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El Pajaro de la Luz is a children's book that takes place in the Peruvian jungle, telling a magical story about two siblings and their journey to find the Bird of Light.
El árbol no puede volar, pero el pájaro no puede echar raíces... El librito es un tesoro: es de la mejor prosa sentenciosa del habla canaria universal, "sin canarismos de uso", "sin folklorismos localistas". Cada palabra, cada oración sintáctica, está en su conciso valor de belleza clásica; las cadenas expresivas encantan como un manantial que brota como burbujas de agua fresca y clara; los nexos, las partículas birrelacionales, los adjetivos y sus incidencias, las sustancias y los verbos forman un espejo donde la exactitud se refleja con nitidez. Ningún pájaro puede volar dos veces en la misma brisa...
Juanito y Tomás un día escucharon una hermosa melodía de un pájaro al cual no veían. Llenos de curiosidad, estaban decididos a averiguar qué pájaro cantaba tan hermoso, por lo que se levantaron de madrugada y pudieron ver que de una cascada salía un hermoso pájaro lleno de luz que cantaba hermosamente. Éste al sentirse observado, se escondió en la cascada.
Written while in exile in the United States, Time and Space were originally intended to appear together in a single volume. Not until 1986, however, did they appear so in Spanish and not until 1988 were they published together in English. By presenting them together, Jimnez had wanted them to convey the same continuity of emotion, the same philosophical intensity, that he had experienced while writing them. All My Life, he wrote in his introduction, I have toyed with the idea of writing a continuous poem...with no concrete theme, sustained only by its own surprise, its rhythm, its discoveries, its light, its successive joys; that is, its intrinsic elements, its essence. That continuous poem is Time and Space the last book Jimnez wrote. Presented here in a bilingual edition, Time and Space will take readers of both English and Spanish on the longest and most sustained ride on the crest of poetry they will ever enjoy. The greatest poem in this Century... Octavio Paz Antonio T. de Nicols, translator and editor of Time and Space is also widely known for his highly acclaimed translation of the Juan Ramn Jimnez classic, Platero and I, as well as many other works in Spanish. His first book of poetry, Remembering the God to Come, is also being published by iUniverse.com.
Given that the Surrealists were initially met with widespread incomprehension, mercilessly ridiculed, and treated as madmen, it is remarkable that more than one hundred years on we still feel the vitality and continued popularity of the movement today. As Willard Bohn demonstrates, Surrealism was not just a French phenomenon but one that eventually encompassed much of the world. Concentrating on the movement's theory and practice, this extraordinarily broad-ranging book documents the spread of Surrealism throughout the western hemisphere and examines keys texts, critical responses, and significant writers. The latter include three extraordinarily talented individuals who were eventually awarded the Nobel Prize in Literature (Andre Breton, Pablo Neruda, and Octavio Paz). Like their Surrealist colleagues, they strove to free human beings from their unconscious chains so that they could realize their true potential. One Hundred Years of Surrealist Poetry explores not only the birth but also the ongoing life of a major literary movement.