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Carlos Rodríguez Braun defiende la libertad política y económica en contra de las ideas predominantes, que critica con audacia, ironía y rigor.
Estos últimos años han estado marcados por la corrección política antiliberal. El resultado de ello ha sido reforzar la idea de que nuestros males son culpa de la libertad y que debemos ser cada vez menos libres. Y siempre hay políticos dispuestos a que lo seamos. Carlos Rodríguez Braun refuta este pensamiento único en Panfletos liberales III: «la crisis no ha sido producida por la libertad sino por el intervencionismo. No es verdad que hayamos disfrutado de una libertad excesiva: al contrario, mientras los gobernantes se ufanan en proteger nuestros derechos, tenemos cada vez más obligaciones». En unas doscientas reflexiones breves, y con el ingenio y la ironía que caracterizan al autor, se denuncia el bulo según el cual nos arrasa una ola privatizadora neoliberal que pretende desmantelar el Estado del bienestar.El liberalismo no tiene colores partidarios y este libro molestará a los políticos de izquierdas tanto como a los de derechas. Por aludir a una de las obsesiones de Rodríguez Braun, hemos comprobado que la izquierda sube los impuestos, pero la derecha... también.
The Four Horsemen narrates the history of revolution in Spain, Naples, Greece, and Russia in the 1820s, connecting the social movements and activities on the ground, in the inimitable voice of a renowned historian.
Carlos Rodríguez Braun analiza la sociedad libre y sus enemigos, y defiende la libertad desde perspectivas poco habituales, como la moral.
How is capitalism represented in popular culture today? Are profits seen as a legitimate reward of entrepreneurship? Are thrift and effort still considered a cornerstone of a healthy society? Or is it that inequalities are eliciting scandal and reproach? How is the ecosystem portrayed, vis-à-vis profit seeking companies? Are they irreconcilable, or maybe not? Are there any established trends with respect to the presentation of entrepreneurship, and that complex legal artefact that is the modern limited liability company? These are questions that will be at the core of this book. But they are not examined through the usual theoretical point of references, but looking at TV series produced in 2000-2020. Each chapter of this book is a case studies, covering some of the most popular, successful and engaging TV shows of the last 20 years. And showing how deep economic ideas and biases lie, at the roots of some of our times' most successful entertainment products.
"Julio Segura and Carlos Rodriguez Braun have assembled a unique Dictionary that will be an invaluable and much welcomed reference book for economic journalists, economists and economic scholars at all levels of academe, and in all areas of economics and its associated fields."--BOOK JACKET.
The long revolutionary movements that gave birth to constitutional democracies in the Americas were founded on egalitarian constitutional ideals. They claimed that all men were created equal with similar capacities and also that the community should become self-governing. Following the first constitutional debates that took place in the region, these promising egalitarian claims, which gave legitimacy to the revolutions, soon fell out of favor. Advocates of a conservative order challenged both ideals and favored constitutions that established religion and created an exclusionary political structure. Liberals proposed constitutions that protected individual autonomy and rights but established severe restrictions on the principle of majority rule. Radicals favored an openly majoritarian constitutional organization that, according to many, directly threatened the protection of individual rights. This book examines the influence of these opposite views during the 'founding period' of constitutionalism in countries including the United States, Argentina, Colombia, Chile, Ecuador, Mexico, Peru, and Venezuela.
La presente Versión 2000 es una nueva edición de la Historia general de México, preparada por el Centro de Estudios Históricos de El Colegio de México. En esta ocasión se incorporan, por primera vez desde la aparición original de la obra en 1976, varios cambios importantes, entre los que destacan la sustitución de algunos capítulos y la revisión y actualización de otros. Los capítulos sustituidos o renovados profundamente incluyen una amplia variedad de temas: las regiones de México, la prehistoria, el mundo mexica, el siglo XVI, el siglo XVIII, las primeras décadas del México independiente, la cultura mexicana del siglo XIX y la política y economía del México contemporáneo. Los capitulos correspondientes a estas temáticas han sido reescritos o modificados por autores que figuraban ya en la edición original: Bernardo García Martínez, José Luis Lorenzo, Pedro Carrasco, Enrique Florescano, Josefina Z. Vázquez, José Luis Martínez y Lorenzo Meyer.
In Mexico, as elsewhere, the national space, that network of places where the people interact with state institutions, is constantly changing. How it does so, how it develops, is a historical process-a process that Claudio Lomnitz exposes and investigates in this book, which develops a distinct view of the cultural politics of nation building in Mexico. Lomnitz highlights the varied, evolving, and often conflicting efforts that have been made by Mexicans over the past two centuries to imagine, organize, represent, and know their country, its relations with the wider world, and its internal differences and inequalities. Firmly based on particulars and committed to the specificity of such thinking, this book also has broad implications for how a theoretically informed history can and should be done. An exploration of Mexican national space by way of an analysis of nationalism, the public sphere, and knowledge production, Deep Mexico, Silent Mexico brings an original perspective to the dynamics of national cultural production on the periphery. Its blending of theoretical innovation, historical inquiry, and critical engagement provides a new model for the writing of history and anthropology in contemporary Mexico and beyond. Public Worlds Series, volume 9
Based upon two decades of in-depth investigative reporting in Colombia's conflict zones, this explosive volume integrates text, photography, and design to communicate the horrors that paramilitary groups, such as the "United Self-Defense Forces of Colombia" (as well as the other sides of the conflict in response to the violence), inflicted and continue to inflict on Colombia. An instant classic of journalism and South American political history.