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Paper is probably the most important factor to a printmaker. The type used is integral to the finished piece and can determine the whole look of a print. This book aims to alert artists working in both the fields of print and papermaking to the possibilities inherent within each discipline, and how each may complement the other. Making your own paper allows printmakers to have absolute control over their print, often resulting in a work of extraordinary richness and beauty. This book features a range of different papers from around the world, and includes a section focusing on Japanese papermaking - a delicate and highly-prized skill. The author also leads us through the various methods that enable the artist to incorporate found objects (such as petals, seeds, leaves); and to determine the exact colour (using both natural and chemical dyes) and thickness of the sheets.
The exciting papermaking methods taught here breathe new life into an age-old craft.
A robin’s animal friends help build her nest in this cumulative collage picture book from Caldecott Honor recipient Denise Fleming. Robin is building a nest, and her friends are ready to help! The squirrel trims the twigs. The dog brings the string. The horse shares his straw. And then a surprise gatefold spread reveals how Robin knits them all together to make a safe and cozy home for her babies.
DIVProfusely illustrated guide clearly outlines procedure for making attractive and useful paper in vast number of sizes, shapes, textures and colors—all from vegetable fibers. /div
Craft your own colorful paper goods and personalized stationary. With clear, step-by-step instructions, Helen Heibert covers all aspects of the papermaking process — from growing and harvesting plants for a malleable paper pulp to embellishment techniques like dyeing, embossing, and laminating. With tips on building your own papermaking equipment, ideas for transforming junk mail into dazzlingly unique notecards, and much more, you’ll be inspired to let your creativity shine as you explore the endless possibilities of handcrafted papers.
Papermaking is truly a craft for everybody – it is accessible, sustainable and enjoyable for all ages. This book is a step-by-step guide for everyone who wants to make paper at home or in a classroom setting. With clear instructions and over 140 photos, it explains how to make a range of paper from simple sheets to three-dimensional objects. Topics covered include advice on materials and equipment; getting started; adding colour; embellishing and personalizing your paper and exploring the various papermaking techniques. This is an invaluable and handy guide to this wonderful craft first invented by the Chinese in the first century CE.
David Watson develops the recycling paper theme in this delightful book. He shows how to make paper from both waste paper and natural materials, plus he gives advice on dyeing, scenting, and embossing.
"In this important and long-awaited book, Timothy Barrett, internationally known authority in hand papermaking and Director of the University of Iowa Center for the Book, offers the first comprehensive "how-to" book about traditional European hand papermaking since Dard Hunter's renowned reference, Papermaking: The History and Technique of an Ancient Craft. This book, which includes an appendix on mould and deckle construction by Timothy Moore, is aimed at a variety of audiences: artisans and craftspeople wishing to make paper or to manufacture papermaking tools and equipment, paper and book conservators seeking detailed information about paper-production techniques, and other readers with a desire to understand the intricacies of the craft. European Hand Papermaking is the companion volume to Barrett's Japanese Papermaking - Traditions, Tools and Techniques." -- Publisher's description
This book sheds light on every facet of this time-honored craft and offers complete instruction s on how to duplicate its exquisite results in the West.
All of the artists included in Printmaking are 'self-published' in that they print their own images in editions of fewer than fifty impressions or they execute works that are one-of-a-kind in nature. In every case, the artist is responsible for the entire process -- from conceptualisation to design, production, and eventual distribution. Each chapter presents an overview of the artists' lives, a statement about their aesthetic intent, an explanation of the techniques used in their work, and black and white as well as colour reproductions of their prints. In all cases, the artists have exhibited a strong expertise, commitment, and a reverence for the print tradition. Various processes employed by the artists, such as lithography, intaglio, paper-making, silkscreen, and collagraphy, represent the different techniques, styles, uses of media, and attitudes toward the production of prints. By incorporating written statements from all of the individuals featured in this publication, E C Cunningham has enabled the individuals to speak for themselves, effectively capturing their knowledge and their unique personalities.