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Bernard Palissy, the great Renaissance potter, created a style of ceramic art which has remained popular for nearly four hundred years and which saw a considerable revival throughout Europe in the later nineteenth-century. The coiled vipers, the slinking lizards, the scaly fish - these are the characteristic Palissy creatures set in high relief and painted as in nature. Palissy ware is found in the world's great museums. This volume, fully illustrated in colour, provides the first comprehensive account of the work of Palissy's nineteenth-century followers in France. It aims to be regarded as the standard guide and work of reference for collectors, curators and all those concerned with the high achievements of ceramic art.
This is a study of public sculpture in St. Louis from the 19th century. With the founding of Laumeier Sculpture Park, St. Louis has improved and expanded its holdings with highly acclaimed works, ranging from 19th century bust and equestrian monuments to modern classics by Henry Moore and the Falling Man of Ernest Trova. Included in the survey are the collections of the St. Louis Museum and the Washington University Gallery of Art.
The great French 16th-century potter, Bernard Palissy, created a genre of rustic ceramic ware reproducing three-dimensional still lifes of natural objects, flora and fauna of all types, including lizards and fish, rendered in high relief and natural colors. His work influenced a school of artists that flourished in the Portuguese town of Caldas da Rainha, 65 miles north of Lisbon, between 1853 and 1920. This volume surveys the work of the most important artists of the Portugese Palissy revival, including Mafra and Pinheiro.