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Preliminary Material /Victor J. Matthews -- Testimonies for Panyassis' Life and Poetry /Victor J. Matthews -- The Life of Panyassis /Victor J. Matthews -- The Poems of Panyassis and his Reputation in Antiquity /Victor J. Matthews -- Fragments 1 K and 2 K /Victor J. Matthews -- Fragment 3 K /Victor J. Matthews -- Fragment 4 K /Victor J. Matthews -- Fragment 5 K /Victor J. Matthews -- Fragments 6 K, 20 K, and 21 K /Victor J. Matthews -- Fragment 7 K /Victor J. Matthews -- Fragment 8 K /Victor J. Matthews -- Fragment 9 K /Victor J. Matthews -- Fragment 10 K /Victor J. Matthews -- Fragment 11 K /Victor J. Matthews -- Fragments 12 K, 13 K, and 14 K /Victor J. Matthews -- Fragment 15 K /Victor J. Matthews -- Fragment 16 K /Victor J. Matthews -- Fragment 17 K /Victor J. Matthews -- Fragment 18 K /Victor J. Matthews -- Fragment 19 K /Victor J. Matthews -- Fragment 22 K /Victor J. Matthews -- Fragment 23 K /Victor J. Matthews -- Fragment 24 K /Victor J. Matthews -- Fragment 25 K /Victor J. Matthews -- Fragment 26 K /Victor J. Matthews -- Fragment 27 /Victor J. Matthews -- Fragment 28 /Victor J. Matthews -- Fragment 29 /Victor J. Matthews -- Fragment 30 /Victor J. Matthews -- Fragment 31 (Doubtful) /Victor J. Matthews -- Fragment 32 (Doubtful) /Victor J. Matthews -- Fragment 33 (Doubtful) /Victor J. Matthews -- Appendix to F 29 /Victor J. Matthews -- Indices /Victor J. Matthews.
This is the third volume in the series of commentaries on Early Greek Epic Fragments (EGEF III). It contains introduction, text, translation, and commentary on the Herakleia by Panyassis of Halikarnassos and on the Theseis. Two other volumes have been already published (EGEF I: Genealogical and Antiquarian Epic, De Gruyter 2017; EGEF II: Epics on Herakles: Kreophylos and Peisandros, De Gruyter 2022) and one more is to follow (EGEF IV: The Persika by Choerilos of Samos). This sub-series within TCSV aims to provide scholars and students with up-to-date commentaries on the extant fragments of early Greek epic that have not received, contrary to Cyclic epic, the attention they deserve.
The Villa dei Papiri at Herculaneum-buried during the eruption of Mt. Vesuvius in A.D. 79, then rediscovered in 1750-contained a large collection of bronze and marble statuary and busts. Before they were published or exhibited, the sculptures were restored so as to appear whole: it is thus that they helped to shape early modern tastes in classical sculpture. The book describes the nature of the ancient sculptures and their impact on the modern public. Their chance discovery affected the interpretation of the statues-their styles and subjects-over the course of the next 250 years. The ancient sculptures were copied extensively in reproductions of various sizes and patinas. The author traces the popularity of these copies in Europe and America. Also presented in the book is a technical study of the production techniques and materials of the sculptures, as well as of their modern restoration history. Scientific analyses and detailed photographs reveal both how the pieces were cast and pieced together in antiquity and how they were restored in the eighteenth century. Even though this collection has been known for two and a half centuries, this book covers for the first time the eclectic nature of the sculptures, their acutual condition, and their quality, pointing in some cases to mass production.
This book examines foundation myths told about the Ionian cities during the archaic and classical periods. It uses these myths to explore the complex and changing ways in which civic identity was constructed in Ionia, relating this to the wider discourses about ethnicity and cultural difference that were current in the Greek world at this time. The Ionian cities seem to have rejected oppositional models of cultural difference which set in contrast East and West, Europe and Asia, Greek and Barbarian, opting instead for a more fluid and nuanced perspective on ethnic and cultural distinctions. The conclusions of this book have far-reaching implications for our understanding of Ionia, but also challenge current models of Greek ethnicity and identity, suggesting that there was a more diverse conception of Greekness in antiquity than has often been assumed.
This volume is the first English-language survey of Homeric studies to appear for more than a generation, and the first such work to attempt to cover all fields comprehensively. Thirty leading scholars from Europe and America provide short, authoritative overviews of the state of knowledge and current controversies in the many specialist divisions in Homeric studies. The chapters pay equal attention to literary, mythological, linguistic, historical, and archaeological topics, ranging from such long-established problems as the "Homeric Question" to newer issues like the relevance of narratology and computer-assisted quantification. The collection, the third publication in Brill's handbook series, The Classical Tradition, will be valuable at every level of study - from the general student of literature to the Homeric specialist seeking a general understanding of the latest developments across the whole range of Homeric scholarship.
Scholars have long noted the strikingly visual aspects of Statius’ poetry. This book advances our understanding of how these visual aspects work through intertextual analysis. In the Thebaid, for instance, Statius repeatedly presents “visual narratives” in the form of linked descriptive (or ekphrastic) passages. These narratives are subject to multiple forms visual interpretation inflected by the intertextual background. Similarly, the Achilleid activates particularly Roman conceptions of masculinity through repeated evocations of Achilles’ blush. The Silvae offer a diversity of modes of viewing that evoke Roman conceptions of gender and class.
The Thesaurus Linguae Graecae: A Bibliographic Guide to the Canon of Greek Authors and Works (TLG®) is a comprehensive catalog of the authors and works that have survived in Greek from antiquity (eighth century BCE) to the present era and have been collected and digitized by the TLG® in its fifty-year history. It provides biographical information about each author, such as dates, place of birth, and literary activity, as well as a list of their extant works and print publications. This volume encompasses more than 4,400 authors and 17,000 individual works. It offers a concise and authoritative literary history of Greek literature and is an indispensable reference source for its study.
A bold and original examination of the relationships between ethnicity and political power in the ancient world.
This is most comprehensive study of Seneca's Hercules Furens to date and indeed of any Roman tragedy. Apart from illustrating the poetic language, the literary conventions and the dramatic technique of the play, the book highlights the figure of the Roman Hercules in relation to its Greek model, the Euripidean Herakles. The comprehensive introduction on myth, modern interpretations and textual transmission of the play is followed by a discussion of the newly discovered collation of the codex Etruscus by J.F. Gronovius. The detailed commentary is provided with a new critical edition and a new German translation. The work includes a full bibliography, an analytical index and a complete index of passages cited. Special attention is given to literary motifs and topoi as well as to Seneca's poetic language in its pivotal position between the Augustan poets and Neronian-Flavian epic.
A growing interest in myth over the last decades has brought to the fore the main mythographical manual that has came down to us from Antiquity: Apollodorus’ Bibliotheca. A number of recent editions shows this trend, like the commented translations of Carrière & Massonie (1991) and Scarpi & Ciani (1996), the translations of Guidorizzi (1995), Brodersen (2004), Dräger (2005) and Smith & Trzaskoma (2007) or the critical text by Papathomopoulos (2010). The publication of the first two volumes (2010 and 2012) of Cuartero’s massive critical and commented bilingual edition for the Fundació Bernat Metge series seemed the occasion to address this text from innovative scholarly perspectives. The origins of the present volume lay in a colloquium held at the Universitat Autònoma de Barcelona in 2013. Despite its crucial interest for the scientific study of ancient myth, no conference devoted to this engaging text was held prior to that one. And, to this date, no monographic volume on Apollodorus’ mythology exists either. To cover a broader scope of analysis, three further papers have been commissioned to other specialists. This collection of essays is meant to be a homage to Francesc J. Cuartero.