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The clouds drift across the bright blue sky--all except one. Little Cloud trails behind. He is busy changing shapes to become a fluffy sheep, a zooming airplane, and even a clown with a funny hat. Eric Carle's trademark collages will make every reader want to run outside and discover their very own little cloud.
New York Times bestselling author Lemony Snicket sheds light on the way bad moods come and go. Once there was a bad mood and a stick. The stick appeared when a tree dropped it. Where did the bad mood come from? Who picked up the stick? And where is the bad mood off to now? You never know what is going to happen.
Bernard Williams begins his skeptical look at the history of ethical theory with a reminder of where it began, with Socrates’ question, “how should one live?” If ethics aims to address the question of “how one should live”, then the work of historians may just be our greatest source of what Mill called “experiments in living” or narratives about the different ways in which humans have lived. Williams claimed that distance establishes a relativism that prevents us from looking to the distant past and asking whether that is “how one should live”, or whether a particular historical practice constituted “living well.” In contrast, R.G. Collingwood claimed that it is not only possible, but necessary, to hold the beliefs of distant agents in order to avoid “scissors and paste” history, or history that makes use of inductive generalization. Surveying seven decades worth of historical writing on the conflict between the US and Japan during World War II, this book explores the ways in which historians use moral statements in their writing, and particularly in their accounts of political leadership. Specifically, it identifies six distinct modes of moral reasoning used in history, and contrasts these modes of reasoning with the Kantian, Utilitarian, and Aristotelian modes of reasoning found in traditional moral philosophy. Finally, drawing on the philosophy of history of both Williams and Collingwood, the book reconciles skepticism with the possibility of using the past to understand how one should live with the historian’s need to avoid scissors and paste history.
Heresy is a hard word to define, but even brushing against its meaning leads to an automatic death sentence in the Enlightened Empire of Zabala. Emmy is currently walking that fine line. Trapped by the threat of expulsion if she stops and faced with death if she continues, Emmy is forced to twist her heretical machinations from the pursuit of knowledge to the goal of conquering on behalf of the Empire she calls home. She must save herself and her proof of her theories or be used to create an army of indestructible demons intended to conquer the continent. It’s not heresy if it’s for the Empire. It’s hopeless. It’s fate. It’s inevitable. Or can Emmy save herself from being executed as a scapegoat, save her demon, Archibald, and protect the rest of the continent from an army of indestructible demons?
Engage children's imaginations with this easy way to build 10 popular themes plus two chapters of mini-themes. Categorized by curriculum area, readers will find hands-on activities for art, music, math, and more. Each theme takes teachers through a month of activities. A ready-to-use daily calendar provides activity ideas planned for each theme.
• Written by a critically-acclaimed natural-history author • Shares author’s fun journey to understanding clouds • Written for the curious—but non-science—minded Author Maria Mudd Ruth fell in love with clouds the same way she stumbles into most passions: madly and unexpectedly. A Sideways Look at Clouds is the story of her quite accidental infatuation with and education about the clouds above. When she moved to the soggy Northwest a decade ago, Maria assumed that locals would know everything there was to know about clouds, in the same way they talk about salmon, tides, and the Seahawks. Yet in her first two years of living in Olympia, Washington, she never heard anyone talk about clouds—only the rain. Puzzled by this lack of cloud savvy, she decided to create a 10-question online survey and sent it to everyone she knew. Her sample size of 67 people included men and women, new friends in Olympia, family on the East Coast, outdoorsy and indoorsy types, professional scientists, and liberal arts majors like herself. The results showed that while people knew a little bit about clouds, most were like her—they had a hard time identifying clouds or remembering their names. As adults, they had lost their curiosity and sense of wonder about clouds and were, essentially, not in the habit of looking up. A Sideways Look at Clouds acknowledges the challenges of understanding clouds and so uses a very steep and bumpy learning curve—the author’s—as its plot line. The book is structured around the ten words used in most definitions of a cloud: “a visible mass of water droplets or ice crystals suspended in the atmosphere above the earth.” A captivating story teller, Maria blends science, wonder, and humor to take the scenic route through the clouds and encourages readers to chart their own rambling, idiosyncratic course.
Pen & Ink Drawing: A Simple Guide covers the essential aspects of pen and ink drawing and more. It explores basic materials and instruments; fundamental properties of strokes and pen control; key elements of shading; and indispensable techniques for creating vibrant textures. As a bonus, a chapter is devoted to what the author refers to as, the secret Line of Balance. This book is not just written to instruct but also to inspire enthusiasts of pen and ink and drawing as well.