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The 1980s saw an explosion in the use of the domestic video cassette recorder (VCR), arguably the most significant new form of home entertainment technology since television. In Video Playtime Ann Gray investigates what women themselves felt about the VCR, both in terms of the ways these entertainment facilities were used within their households, and what kinds of programmes and films they themselves particularly enjoyed. Ann Gray draws heavily on verbatim quotes from discussions to provide a rich description of different types of household micro-cultures and to give readers more direct access to the women themselves and the ways in which they accounted for their own experience. Video Playtime addresses questions of domestic technology as well as those of taste and cultural preference, particularly in relation to class, addressing the dynamics of power within existing social and cultural relations and thereby setting the analysis within a much wider social context.
Charlotte Brundson's key writings on film and television are bought together with new introductions which contextualise and update the arguments. The focus is on the tastes and pleasures of the female consumer as she is produced by popular film and television.
The world's fourth largest island, with a unique biological and physical endowment, Madagascar is home to an extraordinary insular civilization that has struggled for more than a century against external domination. In this sensitive introduction to the Indian Ocean's "great island," Philip Allen shows how family affinities and community loyalties at the foundation of Madagascar's culture have influenced Malagasy nationalism and forged islandwide traditions. These same principles have nonetheless engendered social cleavages and resistance to economic and political change. In chapters on modern Madagascar, Allen analyzes the inability of a series of regimes to maintain authority among a people deeply bound to rituals of communication with their spiritual environment. He demonstrates how the first Malagasy Republic became stigmatized by its lingering identification with French colonialism and how the nationalist revolution in 1972 soon hardened into autocratic radicalism. Allen explores the complex challenges facing Madagascar's resurgent democratic forces–including a need to conserve the island's irreplaceable biodiversity and to facilitate authentic participation in public affairs without offending ancestral customs and local precedents. Finally, he discusses efforts to end Madagascar's economic and political dependence and to improve living conditions for its tragically impoverished population.
First published in 1990. This book is the first specifically about television drama from within a cultural studies perspective and as such examines the active agency of both viewers and media practitioners. The author examines dominant and counter-myths as they circulate in popular culture, discussing soap opera, science fiction, sitcom, cop series and 'authored' drama among its examples. It works within an ethnographic framework, he looks in detail at both the production and reception of TV drama. The overall aim of the book is to examine television representation as part of an historically positioned and differentiated social formation in which knowledgeable actors work in every institutional arena (whether media industry, academia or domestic household) to make their meanings.
The editors have gathered essays that not only make a major contribution to the effort to replace homophobic discourse, but also speak persuasively to all readers interested in literature or literary history, contemporary theory, and popular culture.
Since the publication of the best-selling first edition, the growing price and environmental cost of energy have increased the significance of tribology. Handbook of Lubrication and Tribology, Volume II: Theory and Design, Second Edition demonstrates how the principles of tribology can address cost savings, energy conservation, and environmental pr