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First multi-year cumulation covers six years: 1965-70.
When representing the Holocaust, the slightest hint of narrative embellishment strikes contemporary audiences as somehow a violation against those who suffered under the Nazis. This anxiety is, at least in part, rooted in Theodor Adorno's dictum that "To write poetry after Auschwitz is barbaric." And despite the fact that he later reversed his position, the conservative opposition to all "artistic" representations of the Holocaust remains powerful, leading to the insistent demand that it be represented, as it really was. And yet, whether it's the girl in the red dress or a German soldier belting out Bach on a piano during the purge of the ghetto in Schindler's List, or the use of tracking shots in the documentaries Shoah and Night and Fog, all genres invent or otherwise embellish the narrative to locate meaning in an event that we commonly refer to as "unimaginable." This wide-ranging book surveys and discusses the ways in which the Holocaust has been represented in cinema, covering a deep cross-section of both national cinemas and genres.
Presents a collection of critical essays on Salinger and his works as well as a chronology of events in the author's life.
While many fans remember The Lone Ranger, Ace Drummond and others, fewer focus on the facts that serials had their roots in silent film and that many foreign studios also produced serials, though few made it to the United States. The 471 serials and 100 series (continuing productions without the cliffhanger endings) from the United States and 136 serials and 37 series from other countries are included in this comprehensive reference work. Each entry includes title, country of origin, year, studio, number of episodes, running time or number of reels, episode titles, cast, production credits, and a plot synopsis.
This book draws on a mass of documentary material to provide a major reinterpretation of British labour's response to the Spanish Civil War. It challenges the view that the labour leadership ' betrayed' the Spanish Republic, and that this polarised the movement along `left' versus 'right' lines. Instead, it argues that the overriding concern of the major leaders was to defend labour's institutional interests against the political destabilisation caused by the conflict, rather than to defend Spanish democracy. Although the main advocates of this position were trade union leaders associated with the labour right such as Walter Citrine and Ernest Bevin, the book argues that their dominance reflected the centrality of the trade unions to labour movement decision-making rather than the abuse of union power to achieve political goals.
Includes entries for maps and atlases.