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The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Essential general survey for enthusiasts and specialist alike. Superb colour illustrations. Will provide many insights to the neglected area of art history
The social and political climate in which Wood's art flourished bears certain striking similarities to America today, as national identity and the tension between urban and rural areas reemerge as polarizing issues in a country facing the consequences of globalization and the technological revolution. Wood portrayed the tension and alienation of contemporary experience. By fusing meticulously observed reality with fables of childhood, he crafted unsettling images of estrangement and apprehension that pictorially manifest the anxiety of modern life.
This new publication about the artistic collaboration Faile documents its work with the medium of wood.
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket
This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.
A comprehensive look at American miniature bird carvings and the artists who made them
DECORATIVE ARTS & CRAFTS. Whether your preferred medium is canvas or paper, wood or stone, this reasonably priced series of books for beginners demonstrates fascinating drawing, painting and design techniques for a variety of surfaces, materials and spaces. The titles in this practical series are superbly suited to help readers become familiar with the most essential techniques of drawing, painting and design. They are tailor-made for a quick and practically oriented introduction. In each book, numerous examples will inspire readers to explore their own potential for creative expression. Tools, materials and other aids are thoroughly explained. The step-by-step approach clarifies the phases of each technique and gives helpful suggestions for further development of the learned methods. In addition, insightful analysis of great works of art divulges the tricks and secrets of the masters.
Wally Wood's career in comics is legendary among the annals of comic's history. He rocketed to fame working on Will Eisner's The Spirit newspaper strip and became one of the most talented artists working for EC Comics during the 1950s. Wood also became a star of EC's satire comic, Mad, which went on to even greater success as a magazine, allowing the artist to apply his amazing talents in a broader spectrum. When the comic's industry fell on lean times during the mid 1950s, Wood segued into the field of science fiction pulp illustration, providing over 200 beautiful drawings and several color cover paintings for the digest magazines, particularly Galaxy. Wood left behind a legacy of great art, much of which has never been reprinted. This book will feature them all. Long time Wally Wood historian Roger Hill has spent the past twenty years pulling together the history of Wood's involvement with the pulp digests and tracking down original art for this project. Over half of the images have been pulled from the originals or from Wood's personal file copies, allowing Wood fans the finest possible reproduction!