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Wafa Ghnaim brings traditional Palestinian embroidery to life by resuscitating its roots as a powerful, provocative, and profound storytelling tool used by Palestinian women for hundreds of years to document their stories, observations, and experiences.
The Palestinian folk arts have a rich and fascinating history. Silk thread and embroidery, together with an expanding repertoire of symbols, are known to have made their way from China to the Holy Land along the Silk and Spice Routes before being introduced to Europe by Christian saints, holy men and pilgrims. Mainly using cross-stitch, Palestinians have continued to embroider their traditional motifs, giving them their own appellations and developing their own terminology. As clothing was of prime importance, Palestinian women wanted something personal, distinctive and handmade. By adopting the traditional styles and motifs of her area, a woman expressed her wish to identify and be identified with her cultural roots. Samples of late-nineteenth to early-twentieth century Palestinian costumes are considered to be representative of folk art at its best. Through the vicissitudes of war and occupation, Palestinian folk materials have been dispersed, though samples are to be found in published material, in museums outside Palestine and in small private collections. Leila El Khalidi's work in identifying and recording the history and motifs in Palestinian embroidery will be of interest both to craftspeople and to students of folk traditions and is an important step in preserving the Palestinian heritage. The book is illustrated with a detailed appendix showing the principal motifs and with photographs of traditional costumes
This visually stunning study in the ethnography of Palestinian embroidery motifs is a lasting source inspiration.
The historical and cultural richness of Palestine is reflected visually in its costume and embroidery. Distinguished by boldness of color, richness of pattern, and diversity of style, and combined with great needlework skill, these textiles have long played an important role in Palestinian culture and identity and manifested themselves in every aspect of Palestinian life. Based on over twenty-five years of extensive field research and the culling of museum resources and publications from around the world, this book presents the most exhaustive and up-to-date study of the origins of Palestinian embroidery and costume--from antiquity through medieval Arab textile arts to the present. It documents region by region the evolution of costume and the textile arts in Palestine in the nineteenth and early twentieth centuries. It is lavishly illustrated with over 500 full-color photographs from the highly praised Munayyer Collection, which includes a whole range of embroidered textiles from traditional costumes and coin headdresses of Palestinian village women to cloaks and jackets worn by village men to belts, sashes, and footwear. The exquisite colors of the silk stitching on natural linens are a feast for the eye. The sumptuous photography and author's well-informed text greatly enrich our appreciation of Palestinian embroidery and make this book a valuable resource that displays this unique art in all its splendor.
Embroidering Identities: A Century of Palestinian Clothing is the companion piece to the exhibit held at the Oriental Institute from November 11, 2006 to March 25, 2007. It is an overview of the colourful and distinctive clothing of late nineteenth and early twentieth-century Palestine. The richly illustrated text discusses the construction of traditional dresses, the materials and dyes employed, and clothing and embroidery in the years following 1948. Garments from many regions are illustrated and described. The volume includes a glossary of Arabic terms and a checklist to the exhibit.
This book looks at the intricate patterns and diverse designs of 19th and early 20th century Palestinian village costumes. Palestinian dresses, jackets, head-veils and head-dresses are made from a variety of beautiful fabrics: handwoven cotton or linen, left natural or dyed indigo-blue; and brightly coloured silks, taffetas, velvet and wool. Embroidery from Palestine describes and illustrates diverse decorative techniques and patterns against the backdrop of traditional Palestinian village life and its ceremonies. The examples are drawn from the British Museum's outstanding collection, one of the best in the world, and include some rare and exceptionally beautiful garments.
Find endless inspiration with this photo guide to embroidery stitches. Discover the 120 hand-embroidery stitches that every embroiderer should have in their stitching arsenal, with clear, step-by-step photos you can come back to time and again! Contemporary needlework teacher Sharon Boggon’s forward-thinking ideas will help you view hand embroidery through a vibrant new lens. Beginners and seasoned embroiderers will gain the confidence to create new patterns by playing with the stitches—manipulating the height and width, making asymmetrical loops, stacking up designs, or filling multiple rows with the same stitch. With so many creative variations and the author’s gorgeous samplers, you’ll be inspired to incorporate new techniques in your own crazy quilts and modern projects. Essential guide to surface embroidery! 120 contemporary stitches, including left-hand stitches, with step-by-step photos See how tiny tweaks to each stitch can take your needlework to unexpected places Play up the possibilities with modern fill patterns, asymmetry, luscious texture, and crazy quilting