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THE TRADITIONAL COSTUMES OF THE Palestinian villagers and Bedouin are of exceptional beauty and diversity, especially the festive costumes of the women with their lavish silk embroidery and patchwork and their dramatic headdresses encrusted with coins. This book surveys male and female fashions from the early nineteenth century to the end of the twentieth, and describes the main regional styles of costume, their materials and ornamentation, against the background of Palestinian life and culture. The emphasis throughout the book is on the social and symbolic significance of costume, and the final chapters analyze in detail the language of costume in the context of the wedding. The book is based on extensive field research the author has conducted at intervals since 1967 among Palestinians in Israel, the Occupied Territories, and Jordan. The illustrations include studio photographs of magnificent garments in the British Museum and other collections, archive photographs from the nineteenth and early twentieth centuries, and recent photographs of costumes still made and worn.
Compares styles, textiles, embroidery, and jewelry of townsfolk, villagers, and nomads in different regions. Follows the development of styles from the early 1900's to the present. Many photographs from the time of British control; later photographs are, more courteously, of costumes without people.
A history of Palestinian women of the 20th century told through aspects of popular heritage, focusing on traditional dresses but also including textiles and rug weaving, rural and urban customs, cuisine, and festivities.
This visually stunning study in the ethnography of Palestinian embroidery motifs is a lasting source inspiration.
Wafa Ghnaim brings traditional Palestinian embroidery to life by resuscitating its roots as a powerful, provocative, and profound storytelling tool used by Palestinian women for hundreds of years to document their stories, observations, and experiences.
Embroidering Identities: A Century of Palestinian Clothing is the companion piece to the exhibit held at the Oriental Institute from November 11, 2006 to March 25, 2007. It is an overview of the colourful and distinctive clothing of late nineteenth and early twentieth-century Palestine. The richly illustrated text discusses the construction of traditional dresses, the materials and dyes employed, and clothing and embroidery in the years following 1948. Garments from many regions are illustrated and described. The volume includes a glossary of Arabic terms and a checklist to the exhibit.
Within these pages are the memories of Palestinians - housewives, pastors, physicians, prisoners, professors, refugees, researchers, students, teachers, and university administrators living either in Palestine, refugee camps, or exile - who have suffered loss and yet have kept their identity as Palestinians and through perseverance have kept their culture vibrant and alive. It is hoped that in meeting these people, the reader will understand the suffering and loss of Palestinians; see their longing for freedom and peace; and join in supporting their struggle for justice.The continuing dispossession of the Palestinians and the violation of their human rights, and the right to political self-determination, is a blight on the collective international community. A major obstacle to restitution of justice for the Palestinian people is the ongoing and unconditional support of Israel by Western nations, especially the United States, which allow Israel to act with impunity.In the words of Dr. Hanan Ashrawi, founder and chairman of the Palestinian Initiative for the Promotion of Global Dialogue and Democracy, "The very intimacy of these revelations (the narratives), their searing honesty, and their unassuming humanity compel the reader to engage in the challenge of awareness through identification, and to acquire that uncomfortable, yet essential, knowledge that has hitherto been denied or excluded or distorted. The simple truth, often the most complex reality to convey, is laid bare in Palestine is Our Home for all those who want to shed the complacency of ignorance in favor of the responsibility of knowledge." Palestine Is Our Home presents brief contemporary history of Palestine, short essays, first hand testimonies, and chapters on the liberation art of Palestine and on the origins of the traditional Palestinian costume. Four tables and sixty-one gray scale images - maps, photographs including those of works of art, traditional costumes, and embroidery - serve to illustrate the narratives and chapters of the book. Finally, a leader's guide is provided, which when used in conjunction with the questions for reflection found at the end of each section of the book, serves to facilitate the use of the book by discussion groups.