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The exhibition celebrated two Paolo Veronese paintings from the church of san Pietro Martire in Murano. The paintings have been restored by Venetian Heritage with the generous support of Bulgari. The large canvases showing Saint Jerome in the Desert and Saint Agatha Visited in Prison by Saint Peter were commissioned by Francesco degli Alberi, the priest of the church of Saint Mary of the Angels in Murano, and painted by Veronese in 1566. They were originally held in the private chapel built alongside the church on the priest?s orders. In 1667 the paintings were relocated to the nearby church of Saint Mary of the Angels. The very elaborate frames in gilded wood were most likely sculpted around this period. The church was deconsecrated during the French occupation at the beginning of the 19th century, and some of the works kept there were transferred to the neighbouring church of San Pietro Martire. The paintings and the frames were in a poor state: the heavy over-varnishing applied over the years had darkened, making it difficult to appreciate Veronese?s brilliant colours, while the gilt was peeling off the frames, leaving visible gaps. The restoration has successfully brought back to life these two 16th century masterpieces of Venetian painting. 00Exhibition: Gallerie dell'Accademia, Venice, Italy (12.03 - 17.09.2017) / The Frick Collection, New York, USA (24.10.2017 - 25.03.2018).
Celebrating the twentieth anniversary of Venetian Heritage--whose mission is to safeguard Venetian cultural legacy as manifested in architecture, music, and fine art--this stunning volume highlights the organization's work in restoring, preserving, and promoting the cultural heritage of Venice. This book showcases the most impressive restoration projects of the last twenty years, from the eighteenth-century façade of the Church of Jesuits and early-Renaissance façade of the Church of San Zaccaria in Venice, to the Chapel of the Blessed Giovanni Orsini and the Romanesque portal of the Cathedral of Saint Lawrence in Croatia. Beautifully photographed in breathtaking detail, this volume tells the story of the crucial role that Venetian Heritage has in preserving the art of Venice both in Italy and in the areas once part of the Republic of Venice.
One of the principle painters of the sixteenth century Venetian school, Paolo Veronese produced monumental works, portraying allegorical, biblical and historical subjects in splendid colour, set against the backdrop of Renaissance architecture. A master of colour, Veronese also excelled at illusionary compositions that extend the eye beyond the actual confines of the room. After an early period of Mannerism, he developed a naturalist style of painting, which was influenced by Titian and would go on to inspire the masters of the Baroque and later eras. His works are celebrated for their chromatic brilliance, sensibility of brushwork, aristocratic elegance and the sheer magnificence of spectacle. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Veronese’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Paolo Veronese – over 500 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Veronese’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Features two biographies, including Vasari’s original ‘Life’ Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights Conversion of Mary Magdalene (1547) Enthroned Madonna and Child, Saint John the Baptist, Saint Louis of Toulouse and Donors (1548) Portrait of Iseppo da Porto and his son Adriano (1551) The Pala Giustinian (1551) Jupiter Hurling Thunderbolts and the Vices (1556) La Bella Nani (c. 1556) Ceiling of the Sala dell’Olimpo, Villa Barbaro (1560) The Wedding Feast at Cana (1563) The Family of Darius before Alexander (c. 1565) Portrait of Daniele Barbaro (1567) Feast at the House of Simon (1570) The Feast in the House of Levi (1573) Adoration of the Magi (1573) The Dream of Saint Helena (1578) Venus and Adonis (1580) Miracle of Saint Pantaleon (1587) The Paintings The Complete Paintings Alphabetical List of Paintings The Biographies Life of Paolino (1568) by Giorgio Vasari Veronese by François Crastre Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Catalog of the exhibition "Veronese: magnificence in Renaissance Venice" held March 19-June 15, 2014 at the National Gallery, London.
Discusses the relation of Venetian color to social, cultural, and environmental factors
The Frick Collection will present Veronese in Murano: Two Venetian Renaissance Masterpieces Restored, a focused exhibition, organized by Peter Jay Sharp Chief Curator Xavier F. Salomon, on two recently conserved and rarely seen paintings by the celebrated artist Paolo Veronese (1528-1588), Saint Jerome in the Wilderness and Saint Peter Visiting Saint Agatha in Prison. While the paintings are known to scholars, their remote location in a church in Murano, an island in the lagoon of Venice, has made them difficult to study. The exhibition will provide a unique opportunity for an international audience to discover these two masterpieces in New York.
This title was first published in 2001: Paolo Veronese: Piety and Display in an Age of Religious Reform examines the large body of religious paintings with which Veronese (1528 -1588) played a crucial role in shaping Venetian piety. With 117 illustrations (26 in colour) Richard Cocke sets Veronese’s work into context, arguing his mastery of narrative has long been neglected, largely as a result of Sir Joshua Reynolds's criticism in his Discourses. The new expressiveness of Veronese’s work in his final decade is linked with the decrees of the Council of Trent, which resulted in an enhanced display of paintings in Venetian palaces during the 1570s, matched by the renewed decorative schemes in the city’s churches.