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Air, Water, Earth, Fire. All life on earth depends on and survives because of the four elements of nature. Poets and painters alike have captured their allure and our desire for beauty. But how do artists render the essence of atmosphere and light, the sky, fog and mist, and wind and snow, as well as different terrain, mountains, wildfire, and festive fireworks? Now, over 50 contemporary artists and more than 400 paintings reveal the secret in every possible style. Here's what is available to you here: Each topic is analyzed according to its specific properties and uses. You find the resources, methods, and styles most suited to represent each element. Each chapter offers step-by-step exercises and tutorial videos. This is magic and method all wrapped into one volume. The artists here will speak to you and you can learn from their insight and the direction in which they pursue their artistic goals.
A landscape painting guide for oil painters that breaks landscapes down into component elements from nature, and showcases tools and techniques used by classic and modern oil painters for bringing these scenes to life. Landscape painting is one of the most popular subjects for painters working in the medium of oils--from classic masters to contemporary artists. In The Elements of Landscape Oil Painting, established Watson-Guptill author and noted instructor/painter Suzanne Brooker presents the fundamentals necessary for mastering landscape oil painting, breaking landscapes down into component parts: sky, terrain, trees, and water. Each featured element builds off the previous, with additional lessons on the latest brushes, paints, and other tools used by artists. Key methods like observation, rendering, and color mixing are supported by demonstration paintings and samples from a variety of the best landscape oil painters of all time. With The Elements of Landscape Oil Painting, oil painters looking to break into landscape painting or enhance their work will find all the necessary ingredients for success.
Pure, Frank Reilly method of painting by Reilly's student/class monitor Ralph Garafola. The Canvas Awaits - Fill It"Frank J. Reilly - The Elements of Painting" presents the principles and concepts of the craftsmanship involved in the graphic arts. The guidelines presented here will help students, art teachers and professional painters and designers discover and/or further develop their craft.The book is a must read for both the aspiring painter and accomplished artist - and everyone in between. It also assists art teachers and art schools in the instruction of their students and serves well as a college text book of art.◊◊◊Frank J. Reilly was an American painter, illustrator, muralist and teacher. Reilly served as the Commissioner of Art for New York City. Ralph Garafola studied at the Art Students League of New York for seven years with Reilly. Reilly was married with no children and considered his students family. He became both mentor and father-figure for Garafola."To succeed in the realm of graphic arts, like dancing and music, one must acquire knowledge. By practicing and applying that knowledge, one becomes skillful. It was Reilly's logical application which was the basis for developing my craft. After 65 successful years I have never found reason to change the drawing or painting methodology Reilly taught to me. Now through this book I share it with you."Ralph Garafola, author
Abstract Painting: The Elements of Visual Language examines and articulates a vocabulary of visual elements from which you build images, abstract or otherwise. As you examine line, shape, pattern, texture, depth, and color in detail, you become more aware of the elements that make up a painting, and better able to observe your own work without judgment and self-criticism. Generously illustrated with over 200 color images, this book will open your eyes to a whole new way of seeing your paintings as they develop, allowing you to be more personally expressive and authentic in your artistic expression.
Create compelling paintings by mastering compositional techniques While happy accidents may occasionally contribute to producing strong, eye-catching paintings, conscious painting is more important. According to author Frank Webb, "Composition is more important than fact, technique, or subject." To create compelling, expressive works, you must make the composition the foundation of your plan. This book provides example-by-example demonstrations of how you can achieve this. The works of 24 professional artists included in this book give you an over-the-shoulder look at how to apply composition techniques. Armed with this information, you can paint a powerful picture and--just as importantly--analyze and improve a work that has gone wrong. "Strengthen Your Paintings with Dynamic Composition" is an indispensable addition to the artist's library that you will read and re-read. Webb's memorable instruction will guide the beginner through composition challenges and serve as a reference for the more experienced painter. Frank Webb, a professional artist since 1947, is a Dolphin Fellow of the American Watercolor Society, which he has represented in international exhibitions in Canada, New York, England, Scotland, and Mexico City. A guest instructor in all 50 states, juror, and lecturer, Webb has received over 110 major medals and awards from national competitions, including six from the American Watercolor Society. Collectors of Webb's paintings include National Taiwan Arts Education Center, Baylor University, Palmer Museum of Art at Penn State University, Portland Museum of Art, and South Arkansas Arts Center, to name a few.Webb is featured in "Who's Who in American Art" and "Who's Who in the East," and he is also a member of the Allied Artists of America, Audubon Artists, the Rocky Mountain National Watermedia Association, and many other art associations."
Discover the hidden language of images using this full-color guide to the Elements and Principles of Art and Design with over 200 individual illustrations and 30 artwork examples. This comprehensive illustrated exploration of how images are composed is organized for easy reference and explores each element and principle in depth. Unlike big textbooks, this field guide-sized edition can easily slip into a bag or pocket for your next trip to the museum, design meeting, or classroom critique.
Visual Art is a comprehensive universal language. It aids in bridging the communication gap between generations and nationalities. It is the unique expressions of ideas, beliefs, and feelings. Also, it visually records projected visions, current and historical moments. The two types of fine arts are visual and applied art. Examples of visual art are painting, drawing, and sculpting. Visual art gives only visual pleasure to its patrons. Examples of applied art are architecture, fashion design, photography, and ceramics. It refers to artistic designs that serve a practical purpose but is also aesthetically pleasing to the eyes. Applied artists are called artisan, craft persons, or designers. There is a vague line between fine art and applied art. Fine artist and applied artist create and design works of art by employing the seven elements of design, the eight principles of design, and the three aesthetic theories of design. Finally, art is a brain developer. Creativity can enhance perception, conception, cultural awareness, self-expression, and cognition. It is important to become familiar with words such as space, line, shape, value, form, color, and texture. These words describe the unique visual language that is known as the seven elements of design. These basic elements are the essential components of the universal language of art.
Easy-to-use art lessons with award-winning books.
Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression. Each of the fourteen chapters is designed around a specific art method and material, and includes examples of art works and the artists who created them. Students learn about bronze casting, stone carving, clay sculpture, woodcuts and posters, glass work, and installation art. Each method is matched to artists both ancient and modern. Rather than adhering to a standard approach that focuses on white, male, European artists, the book broadens the student's perspective by including often overlooked female artists. Global in approach and comprehensive in coverage of arts forms, representations, and styles throughout history, Creative Art has been developed for sixteen-week courses in art appreciation, or introductory survey courses in art history.