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This second volume by Graham Loud focuses on two key centres of the south Italian church in the central Middle Ages. The first section concentrates on the 'golden age' of the abbey of Montecassino, during the 11th and 12th centuries, when it was at the height of its influence and three of its monks became popes. The studies seek to place the abbey in its context, examining its relations with the papacy, Byzantium, and the local nobility. The second part deals with Benevento and the abbey of St Sophia, and looks at its development and administration, as well as the tensions that arose from its position as a papal enclave within the Kingdom of Sicily. Based on extensive archival research, the volume as a whole presents a fresh and original insight into the society of southern Italy from the coming of the Normans to its conquest by Charles of Anjou.
Looking to the works of prominent architects and intellectuals such as John Evelyn, Robert Hooke, Sir Christopher Wren, and Roger North, this volume explores the origins of the study of architecture as an intellectual persuit in late seventeenth-century England.
The work of Italian printmaker Giovanni Battista Piranesi (1720–1778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne. The Piranesi Effect is a collection of exquisitely illustrated essays on the impact of Piranesi’s work throughout the years. The book brings together Australian and international experts who investigate Piranesi’s world and its connections to the study of art and the practice of artists today. From curators and art historians, to contemporary artists like Bill Henson and Ron McBurnie, the contributors each bring their own passion and insight into the work of Piranesi, illuminating what it is about his work that still inspires such wonder.
The reign of Antoninus Pius is widely seen as the apogee of the Roman Empire yet, due to gaps in the historical sources, his reign has been overlooked by modern historians. He is considered one of the five good emperors of the Antonine dynasty under whom the pax Romana enabled the empire to prosper, trade to flourish and culture to thrive. His reign is considered a Golden Age but this was partly an image created by imperial propaganda. There were serious conflicts in North Africa and Dacia, as well as a major revolt in Britain. On his death the empire stood on the cusp of the catastrophic invasions and rebellions that marked the reign of his successor Marcus Aurelius. Antoninus Pius became emperor through the hand of fate, being adopted by Hadrian only after the death of his intended heir, Lucius Aelius Caesar. His rule was a balancing act between securing his own safety, securing the succession of his adopted heir and denying opportunities for conspiracy and rebellion. ‘Equanimity’ was the last password he issued to his guards as he lay on his death bed. In the face of the threats and challenges he remained calm and composed, providing twenty-three years of stability; a calm before the storms that gathered both within and beyond Rome’s borders.
Adriatic recounts the shared history of the countries around the sea, from Italy to Croatia and beyond, from the Romans to the present.