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Bringing rare interviews and meticulous research to the cloaked world of Mexican politics in the mid-twentieth century, Palace Politics provides a captivating look at the authoritarian Mexican state—one of the longest-lived regimes of its kind in recent history—as well as the origins of political instability itself, with revelations that can be applied to a variety of contemporary political situations around the globe. Culling a trove of remarkable firsthand accounts from former Mexican presidents, finance ministers, interior ministers, and other high officials from the 1950s through the 1980s, Jonathan Schlefer describes a world in which elite politics planted the seeds of a mammoth socioeconomic crisis. Palace Politics outlines the process by which political infighting among small rival factions of high officials drove Mexico to precarious situations at all levels of government. Schlefer also demonstrates how, earlier on, elite cooperation among these factions had helped sustain one of the most stable growth economies in Latin America, until all-or-nothing struggles began to tear the Mexican ruling party apart in the 1970s. A vivid, seamlessly narrated history, Palace Politics is essential reading for anyone seeking to better understand not only the nation next door but also the workings of elite politics in general.
This text traces the history of the Malay rulers from the late colonial period to the first decade of the 21st century, considering the implications of the decline of the Malay rulers under colonial rule, the role of the Japanese Occupation of Malaya in defining postwar Malay identity.
During the first century of Japan’s early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Yōzei and Go-Mizunoo relied on financial support from ruling warlords—Toyotomi Hideyoshi and the Tokugawa shoguns—just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Yōzei and Go-Mizunoo (and to an unprecedented exent his empress, Tōfukumon’in) enhanced the heriditary prerogatives of the imperial family. Among the works described in this volume are masterpieces commissioned for the residences and temples of the imperial family, which were painted by artists of the Kano, Tosa and Sumiyoshi ateliers, not to mention Tawaraya Sōtatsu. Anonymous but deluxe painting commissions depicting grand imperial processions are examined in detail. The court’s fascination with calligraphy and tea, arts that flourished in this age, is also discussed in this profusely illustrated volume.
A New York Times-bestselling author presents a provocative new interpretation of The Prince The Prince, a political treatise by the Florentine public servant and political theorist Niccolo Machiavelli, is widely regarded as the most important exploration of politics—and in particular the politics of power—ever written. In Garments of Court and Palace, Philip Bobbitt, a preeminent and original interpreter of modern statecraft, presents a vivid portrait of Machiavelli's Italy and demonstrates how The Prince articulates a new idea of government that emerged during the Renaissance. Bobbitt argues that when The Prince is read alongside the Discourses, modern readers can see clearly how Machiavelli prophesied the end of the feudal era and the birth of a recognizably modern polity. As this book shows, publication of The Prince in 1532 represents nothing less than a revolutionary moment in our understanding of the place of the law and war in the creation and maintenance of the modern state.
A sweeping yet intimate narrative about the last hundred years of turbulent European history, as seen through one of Mitteleuropa’s greatest houses—and the lives of its occupants When Norman Eisen moved into the US ambassador’s residence in Prague, returning to the land his mother had fled after the Holocaust, he was startled to discover swastikas hidden beneath the furniture in his new home. These symbols of Nazi Germany were remnants of the residence’s forgotten history, and evidence that we never live far from the past. From that discovery unspooled the twisting, captivating tale of four of the remarkable people who had called this palace home. Their story is Europe’s, and The Last Palace chronicles the upheavals that transformed the continent over the past century. There was the optimistic Jewish financial baron, Otto Petschek, who built the palace after World War I as a statement of his faith in democracy, only to have that faith shattered; Rudolf Toussaint, the cultured, compromised German general who occupied the palace during World War II, ultimately putting his life at risk to save the house and Prague itself from destruction; Laurence Steinhardt, the first postwar US ambassador whose quixotic struggle to keep the palace out of Communist hands was paired with his pitched efforts to rescue the country from Soviet domination; and Shirley Temple Black, an eyewitness to the crushing of the 1968 Prague Spring by Soviet tanks, who determined to return to Prague and help end totalitarianism—and did just that as US ambassador in 1989. Weaving in the life of Eisen’s own mother to demonstrate how those without power and privilege moved through history, The Last Palace tells the dramatic and surprisingly cyclical tale of the triumph of liberal democracy.
An exploration of the history and significance of the Palace of Culture and Science in Warsaw, Poland. The Palace of Culture and Science is a massive Stalinist skyscraper that was “gifted” to Warsaw by the Soviet Union in 1955. Framing the Palace’s visual, symbolic, and functional prominence in the everyday life of the Polish capital as a sort of obsession, locals joke that their city suffers from a “Palace of Culture complex.” Despite attempts to privatize it, the Palace remains municipally owned, and continues to play host to a variety of public institutions and services. The Parade Square, which surrounds the building, has resisted attempts to convert it into a money-making commercial center. Author Michal Murawski traces the skyscraper’s powerful impact on twenty-first century Warsaw; on its architectural and urban landscape; on its political, ideological, and cultural lives; and on the bodies and minds of its inhabitants. The Palace Complex explores the many factors that allow Warsaw’s Palace to endure as a still-socialist building in a post-socialist city. “The most brilliant book on a building in many years, making a case for Warsaw’s once-loathed Palace of Culture and Science as the most enduring and successful legacy of Polish state socialism.” —Owen Hatherley, The New Statesman’s“Books of the Year” list (UK) “An ambitious anthropological biography of Poland’s tallest and most infamous building, the Palace of Culture and Science in Warsaw. . . . It is a truly fascinating story that challenges a tenacious stereotype, and Murawski tells it brilliantly, judiciously layering literatures from multiple disciplines, his own ethnographic work, and personal anecdotes.” —Patryk Babiracki, H-Net History
Elegance and wealth. Privilege and politics. The extravagance of the Butterfly Palace overwhelmed Lily’s senses and nearly smothered her painful memories. She pushed away her misgivings . . . She was perfectly safe in this huge house. Austin, Texas—1904: Abandoned by the love of her life and still mourning the loss of her mother, Lily Donaldson has turned her back on the pain and come to Austin for a fresh start, working for the Marshall family as a kitchen maid in their luxurious mansion, the Butterfly Palace. The tasks before her are legion, and her mistress less than pleasant, but at least Lily’s new life will be, if nothing else, distracting. But one night, while serving at a dinner party, Lily recognizes the man who abandoned her, Andy, her liaison from the livery stable, the blacksmith’s son . . . sitting among the distinguished guests. Though he recognizes her, Andy does not acknowledge her aloud, and Lily is left reeling, flabbergasted, and irate. But before she can get an explanation, the path of the Servant Girl Killer swerves very close to the Butterfly Palace, sowing terror among the maids. Having come to Austin to start anew, Lily suddenly feels trapped in a spider web. How can she know who to trust in a house where lies come dressed in fine suits and deceit in silk gowns the colors of butterfly wings? “This story about the importance of having faith, especially in your darkest hour, is recommended for fans of Amanda Quick and Sandra Brown and for readers who enjoy romantic suspense and historical fiction.” —Library Journal
In T. E. Lawrence’s classic memoir Seven Pillars of Wisdom, Lawrence of Arabia claimed that he inspired a “dream palace” of Arab nationalism. What he really inspired, however, was an American idea of the area now called the Middle East that has shaped U.S. interventions over the course of a century, with sometimes tragic consequences. America’s Dream Palace brings into sharp focus the ways U.S. foreign policy has shaped the emergence of expertise concerning this crucial, often turbulent, and misunderstood part of the world. America’s growing stature as a global power created a need for expert knowledge about different regions. When it came to the Middle East, the U.S. government was initially content to rely on Christian missionaries and Orientalist scholars. After World War II, however, as Washington’s national security establishment required professional expertise in Middle Eastern affairs, it began to cultivate a mutually beneficial relationship with academic institutions. Newly created programs at Harvard, Princeton, and other universities became integral to Washington’s policymaking in the region. The National Defense Education Act of 1958, which aligned America’s educational goals with Cold War security concerns, proved a boon for Middle Eastern studies. But charges of anti-Americanism within the academy soon strained this cozy relationship. Federal funding for area studies declined, while independent think tanks with ties to the government flourished. By the time the Bush administration declared its Global War on Terror, Osamah Khalil writes, think tanks that actively pursued agendas aligned with neoconservative goals were the drivers of America’s foreign policy.