor de ocho libros listos para la imprenta. Espero que cuando sepa que ya hay otro libro mío en el mercado lo compre porque va ser interesante y diferente.
Seminal essays on how women adapt to the structural transformations caused by the large migration from Mexico to the U.S.A., how they create or contest representations of their identities in light of their marginality, and give voice to their own agency.
Esta historia, está llena de duros y desgraciados acontecimientos, pero también, es una historia llena de dulzura, felicidad y sosiego, de acuerdo con los tiempos, que en cada momento acontecían; creo que es una historia donde el lector puede sentirse reconfortado, feliz y hasta identificado en muchos de los puntos de vista. Son muchas las cosas que han ocurrido, en este y otros países, que la gente se ha olvidado; si todos y cada uno de nosotros, echáramos de vez en cuando la vista atrás para recordar, quienes fueron nuestros ancestros. De donde procedemos y de quien. Como fuimos. Como somos y en qué nos hemos convertido; podéis tener la seguridad, de que todos y cada uno de nosotros, seríamos mucho más ricos en valores humanos; valores estos de los cuales cada día carecemos más. La historia de los pueblos y la propia de cada uno de nosotros, es el legado más valioso, que el ser humano puede tener.
HEY YO ! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION (English/Spanish) is a 386-page collection, comprised of three previously published books, "Casting Long Shadows" (1970), "Have You Seen Liberation" (1971), and "Street Poetry & Other Poems" (1972), consist of stories about growing up Puerto Rican in New York City’s El Barrio. Melendez has long been considered one of the founders of the Nuyorican Movement and the political, intellectual and linguistic topics he approaches in his work remain extremely relevant to this day. Forward by Samuel Diaz and Carmen M. Pietri-Diaz; Translator's notes by Adam Wier; Introduction by Sandra Maria Esteves; and Afterword by Jaime "Shaggy" Flores. Also includes historical photos of and an in-depth interview of Melendez. HEY YO! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION is a collection to be devoured as a single sustained narrative, from the first page to the last; a worthy addition in anyone’s library.
Modern Spanish Grammar Workbook is an innovative book of exercises and language tasks for all learners of European or Latin American Spanish. The book is divided into two sections: * Section 1 provides exercises based on essential grammatical structures * Section 2 practises everyday functions such as making introductions and expressing needs A comprehensive answer key at the back of the book enables you to check on your progress. Modern Spanish Grammar Workbook is ideal for all learners of European or Latin American Spanish including undergraduates taking Spanish as a major or minor part of their studies, as well as intermediate and advanced students in schools and adult education. It can be used independently or alongside Modern Spanish Grammar, also published by Routledge.
Benito Pérez Galdós, considered Spain’s most important novelist after Cervantes, wrote 77 novels, several works of theater and a number of other tomes during his lifetime (1843–1920). His works have been translated into all major languages of the world, and many of his most highly regarded novels, those of the contemporary period, have been translated into English two, three and even four times over. Of the few “contemporary novels” of Galdós that until now have not come to light in English, The Forbidden is certainly among the most noteworthy. The story line concerns a wealthy philanderer, José María Bueno de Guzmán, who attempts to buy the favors of his three beautiful married cousins. He is successful with the first, Eloísa, a grasping materialist who falls deeply in love with him. Then he rejects her in order to attempt to seduce the youngest, Camila. Meanwhile, the third, the pseudo-intellectual María Juana, jealous, seduces José María. But it is Camila, healthy, impetuous and wild, who resists his temptations and holds our attention. The novelist and critic Leopoldo Alas, Galdós’s contemporary, calls her “the most feminine, graceful, lively female character that any modern novelist has painted.” As a naturalistic study, in the manner of Balzac in particular, principal characters of Galdós’s other novels (El doctor Centeno, La de Bringas, La familia de León Roch) become fleetingly visible in The Forbidden. In addition, the entire Bueno de Guzmán family gives evidence of the naturalistic emphasis on heredity: they all display certain physical or mental disorders. Eloísa has a morbid fear of feathers, María Juana often feels that she has a tiny piece of cloth caught in her teeth, José María suffers bouts of depression, an uncle is a kleptomaniac, one of the relatives writes letters to himself, etc. At the same time, this novel shows the foibles of Spanish society where status is determined by one’s associates, by the wearing of finery, and by living on borrowed money. In their history of Spanish literature, Chandler and Schwartz call Galdós “the greatest novelist of the nineteenth century and the only one who deserves to be mentioned in the same breath with great novelists like Balzac, Dickens and Dostoievsky.” The Forbidden, written at the height of the author’s creative powers, is a major work and its publication for an English-speaking audience is long overdue.
In the continuing U.S. debate over illegal immigration, a human face has rarely been shown. The topic has been presented as a monolithic abstraction, a creation of statistics, political rhetoric, and fear. This collection of letters between undocumented immigrants in California and their families back home reveals the other side of the story. Published for the first time in paperback, Between the Lines reveals the often poignant human drama currently being played out along the U.S.-Mexico border. The letters, presented in Spanish and English, express powerful feelings of hope, uncertainty, and fear among the undocumented travelers as they arrive in the United States and seek work, social support and legal status. The letters from their families in Mexico, Guatemala, and El Salvador return feelings of hope, love, and support. Translator/editor Siems provides a powerful and lyrical introductory essay that sets the stage for the letters that follow.
Many people start their day off with a few minutes of prayer and Bible study, often with a devotion. But how many of them take the time at night to spend a moment with God after their hurried bedtime prayers. This companion to 'Starting Your Day Right' asks for God's continued care throughout the night.