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A journal of Latin palaeography, particularly of Latin book-script until the middle of the eleventh century.
This work, by the greatest living authority on medieval palaeography, offers the most comprehensive and up-to-date account in any language of the history of Latin script. It also contains a detailed account of the role of the book in cultural history from antiquity to the Renaissance, which outlines the history of book illumination. Designed as a textbook, it contains a full and updated bibliography. Because the volume sets the development of Latin script in its cultural context, it also provides an unrivalled introduction to the nature of medieval Latin culture. It will be used extensively in the teaching of latin palaeography, and is unlikely to be superseded.
Each number includes "Reviews and book notices."
Latin books are among the most numerous surviving artifacts of the Late Antique, Mediaeval, and Renaissance periods in European history; written in a variety of formats and scripts, they preserve the literary, philosophical, scientific, and religious heritage of the West. The Oxford Handbook of Latin Palaeography surveys these books, with special emphasis on the variety of scripts in which they were written. Palaeography, in the strictest sense, examines how the changing styles of script and the fluctuating shapes of individual letters allow the date and the place of production of books to be determined. More broadly conceived, palaeography examines the totality of early book production, ownership, dissemination, and use. The Oxford Handbook of Latin Palaeography includes essays on major types of script (Uncial, Insular, Beneventan, Visigothic, Gothic, etc.), describing what defines these distinct script types, and outlining when and where they were used. It expands on previous handbooks of the subject by incorporating select essays on less well-studied periods and regions, in particular late mediaeval Eastern Europe. The Oxford Handbook of Latin Palaeography is also distinguished from prior handbooks by its extensive focus on codicology and on the cultural settings and contexts of mediaeval books. Essays treat of various important features, formats, styles, and genres of mediaeval books, and of representative mediaeval libraries as intellectual centers. Additional studies explore questions of orality and the written word, the book trade, glossing and glossaries, and manuscript cataloguing. The extensive plates and figures in the volume will provide readers wtih clear illustrations of the major points, and the succinct bibliographies in each essay will direct them to more detailed works in the field.
The field of Hiberno-Latin literature, a term coined to describe the Latin literature written in Ireland, or by Irishmen abroad, between 400 and 1500, was first defined by the late Mario Esposito. His work, too, revealed its vast extent and range, so enabling a significantly better understanding of the importance of Irish scholarship in the cultural history of the Western Middle Ages. This volume concentrates on Hiberno-Latin authors, and on texts composed in Ireland; a second collection of Esposito’s articles contains studies on Irish learning and texts written on the Continent. The great strength of his research is that it is founded on unparalleled knowledge of the manuscripts - many of which, indeed, no longer survive. The articles, now provided with extensive indexes to facilitate their consultation, therefore form the essential basis and guide for any further enquiry into the authors dealt with or their works.