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Excerpt from Painting Popularly Explained With Historical Sketches of the Progress of the Art Although a degree of imitation is necessary in a work of art for the conveyance of thought, the quantity or exactitude of imitation in a picture forms by no means a measure of the amount of thought or emotion which it may awaken, apart from the simple ideas which the mind receives through the painted resemblance of natural objects. Indeed, literal imi tatien is sometimes so much dissociated from imagination, that Haydon went so far as to say, that 'the power of representing things as they are, constituted merely the painter of domestic art;' adding, with characteristic bold ness and enthusiasm, while that of restoring them to what they were at creation constitutes the great painter in High Art.' When we reflect, however, upon the inexhaustible richness of nature, a more humble spirit of imitation appears not only excusable, but laudable. Modern pre-raphaelitism is on this ground - viz., that of protest - chiefly serviceable to art. For it is a mistake to suppose that artistic imitation can ever be entirely mechanical, that it is only a means to an end, or that it is but as language is to thought. The eye has its own poetry, and the faithful rendering of the simplest object in nature has a special value and beauty that touches some of the pleasantest chords of our being. Still we must unhesitatingly give the preference to those works in which we have not only the inherent and intrinsic poetry of art, but also subject and incident conveying thought, expression, and sentiment. Moreover, though art is finite, yet nearly every branch is too comprehensive in its means for one man to do justice to all its capabilities; hence a larger measure than usual of the judgment and taste necessarily shown in selection and adaptation is justly allowed to distinguish and elevate the artist. 'style in the highest sense arises from the peculiar bias the artist takes in this selection and adap tatien. But style' is also applied to the several methods of painting materially considered; for the painter is a curious combination of poet and mechanic, as his picture is a curious compromise between a thought and a thing.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Painting Popularly Explained: With the Practice of the Art, and Historical Notices of Its Progress The sciences here illustrated are, in the main, Astronomy and Meteorology; Geology and Paleontology; Physical Geography; Sound, Light, and Heat; Magnetism and Electricity, - the latter with special attention to the great marvel of our times, the Elec tro-magnetic Telegraph. I hope, at no very distant period, to ex tend the curiosities to another volume, to include branches Of Natural and Experimental Science which are not here presented. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Painting Popularly Explained: Including Fresco, Water-Glass, Oil, Tempera, Mosaic, Encaustic, Water-Colour, Miniature, Painting on Ivory, Vellum, Pottery, Porcelain, Enamel, Glass, &C., With Historical Sketches of the Progress of the Art We submit that even this enjoyment may sometimes be heightened in degree, other gratification assuredly derived, and the power of appreciating the relative merits and com. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.