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This bibliography describes in detail a valuable collection comprising archival materials related to the Black Sparrow Press from its founding in April 1966 to November 1970. The press was one of the most important private presses on the west coast of the United States, and it endured for 36 years. Its importance came from publishing some of the most avant-garde writers of the period. Their editions, published in limited runs, represent some of the most remarkable examples of fine press work in the late twentieth century. Publisher John Martin sold his collection of D. H. Lawrence first editions in order to finance Black Sparrow and to regularly publish Charles Bukowski's poetry, among works of other innovative writers, including John Ashbery, Diane Wakoski, Charles Reznikoff, and Kenneth Koch. Totalling over a thousand items, the Black Sparrow Press Archive includes manuscript drafts, typescripts, corrected proofs and galleys, letters, posters, original artwork, photographs, master reel-to-reel recordings, and various peripheral materials related to publications of the press.
The Book in Society: An Introduction to Print Culture examines the origins and development of one of the most important inventions in human history. Books can inform, entertain, inspire, irritate, liberate, or challenge readers, and their forms can be tangible and traditional, like a printed, casebound volume, or virtual and transitory, like a screen-page of a cell-phone novel. Written in clear, non-specialist prose, The Book in Society first provides an overview of the rise of the book and of the modern publishing and bookselling industries. It explores the evolution of written texts from early forms to contemporary formats, the interrelationship between literacy and technology, and the prospects for the book in the twenty-first century. The second half of the book is based on historian Robert Darnton’s concept of a book publishing “communication circuit.” It examines how books migrate from the minds of authors to the minds of readers, exploring such topics as the rise of the modern notion of the author, the role of states and others in promoting or restricting the circulation of books, various modes of reproducing and circulating texts, and how readers’ responses help shape the form and content of the books available to them. Feature boxes highlighting key texts, individuals, and developments in the history of the book, carefully selected illustrations, and a glossary all help bring the history of the book to life.
The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries. Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and continuities in narrative themes and artistic styles, and explore recent changes in the creation and consumption of children's illustrated books. Over 130 interviews with Canadian authors, illustrators, editors, librarians, booksellers, critics, and other contributors to Canadian children's book publishing, document the experiences of those who worked in the industry. An important and wholly original work, Picturing Canada is fundamental to our understanding of publishing history and the history of childhood itself in Canada.
"These legends (with two or three exceptions) were told to me personally by my honored friend, the late Chief Joe Capilano, of Vancouver, whom I had the privilege of first meeting in London in 1906, when he visited England and was received at Buckingham Palace by their Majesties King Edward VII and Queen Alexandra. To the fact that I was able to greet Chief Capilano in the Chinook tongue, while we were both many thousands of miles from home, I owe the friendship and the confidence which he so freely gave me when I came to reside on the Pacific coast. These legends he told me from time to time, just as the mood possessed him, and he frequently remarked that they had never been revealed to any other English-speaking person save myself."--Author's pref.
During even a cursory reading of the "literature about books," students of bibliography frequently have initial difficulties in understanding some of the terms they encounter. In A Bibliographical Companion, Roy Stokes provides an alphabetical list of such words and phrases. In this volume, the terms are defined briefly, their importance is discussed, and the author provides suggested readings designed to lead the student towards a more complete understanding. Aimed at students who are at an early stage of their bibliographical interests, A Bibliographical Companion is an invaluable resource.
Explores the manner in which Shakespeare acquired a working-class readership during the nineteenth century.