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Pantheon of Vengeance by James Axler released on Aug 01, 2008 is available now for purchase.
In the aftermath of the Gods-War, Myngor the Dark One, the evil god of hatred and murder, is banished to a small island and stripped of his powers. Also banished is Torkahl, the god of fire. After 2,500 years, Myngor´s powers are restored. Immediately, he sends his minions out to wreak havoc on the temples of his enemies, the Pantheon of the Gods on High. Joined by his old ally, Torkahl, the carnage begins. Four survivors of this bloody rampage set out to stop the bloodshed before it goes too far. Though joined by others in their great quest, these four hold the key to defeating the evil that threatens to engulf the whole world in its fiery shadow. Join Brystan, knight of Kynirith, the god of life; Danya, sorceress of the wizard god Salynin; Alymee, druid of Myenna; and the thief, Tybal, as they fight an epic battle of good versus evil. .
Many times I have been asked: What is the book about? It is a story based in real facts transcribed from life itself where defenseless children at the mercy of a satanic and pederast father; children claiming for mercy when Sebastian Mairsen Levi sexually and physically abused them, as he abused the children of the county of Jaen, namely Andujar.vhe would rape them to later murder them and inter them in his farm. Renata is the oldest of five siblings born to Esmeralda del Mar, a famous singer, separated from her children due to an infamy carried out by Sebastian, her husband, who made usufruct of her fortune and was the one responsible for the disintegration of her home. When Moises Zaldivar Quinones heard Renata sang and saw she was the spitted image of her mother, he decided to have her trained for a destiny. Renata finally learned where the absent one had been kept for fifteen years. She returned to the Madrid of her childhood. She started to perform at the Moulin Rouge in Madrid, Esmeralda's former stage. Her voice and the resemblance to her mother were the helpers in carrying out her vengeance, bringing a chain of events resulting in the re appearance of her enemies. Moises Zaldivar is murdered and there is a murder attempt on her mother through a fire at her theater. Hence these were the reasons why she took justice in her own hands. She discovered friends among enemies, truth among lies, in what the world knew as: Renata's Revenge
When her father is murdered for a journal revealing the location of a hidden gold mine, eighteen-year-old Kate Thompson disguises herself as a boy and takes to the gritty plains looking for answers -- and justice. What she finds are untrustworthy strangers, endless dust and heat, and a surprising band of allies, among them a young Apache girl and a pair of stubborn brothers who refuse to quit riding in her shadow. But as Kate gets closer to the secrets about her family, a startling truth becomes clear: some men will stop at nothing to get their hands on gold, and Kate's quest for revenge may prove fatal.
Taj Odin Xavier returns home to find his father dead and his king ready to surrender the key to the city-state hes always called home. His friends are all dead. But remnants from his travels and things found and earned along the way push the renegade army threatening Eternis to decimation. After saving the city from capture, Taj turns his aggression towards the city that let his father down; the same man that spent a lifetime serving it. He cast down the churches of all faiths, save those of Draconic origin. He allows the Draconic Order to remain prevalent in the city due to it being the dragons that come down to help him. After, he focuses his newfound aggression towards the Republic of New Magic, more specifically Marko Kane, the killer of King Gerears eldest son. Taj tries to utilize what heart he has left to rekindle the romance between him and Destiny but an act he deems as betrayal is too much for him. With Destiny forcing him to stay out of it, he orders a newfound ally to execute the culprit. With matters settled in Eternis, he and his new allies set sail for the Republic of New Magic; Runethedians first outpost against the unending ships and armies of the New Threat, sometimes called the Northern Threat. At first, he plans only to stay long enough to avenge his kings eldest son. But then the war begins to consume him and the things the Father Vampire left inside him begin to writhe in his chest once again. This proves to Taj hes not fully gone. But those powers prove useful in the fight against the New Threat. In the end, he ultimately decides to sail to the heart of the beast in hopes of either securing a truce or ending its life. With every passing day, Taj Odin Xavier loses more of his humanity. Will any of it remain once the war against the New Threat is over? That is, assuming he lives of course.
Rachel Irmina Rache's world ended with a gunshot wound. However, she was brought back from beyond the grave, by Death herself. Now she has been given a new mission and a new purpose. She must act as the spirit of vengeance, bringing death to those who kill with impunity and would avoid any form of punishment for their crimes. She also finds lost pets and goes to football games with her father...
A lively combination of scholarship and unorthodoxy makes these studies in ancient history and literature unusually rewarding. Few of the objects of conventional admiration gain much support from Peter Green (Pericles and the "democracy" of fifth-century Athens are treated to a very cool scrutiny) but he has a warm regard for the real virtues of antiquity and for those who spoke with "an individual voice." The studies cover both history and literature, Greece and Rome. They range from the real nature of Athenian society to poets as diverse as Sappho and Juvenal, and all of them, without laboring any parallels, make the ancient world immediately relevant to our own. (There is, for example, a very perceptive essay on how classical history often becomes a vehicle for the historian's own political beliefs and fantasies of power.) The student of classical history will find plenty in this book to enrich his own studies. The general reader will enjoy the vision of a classical world which differs radically from what he probably expects.
The great romance and fear of bloody revolution--strange blend of idealism and terror--have been superseded by blind faith in the bloodless expansion of human rights and global capitalism. Flying in the face of history, violence is dismissed as rare, immoral, and counterproductive. Arguing against this pervasive wishful thinking, the distinguished historian Arno J. Mayer revisits the two most tumultuous and influential revolutions of modern times: the French Revolution of 1789 and the Russian Revolution of 1917. Although these two upheavals arose in different environments, they followed similar courses. The thought and language of Enlightenment France were the glories of western civilization; those of tsarist Russia's intelligentsia were on its margins. Both revolutions began as revolts vowed to fight unreason, injustice, and inequality; both swept away old regimes and defied established religions in societies that were 85% peasant and illiterate; both entailed the terrifying return of repressed vengeance. Contrary to prevalent belief, Mayer argues, ideologies and personalities did not control events. Rather, the tide of violence overwhelmed the political actors who assumed power and were rudderless. Even the best plans could not stem the chaos that at once benefited and swallowed them. Mayer argues that we have ignored an essential part of all revolutions: the resistances to revolution, both domestic and foreign, which help fuel the spiral of terror. In his sweeping yet close comparison of the world's two transnational revolutions, Mayer follows their unfolding--from the French Declaration of the Rights of Man and the Bolshevik Declaration of the Rights of the Toiling and Exploited Masses; the escalation of the initial violence into the reign of terror of 1793-95 and of 1918-21; the dismemberment of the hegemonic churches and religion of both societies; the "externalization" of the terror through the Napoleonic wars; and its "internalization" in Soviet Russia in the form of Stalin's "Terror in One Country." Making critical use of theory, old and new, Mayer breaks through unexamined assumptions and prevailing debates about the attributes of these particular revolutions to raise broader and more disturbing questions about the nature of revolutionary violence attending new foundations.
"This special signed edition is limited to 1,000 numbered copies. This is copy 246."--Preliminary pages.