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Generously illustrated with archival prints and photos of Catlin's own paintings, this accessible biography of one of America's best-known painters weaves a well-researched history with stories of Catlin's travels and adventures.
Briefly tells the story of this nineteenth-century painter and naturalist who is most famous for his detailed paintings of birds.
These stunning reproductions of more than sixty oil paintings by landscape artist Philip Juras offer a glimpse of the pre-European settlement southern wilderness as late eighteenth-century naturalist William Bartram would have experienced it during his famed travels through the region. Juras spent years researching Bartram and revisiting important sites the naturalist wrote about in his celebrated Travels. The paintings combine direct observation with historical, scientific, and natural history research to depict, and in some cases reimagine, landscapes as they appeared in the 1770s. Juras's work explores many of the important and imperiled ecosystems that remain in the South today. These little-known, remnant natural communities are further illuminated by essays placing them in the context of Bartram's legacy and the American landscape movement. Here is a rare glimpse of the southern frontier before it was irrevocably altered by European settlement.
A visually stunning account of bygone days in the Everglades transports readers to the remote, half-wild frontier of southwest Florida in the early part of the twentieth century. Reprint.
"Exhibition Schedule, Morris Museum of Art, Augusta, Georgia February 28 to May 22, 2016."
With the explosion in YA publishing, it’s harder than ever to separate good books from the rest. Booklist magazine’s editors’ deep and broad knowledge of the landscape offers indispensable guidance, and here they bring together the very best of the best books for young adults published since the start of the 21st century.
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
When Anika Molnar flees her home country of Hungary not long before the break-up ofthe Soviet Union, she carries only a small suitcase - and a beautiful and much-lovedpainting of an auburn-haired woman in a cobalt blue dress from her family's hiddencollection.Arriving in Australia, Anika moves in with her aunt in Sydney, and the painting hangs inpride of place in her bedroom. But one day it is stolen in what seems to be a carefullyplanned theft, and Anika's carefree life takes a more ominous turn.Sinister secrets from her family's past and Hungary's fraught history cast suspicion overthe painting's provenance, and she embarks on a gripping quest to uncover the truth.Hungary's war-torn past contrasts sharply with Australia's bright new world ofopportunity in this moving and compelling mystery.
Even as their nations and cultures were being destroyed by colonial expansion across the continent, American Indians became a form of entertainment, sometimes dangerous and violent, sometimes primitive and noble. Creating a fictional wild west, entrepreneurs then exported it around the world. Exhibitions by George Catlin, paintings by Charles King, and Wild West shows by Buffalo Bill Cody were viewed by millions worldwide. Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how this version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience. He then calls for a rewriting of the history of the American west, one devoid of minstrelsy and racist pageantry, and honoring the contemporary cultural and artistic visions of people whose ancestors were shattered by American expansionism.