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This historical narrative follows the lives of a young couple separated by the upheavals of World War II. In May 1940, Jan van Houten, a Dutch journalist working in London, joins the press office of the Dutch government now exiled in England. When bombing raids over London force his wife Marie and infant daughter to leave the city, the couple write daily letters to express their love and commitment to each other. Jan's letters vividly describe life during the Blitz, and the travails of a government-in-exile. Their correspondence resumes when, in September 1944, Jan is asked to organize press censorship in a recently liberated area of The Netherlands. Here he is eyewitness to historic events such as the aftermath of the allied forces' failed attempt to secure a crucial bridge across the Rhine-a defeat that delays the country's liberation by eight long months. Written by Jan and Marie's daughter Thérèse, Papa's War, is based primarily on Jan's letters backed by diaries, Marie's letters, and historical research. It paints a compelling picture of life in wartime England and postwar Holland. Its publication coincides with the 70th anniversary of the Netherlands' liberation from Germany on May 5, 1945.
In this timely reissue, a father and son help their community claim the right to vote in the post Civil-War South. A son teaches his father how to write his name so he can vote for the first time in this historical tale filled with warmth and strength by Coretta Scott King Honor winner Colin Bootman's expressive oil paintings. In a new author’s note, veteran teacher and author Gwendolyn Battle-Lavert expands upon the obstacles facing African American voters in the aftermath of the Civil War and the fight to end voter suppression that goes on even today. Simms knows election day will be a big day for his papa, and for all of Lamar County. For the very first time, Papa will get to vote. But Simms wishes his papa could write his own name, so he could go to the courthouse with head held high. And Simms is determined to teach Papa, because, like his father, he knows that freedom doesn’t come easy.
Presents essays, editorials, articles, poems, games, short stories and letters that tell the story of the Civil War.
Of crucial strategic importance to both the British and the Continental Army, Staten Island was, for a good part of the American Revolution, a bastion of Loyalist support. With its military and political significance, Staten Island provides rich terrain for Phillip Papas's illuminating case study of the local dimensions of the Revolutionary War. Papas traces Staten Island's political sympathies not to strong ties with Britain, but instead to local conditions that favored the status quo instead of revolutionary change. With a thriving agricultural economy, stable political structure, and strong allegiance to the Anglican Church, on the eve of war it was in Staten Island's self-interest to throw its support behind the British, in order to maintain its favorable economic, social, and political climate. Over the course of the conflict, continual occupation and attack by invading armies deeply eroded Staten Island's natural and other resources, and these pressures, combined with general war weariness, created fissures among the residents of “that ever loyal island,” with Loyalist neighbors fighting against Patriot neighbors in a civil war. Papas’s thoughtful study reminds us that the Revolution was both a civil war and a war for independence—a duality that is best viewed from a local perspective.
Many anthropological accounts of warfare in indigenous societies have described the taking of heads or other body parts as trophies. But almost nothing is known of the prevalence of trophy-taking of this sort in the armed forces of contemporary nation-states. This book is a history of this type of misconduct among military personnel over the past two centuries, exploring its close connections with colonialism, scientific collecting and concepts of race, and how it is a model for violent power relationships between groups.