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An exploration of the lives and works of the members of the Beaver Hall Group. Founded in 1920, the group was in the vanguard of bringing Modernism to Canada and is notable for its inclusion of women who now rank among the country’s most outstanding painters.
L'ouvrage comporte une chronologie des années couvertes, des reproductions de tableaux de cette période, des informations sur les peintres et leurs oeuvres. Une excellente étude sur la production d'artistes québécois occultés par la domination, durant la même période, du regroupement torontois du Groupe des Sept.
From the vanguard of Modernism in Montreal, the Beaver Hall Group included painters who are now ranked among Canada's most distinguished artists. Evelyn Walters brings her extensive knowledge of the group to paint a picture of the artists' lives and their works in this two-book bundle. More than 130 reproductions bring to light paintings that have lain hidden for more than fifty years. Includes: The Beaver Hall Group and Its Legacy The Women of Beaver Hall
At a time of disdain for modern art and widespread discrimination against women artists, Prudence Heward challenged the conventional in portraits that capture subtleties of emotion and often reflect her own struggles against illness and family tragedy. As A.Y. Jackson, founding member of the Group of Seven and the Beaver Hall Group, claimed, “[Heward] was the very best painter we ever had in Canada and she never got the recognition she richly deserved in her lifetime.”
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Magdalena Dabrowski retraces the course of geometric abstract art in our century, she divides the years from 1910 to 1980- into five spans. The first: Origins of the Nonobjective - Cubism, Futurism, Cubo-Futurism. The second: Surface to space - Suprematism, de Stiji, Russian Constructivism. Then, Internation constructivism, followed by Paris-New Yourk connection and finally, Nonfigurative tendrncies.