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Diana Mayo is young, beautiful, wealthy--and independent. Bored by the eligible bachelors and endless parties of the English aristocracy, she arranges for a horseback trek through the Algerian desert. Two days into her adventure, Diana is kidnapped by the
A burlesque of Richardson's "Pamela", which was generally ascribed to Fielding at the time of its appearance and held by most authorities to be by him.--Cf. W.L. Cross' "The history of Henry Fielding", v. 1, p. 23, 303-308: Notes & queries, 12th ser. v. 1, p. 24-26.
Can two broken boys find their perfect home? By turns heartbreaking and heartwarming, this is a gorgeously told, powerful story. Sam is only fifteen but he and his autistic older brother, Avery, have been abandoned by every relative he's ever known. Now Sam's trying to build a new life for them. He survives by breaking into empty houses when their owners are away, until one day he's caught out when a family returns home. To his amazement this large, chaotic family takes him under their wing - each teenager assuming Sam is a friend of another sibling. Sam finds himself inextricably caught up in their life, and falling for the beautiful Moxie. But Sam has a secret, and his past is about to catch up with him. Heartfelt storytelling, perfect for fans of Jandy Nelson and Jennifer Niven.
The young, virtuous Pamela Andrews is a servant girl in the employ of Mr. B, a wealthy landowner in 18th-century England. After the death of Mr. B's mother, he attempts to seduce Pamela, who, despite a cautious attraction, rebuffs him. Undeterred, he increases his advances, and Pamela struggles to maintain her dignity and moral compass. Pamela caused a sensation upon its initial publication. With its focus on class divides and women's limited rights, it addressed the challenges and issues of its time. Samuel Richardson intertwines drama, moral dilemmas, and the complexities of love in this tale of a young girl's struggle for self-respect and authenticity in a world dominated by power and hierarchies. SAMUEL RICHARDSON [1689-1761] was an English author. With his debut Pamela [1740], he created the first epistolary novel, which is one of the earliest variations of the classic novel and one of the most popular over the centuries to come. In addition to Pamela, he achieved great success with the novels Clarissa and The History of Sir Charles Grandison.
Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.