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Arranged according to region, this volume introduces the student and general reader to the architectural splendors of the Islamic world. The book contains nearly 70 architectural drawings, close to 200 half-tone plates, and separate maps of eastern and western Islam. In addition, there is a glossary of the architectural terms relevant to the study of Islamic architecture. Finally, a set of four indices covering architectural terms and features, types of buildings, architects and craftsmen, and (mainly medieval) authors greatly facilitates the use of the book.
Modern society owes a tremendous amount to the Muslim world for the many groundbreaking scientific and technological advances that were pioneered during the Golden Age of Muslim civilization between the 7th and 17th centuries. Every time you drink coffee, eat a three-course meal, get a whiff of your favorite perfume, take shelter in an earthquake-resistant structure, get a broken bone set or solve an algebra problem, it is in part due to the discoveries of Muslim civilization.
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
This detailed study of the early Mohammadan Architecture explores the fortress of Al-Ukhaidir situated in the south of Karbala, Iraq. It is an enormous, rectangular fortress built in 775 A.D. with a remarkable defensive style and represents Abbasid architectural innovation in the designs of its courtyards, residences, and mosque. The writer covers the fascinating topic in simple words, free of any technicalities for the general readers to grasp the information quickly. Contents include: Ukhaiḍir Qṣair, Mudjḍah, And 'Aṭshân Qaṣr-I-shîrîn Genesis Of the Early Mohammadan Palace The Façade The Mosque The Date of Ukhaiḍir
This exhaustive archive is a data base program with 6,523 images comprising the unique collection of Professor K.A.C. Creswell, the pioneer of Medieval Islamic architectural history. Subjects range from Andalus to Iraq and span the 7th-18th centuries. Many of the buildings are no longer extant. Professor Creswell has photographed each image and the CD-Rom includes a textural description of each image. The database can be sorted, searched and saved in sets, and images and text can be printed from this database. (Ashmolean Museum)
A unique appraisal of the architectual developments of the contemporary mosque.