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Collecting texts taken from letters, diaries, literature, scientific journals and reports, Pandæmonium gathers a beguiling narrative as it traces the development of the machine age in Britain. Covering the years between 1660 and 1886, it offers a rich tapestry of human experience, from eyewitness reports of the Luddite Riots and the Peterloo Massacre to more intimate accounts of child labour, Utopian communities, the desecration of the natural world, ground-breaking scientific experiments, and the coming of the railways. Humphrey Jennings, co-founder of the Mass Observation movement of the 1930s and acclaimed documentary film-maker, assembled an enthralling narrative of this key period in Britain's national consciousness. The result is a highly original artistic achievement in its own right. Thanks to the efforts of his daughter, Marie-Louise Jennings, Pandæmonium was originally published in 1985, and in 2012 it was the inspiration behind Danny Boyle's electrifying Opening Ceremony for the London Olympic Games. Frank Cottrell Boyce, who wrote the scenario for the ceremony, contributes a revealing new foreword for this edition.
Documents the public reaction to the industrial revolution.
Designed for students new to Milton's work, this sourcebook outlines the seventeenth-century contexts of its composition and examines a range of the key critical responses from across literary history. The guide also usefully reprints frequently studied passages of the poem, suggests further reading, and provides cross-references between the textual, contextual and critical material.
Narratives of possession have survived in early English medical and philosophical treatises. Using ideas derived from cognitive science, this study moves through the stages of possession and exorcism to describe how the social, religious, and medical were internalized to create the varied manifestations of demon possession in early modern England.
Journey to where the fog never lifts… Libelle, a city by the sea. Those who venture into its fog are said never to make it back alive—a murderous phenomenon that’s another of the Four Major Human Errors that has ravaged the world. But for Menou, it just may be the solution she’s looking for. To fulfill her role as Executioner, she needs to find a way to murder Akari, the girl who seems to spring back to life whenever she’s killed. Maybe this time, Menou will be successful in carrying out her duty... but a calculated encounter with Manon, the daughter of Count Libelle, shifts all their fates in a direction that even Akari never could have predicted. Just what will become of the Executioner and her seemingly unkillable target...?
Pandmonium in the mountains. Hoping to avoid a future where Menou dies trying to save Akari, the girl from Japan runs away with her sworn enemy, Momo. The pair ride the rails to a secluded village in the mountains where they believe they’ll be safe for a few days. Unfortunately, they’re not the only ones who decided to stop off there. Manon and Pandmonium have arrived as well, and they aren’t alone. Akari had hoped keeping away from Menou would be enough to spare the girl she holds dear, but keeping the Executioner alive may require a more drastic course of action...
This is the first book to provide a direct and comprehensive account of British art cinema. Film history has tended to view British filmmakers as aesthetically conservative, but the truth is they have a long tradition of experiment and artistry, both within and beyond the mainstream. Beginning with the silent period and running up to the 2010s, the book draws attention to this tradition while acknowledging that art cinema in Britain is a complex and fluid concept that needs to be considered within broader concerns. It will be of particular interest to scholars and students of British cinema history, film genre, experimental filmmaking, and British cultural history.
Breathing life into a Milton for the Twenty-first century, this cutting-edge collection shows students and scholars alike how Milton transforms and is transformed by popular literature and polemics, film and television, and other modern media.