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NEW YORK TIMES BESTSELLER “Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's Tale The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea. The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over. In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war—a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce—getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped. Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place—and so eager to accept the stories we’ve been told?
Thirteen-year-old Charis Parks has five days to save mankind. What she thought was mere mythology has become her reality ... she alone must reverse the curse of Pandora's Jar. If Charis is to fulfill her destiny, she has to face her fears against the darker forces of Hades and the blood-thirsty Erinyes Sisters who help him. Together with the gods and her best friend Gabe, Charis takes a fantastic journey to Pandora's Jar, where she must release the only spirit that remains trapped inside - the spirit of Hope. Or else ...
An inspired retelling of a classic tale
"A wonderful, wild ride." —Michael Koryta, New York Times Bestselling author of How It Happened and If She Wakes From the New York Times bestselling and Bram Stoker Award-winning author comes the sensational new novel that turns ancient lore into a modern-day horror. In one variation on the myth of Pandora’s Box, there were two jars, one for Pandora and one for her sister. One contained blessings of the gods, the other all the world’s curses... Archaeologist Sophie Durand has spent her life studying ancient mythology and languages. Years of work have led her to the greatest discovery of her career, a subterranean city deep in the heart of Northern Iraq. When Sophie’s team uncovers a secret chamber whose walls are covered in cuneiform, along with a warning from Alexander the Great, history and mythology begin to merge. The writings confirm the Pandora tale of two jars, but the chamber guards only one. It’s a find that could make history, or start a war. Weird-science expert Ben Walker is called in as the mystery grows ugly. Those who believe the myth want to know which jar was found, the one containing blessings or the one full of curses. Governments rush to lay claim, but jihadi forces aren’t waiting for the dust to settle. Whatever the jars contain, they want it, no matter the cost. For Sophie, Walker, and the others, the Pandora Room may soon become their tomb. In a novel that breathes new life into the supernatural thriller, Christopher Golden's pulse-pounding tale is not to be missed.
The Furies is a psychologically complex, dark and twisting novel about loss, obsession and the deep tragedies that can connect us to each other even as they blind us to our fate, from the bestselling author of A Thousand Ships After losing her fiancé in a shocking tragedy, Alex Morris moves from London to Edinburgh to make a break with the past. Formerly an actress, Alex accepts a job teaching drama therapy at a school commonly referred to as "The Unit," a last-chance learning community for teens expelled from other schools in the city. Her students have troubled pasts and difficult personalities, and Alex is an inexperienced teacher, terrified of what she's taken on and drowning in grief. Her most challenging class is an intimidating group of teenagers who have been given up on by everyone before her. But Alex soon discovers that discussing the Greek tragedies opens them up in unexpected ways, and she gradually develops a rapport with them. But are these tales of cruel fate and bloody revenge teaching more than Alex ever intended? And who becomes responsible when these students take the tragedies to heart, and begin interweaving their darker lessons into real life with terrible and irrevocable fury? Published in the UK under the title The Amber Fury. "Steady pacing paired with well-timed foreshadowing and fully realized characters make this one compelling from the beginning. Fans of Donna Tartt's The Secret History (1992), Erin Kelly's The Poison Tree (2011), and Tana French's The Likeness (2008) will likely enjoy the new perspective Haynes' conversational style offers to similar material." —Booklist
This study traces developments in early Greek poetry in the use of disease and madness-type imagery to express aspects of the erotic experience. Cyrino also works to illuminate the relationships between the early hexameter narrative poets and the archaic lyric poets who employ this imagery in their works. The arrangement of this study is conveniently chronological as to make the interrelations between the uses of this imagery by different authors in different periods more easily understandable. The author takes particular notice of the first instances of usage of disease and madness imagery for love, and how and where variations on the theme or new uses of the old image occur, and of the characteristic metaphorical habits of each poet. Contents: Preface; Introduction; Eros; Homer; Hesiod and the Homeric Hymn to Aphrodite; The Lyric Poets: Archiochos and Alkman; The Lyric Poets: Alkaios, Ibykos and Anakreon; Sappho; Conclusions; Bibliography; Index of Passages Cited; Index of Greek Words; General Index.
It's hard enough being a seventeen year old Veil Walker, but when your boyfriend's a demigod and your mom's dating a soul sucker, things can get a lot worse. Pandora has seen ghosts since she was a kid, and now she learns she can bring back the spirits of the dead. Why would she do that? She has enough trouble getting rid of the ones stuck on this side. One annoyingly perky ghost wants Pandora to find her killer, but Ukwa, her super-hot boyfriend, doesn't like the idea. When trouble finds her, will she discover the true strength of a Veil Walker or, like the others, will her soul be trapped in her own Pandora's Jar forever?
Do you want to write a poem? This book will show you 'how to grow your own poem'... Kate Clanchy has been teaching people to write poetry for more than twenty years. Some were old, some were young; some were fluent English speakers, some were not. None of them were confident to start with, but a surprising number went to win prizes and every one finished up with a poem they were proud of, a poem that only they could have written – their own poem. Kate's big secret is a simple one: to share other poems. She believes poetry is like singing or dancing and the best way to learn is to follow someone else. In this book, Kate shares the poems she has found provoke the richest responses, the exercises that help to shape those responses into new poems, and the advice that most often helps new writers build their own writing practice. If you have never written a poem before, this book will get you started. If you have written poems before, this book will help you to write more fluently and confidently, more as yourself. This book not like other creative writing books. It doesn't ask you to set out on your own, but to join in. Your invitation is inside.
“[A] dark, elegant novel” of two women in ancient Greece, based on the great tragedies of Sophocles (Publishers Weekly). Thebes is a city in mourning, still reeling from a devastating plague that invaded every home and left the survivors devastated and fearful. This is the Thebes that Jocasta has known her entire life, a city ruled by a king—her husband-to-be. Jocasta struggles through this miserable marriage until she is unexpectedly widowed. Now free to choose her next husband, she selects the handsome, youthful Oedipus. When whispers emerge of an unbearable scandal, the very society that once lent Jocasta its support seems determined to destroy her. Ismene is a girl in mourning, longing for the golden days of her youth, days spent lolling in the courtyard garden, reading and reveling in her parents’ happiness and love. Now she is an orphan and the target of a murder plot, attacked within the very walls of the palace. As the deadly political competition swirls around her, she must uncover the root of the plot—and reveal the truth of the curse that has consumed her family. The novel is based on Oedipus Tyrannus and Antigone, two of Classical Greece’s most compelling tragedies. Told in intersecting narratives, this reimagining of Sophocles’s classic plays brings life and voice to the women who were too often forced to the background of their own stories. “After two and a half millennia of near silence, Jocasta and Ismene are finally given a chance to speak . . . Haynes’s Thebes is vividly captured. In her excellent new novel, she harnesses the mutability of myth.” —The Guardian
“A wonderfully whimsical yet instructional view of Greco-Roman history.” —Kirkus Reviews In this thoroughly engaging book, Natalie Haynes brings her scholarship and wit to the most fascinating true stories of the ancient world. The Ancient Guide to Modern Life not only reveals the origins of our culture in areas including philosophy, politics, language, and art, it also draws illuminating connections between antiquity and our present time, to demonstrate that the Greeks and Romans were not so different from ourselves: Is Bart Simpson the successor to Aristophanes? Do the Beckhams have parallel lives with The Satiricon’s Trimalchio? Along the way Haynes debunks myths (gladiators didn’t salute the emperor before their deaths, and the last words of Julius Caesar weren’t “et tu, brute?”). From Athens to Zeno's paradox, this irresistible guide shows how the history and wisdom of the ancient world can inform and enrich our lives today. “A romp through some of the best-known, and some of the more obscure, writers, thought, and stories of Greece and Rome.” —Times Literary Supplement