Download Free Panchkanyas And Life Lessons For Every Woman Book in PDF and EPUB Free Download. You can read online Panchkanyas And Life Lessons For Every Woman and write the review.

Doormat, Vixen, Tease, Adulteress, Single Mother, Divorcee — there’s nothing new about women being labeled and trolled. But, what if instead of a new age therapist you turned to the OGs of Indian epics, the Panchkanyas, who smashed the hell out of these labels, navigated the patriarchy, and came out on top! In their extraordinary lives lie invaluable lessons for our ordinary lives. Go, explore! And come out stronger.
Kunti, a rare matriarch in the Mahabharata and one of the revered Pancha Satis, holds an unforgettable position in the Indian literary imagination. Yet, little is known about the fateful events that shaped her early life. Taking on the intricate task, Koral Dasgupta unravels the lesser-known strands of Kunti’s story: through a childhood of scholarly pursuits to unwanted motherhood at adolescence, a detached marriage and her ambitious love for the king of the devas. After the remarkable success of Ahalya, the first book in the Sati series, Kunti presents a brilliant and tender retelling of a story at the heart of our culture and mythology. * In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from Indian mythology and reinvents them in the modern context with a feminist consciousness.
‘Lyrical and poetic ... enthralling’ BIBEK DEBROY ‘A magical and thought-provoking adventure, Ahalya will intrigue and mesmerize readers’ CHITRA BANERJEE DIVAKARUNI ‘An enigmatic tale about purity, chastity, seduction and redemption’ NAMITA GOKHALE ‘Brilliant and intriguing’ ANAND NEELAKANTAN It is known that Ahalya was cursed by her husband, Gautam, for indulging in a physical relationship with Indra. But is there another story to Ahalya's truth? Who was Indra anyway? A king? A lover? A philanderer? The first book of the Sati series, Ahalya hinges on these core questions, narrating the course of her life, from innocence to infidelity. In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from Indian mythology, all of whom had partners other than their husbands and yet are revered as the most enlightened women, whose purity of mind precedes over the purity of body. The five books of the Sati series reinvent these women and their men, in the modern context with a feminist consciousness.
Throughout India and Southeast Asia, ancient classical epics—the Mahabharata and the Ramayana—continue to exert considerable cultural influence. Rethinking India's Oral and Classical Epics offers an unprecedented exploration into South Asia's regional epic traditions. Using his own fieldwork as a starting point, Alf Hiltebeitel analyzes how the oral tradition of the south Indian cult of the goddess Draupadi and five regional martial oral epics compare with one another and tie in with the Sanskrit epics. Drawing on literary theory and cultural studies, he reveals the shared subtexts of the Draupadi cult Mahabharata and the five oral epics, and shows how the traditional plots are twisted and classical characters reshaped to reflect local history and religion. In doing so, Hiltebeitel sheds new light on the intertwining oral traditions of medieval Rajput military culture, Dalits ("former Untouchables"), and Muslims. Breathtaking in scope, this work is indispensable for those seeking a deeper understanding of South Asia's Hindu and Muslim traditions. This work is the third volume in Hiltebeitel's study of the Draupadi cult. Other volumes include Mythologies: From Gingee to Kuruksetra (Volume One), On Hindu Ritual and the Goddess (Volume Two), and Rethinking the Mahabharata (Volume Four).
Study on the depiction of virginity of women mythological characters in Hindu epics.
Valmiki's Ramayana is the story of Rama's exile and return to Ayodhya, of a triumphant king who will always do right by his subjects. In Volga's retelling, it is Sita who, after being abandoned by Purushottam Rama, embarks on an arduous journey towards self-realization. Along the way, she meets extraordinary women who have broken free from all that held them back: husbands, sons, and their notions of desire, beauty and chastity. The minor women characters of the epic as we know it -- Surpanakha, Renuka, Urmila and Ahalya -- steer Sita towards an unexpected resolution. Meanwhile, Rama too must reconsider and weigh his roles as the king of Ayodhya and as a man deeply in love with his wife. A powerful subversion of India's most popular tale of morality, choice and sacrifice, The Liberation of Sita opens up new spaces within the old discourse, enabling women to review their lives and experiences afresh. This is Volga at her feminist best.
It is the aftermath of the war in Volume 8. Ashvatthama kills all the remaining Pandavas—with the exception of the five Pandava brothers—and Panchalas. The funeral ceremonies for the dead warriors are performed. Bhishma’s teachings in the Shanti Parva, after Yudhishthira is crowned, is about duties to be followed under different circumstances.
As among men Krishna baffles our understanding, so does Draupadi among women. And how the critics look at Draupadi says more about the critics themselves than about Draupadi. What we see in others is only a reflection; others only serve as mirrors to us. We see in others only that which we want to see; in fact, we see what we are. We do nothing but project ourselves on the world. It is difficult to understand Draupadi. But our difficulty does not come from this great woman, it really emanates from us. Our ideas and beliefs, our desires and hopes come in our way of understanding Draupadi.