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With its focus on dangerous, determined femmes fatales, hardboiled detectives, and crimes that almost-but-never-quite succeed, film noir has long been popular with moviegoers and film critics alike. Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist. Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.
Winner of the Norman B. Tomlinson, Jr. Prize “The best large-scale synthesis in any language of what we currently know and understand about this multidimensional, cataclysmic conflict.” —Richard J. Evans, Times Literary Supplement In this monumental history of the First World War, Germany’s leading historian of the period offers a dramatic account of its origins, course, and consequences. Jörn Leonhard treats the clash of arms with a sure feel for grand strategy. He captures the slow attrition, the race for ever more destructive technologies, and the grim experiences of frontline soldiers. But the war was more than a military conflict and he also gives us the perspectives of leaders, intellectuals, artists, and ordinary men and women around the world as they grappled with the urgency of the moment and the rise of unprecedented political and social pressures. With an unrivaled combination of depth and global reach, Pandora’s Box reveals how profoundly the war shaped the world to come. “[An] epic and magnificent work—unquestionably, for me, the best single-volume history of the war I have ever read...It is the most formidable attempt to make the war to end all wars comprehensible as a whole.” —Simon Heffer, The Spectator “[A] great book on the Great War...Leonhard succeeds in being comprehensive without falling prey to the temptation of being encyclopedic. He writes fluently and judiciously.” —Adam Tooze, Die Zeit “Extremely readable, lucidly structured, focused, and dynamic...Leonhard’s analysis is enlivened by a sharp eye for concrete situations and an ear for the voices that best convey the meaning of change for the people and societies undergoing it.” —Christopher Clark, author of The Sleepwalkers
A former Vietnam Veteran receives a package upon opening it. He sees it contains- Things from his past his old army survival knife, 9th Inf Div patch from he wore in Vietnam and his Jump wings. There was also a letter from his ex-wife. In the letter, she explains that his children are being exposed to drugs. His son almost died from taking them. She asks for his help to make the drug ring to go away. And make them pay for what they are doing not only to their children but others in the community. He feels it is like "Pandoras Box" unleashing evil upon the world. He goes back to his former home and gathers old friends to fight and win the community back. The most important part was making it safe for his children!
Thriller.
The 4-volume set LNCS 13534, 13535, 13536 and 13537 constitutes the refereed proceedings of the 5th Chinese Conference on Pattern Recognition and Computer Vision, PRCV 2022, held in Shenzhen, China, in November 2022. The 233 full papers presented were carefully reviewed and selected from 564 submissions. The papers have been organized in the following topical sections: Theories and Feature Extraction; Machine learning, Multimedia and Multimodal; Optimization and Neural Network and Deep Learning; Biomedical Image Processing and Analysis; Pattern Classification and Clustering; 3D Computer Vision and Reconstruction, Robots and Autonomous Driving; Recognition, Remote Sensing; Vision Analysis and Understanding; Image Processing and Low-level Vision; Object Detection, Segmentation and Tracking.
(2007) Storytellin' Muni Drivers, vol 1-6: 20th Anniversary Edition Edited by Alan Allen, Foreword by Studs Terkel. 154 pgs, 82 photos by Richard Panse. Reviews of volume 1: "Urban oral history ... our urbs ...our history ...worth reading!" - Jon Carroll, San Francisco Chronicle./pp"Too strange not to be true" - Harre Demore, San Francisco Chronicle./ip"Funny, obscene, nerve-wracking, dangerous" - Walt Gibbs, iSan Francisco Examiner. /ip"Sex, violence, humor" - . "Full of horror" - KGO Radio. Over 275 on-the-job true stories collected by reporter Alan Allen over 20 years by San Francisco municipal railway drivers of cable cars, diesel buses, streetcars, trolleys & trams. (This is an abridged version of A Noah's Ark of Recurring Celebration, with just the Muni stories & photos of working cable cars, diesel buses, streetcars, trolleys & trams in it. In San Francisco, the Muni drivers enjoy a mythic quality. One of the few blue collar jobs left in a city that was once dominated by working class prople, Muni drivers are the heartthrob of their riders and the scapegoat of the press and upper management. The Muni driver is blamed if the vehicles run late; but the management determines their schedules, not the drivers. Victims of their own union, the driveres and their friends know their union is only a paper tiger that can not be trusted. At the same time, each Muni driver is awash in a sea of what is commonly referred to, as, the public. The public may be drunk, happy, sad, armed and dangerous, stoned, flirtatious, helpful, threatening, wild or sedate for any reason at any time with or without provocation. Some drivers illegally carry guns to protect themselves from thugs. Other drivers are given cookies, casual glances and flirtatious smiles. Accidents occur. Drivers are followed and tailed by supervisors eager to complete the transition from driver, to supervisor, to union management then to city management of the Municipal Railway -- which is accomplished by getting as many drivers in trouble as possible. All this drama and melodrama is as routine as getting stuck in traffic, it's all part of the job for San Francisco's Storytellin' Muni Drivers.