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With nostalgic glances to the past and visionary gazes into the future, Lynne Perrella and the contributing artists follow inspiration rather than tradition to present dolls that are charismatic, colorful and full of surprises. Technique related details are provided in each chapter's details dossier, where we are invited to go behind the scenes, into the artists studios. Take an up close and personal look to get the inside story on how the artists used paper and other exciting mediums to create their dolls. Artists include Nina Bagley, Lesley Riley, Judi Riesch, Lynn Whipple, Teesha Moore, Karen Michel, Jane Cather, Akira Blount, Laurel Hall and Maria Moya who expolore the human form to create paper personas that are expressive, innovative and insightful.
Genteel turn-of-the-century family very popular then and now. 24 paper dolls, 16 plates in full color.
Sojourner Truth, Mary McLeod Bethune, Zora Neale Hurston, Althea Gibson, Rosa Parks, Leontyne Price, Maya Angelou, Shirley Chisholm, 8 more.
This celebration of nine art dolls and the artists who made them offers a colourful look at an unusual project that spanned 19 months and took the dolls on a journey all over the United States. Each doll is a one-of-a-kind work of art, made by women who contributed something to each work-in-progress and offered unique perspectives on womanhood and images of dolls. Professional doll-makers as well as a quilt maker, a metalsmith, a woodcarver, and a sculptor created dolls that evolved into vivid characters as they travelled from artist to artist with handmade journals that served as a combination diary, travel log, and artist's canvas. From Joe the Wandering '60s Beatnik to a made-over Madeline sure to be kicked out of her French boarding school for her outrageous attire, each doll is accompanied by photographs, excerpts from the journals, and essays by the artists about the joys, challenges, and frustrations of working on the project.
Introduced on a grand scale at the 1925 Paris International Exposition, the new Art Deco style expressed modernity and new technologies that were changing the world. In the realm of fashion, it was the new "chic," representing glamour, luxury, and a sleek style. Tom Tierney captures fashion highlights from that period in this spectacular paper doll review. Two dolls and 28 costumes focus on an array of dramatic creations by outstanding designers of the early twentieth century. Included are a fur-trimmed cloak with an abstract modern design by Paul Poiret; a tightly pleated and richly colored gown by Mariano Fortuny; Helen Dryden’s day dress in stark zebra stripes; a daring, two-piece knit swimsuit, featuring a bare midriff; as well as dramatic designs by Sonia Delaunay, Jeanne Lanvin, Coco Chanel, and other noted designers. An additional page features hats of the period — everything from an exotic Poiret turban to Schiaparelli's novel "shoe" hat. An exciting display of elegant style and cool sophistication, this collection will not only delight paper doll fans but will also thrill collectors and devotees of Art Deco.
A very special collection of paper dolls by artists of today. Sponsored by the Original Paper Doll Artists Guild (OPDAG), 22 paper dolls by 22 artists are shown in full color, representing a wide variety of subjects and fashion eras including children, fashionable ladies, fanciful fairies, brides, cultural fashions, and contemporary designs. This impressive collaboration includes top paper doll artists and newcomers: Johana Anderton, Rebecca Baier, Larry Bassin, Ange Boursiquot, Michel-Victor Gdanov, Marilyn Henry, Judy M Johnson, Sylvia Kleindinst, Basia Koenig, Brenda Sneathen Mattox, Mary Mauritz, Kwei-lin Lum, Judy McDonald, Norma Lu Meehan, Dorte Meiling Nielsen, Pat Scarbrough, Laura Snow, Tom Tierney, Tere Tronson, Sandra Vanderpool, David Wolfe, Bobby Wyckoff. Edited by OPDAG publisher, Jenny Taliadoros.
4 mouse dolls plus costumes for Midsummer Eve's Ball, visiting a castle, first day of school, holidays, more. Numerous accessories.
Art Circus! takes the reader on a magical journey into the artistic world where they can discover their creative muse which is waiting to come out and play. It is at heart a technique book for altered artists, but is housed within a wonderful, spectacular fantasy land. The book will bring the reader, the daydreamer, the explorer, the artist, to a place have never been, where they can unleash their artistic dreams and explore hidden worlds through cutting-edge techniques, creative projects, and beautiful images. The book will include easy tutorials on basic digital altering effects for new and vintage images, step by step instruction for projects, a gallery of inspirational projects from other artists, and clip art and vintage images for readers to use in their own projects. The book will cover digital and paper alteration, creating from found and household objects (jars and boxes), will feature playful illustration, vintage imagery, and use a myriad of other mixed-media materials ranging from glitter and wire to crinolin and coloring agents.
Paper dolls, with costumes representative of the clothes, pets, and toys for the Dingle Dell characters between 1913-1925 and clothes from other countries for Dolly Dingle.
Winner of the Backwaters Prize in Poetry, Jennifer K. Sweeney’s Foxlogic, Fireweed follows a lyrical sequence of five physical and emotional terrains—floodplain, coast, desert, suburbia, and mesa—braiding themes of nature, domesticity, isolation, and human relationships. These are poems of the earth’s wild heart, its searing mysteries, its hollows, and its species, poems of the complex domestic space, of before and after motherhood, gun terror, the election, of dislocation and home, and of how we circle toward and away from our centers. Sweeney is not afraid to take up the domestic and inner lives of women, a nuanced relationship with the natural world that feels female or even maternal, or a duty to keeping alive poetry’s big questions of transcendence, revelation, awe, and deep presence in the ordinary.