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Originally published in 1800, The Painter, Gilder, and Varnisher's Companion is a comprehensive guide to the traditional techniques of painting, gilding, varnishing, and glass-staining. It includes detailed instructions and recipes for making and using materials such as pigments, varnishes, and gold leaf, as well as practical advice on tools and equipment. This edition is a faithful reproduction of the original text, making it an invaluable resource for historians, artists, and craftsmen alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Painter and Varnisher's Guide, or a Treatise, Both in Theory and Practice, on the Art of Making and Applying Varnishes: On the Different Kinds of Painting; And on the Method of Preparing Colours Both Simple and Compound But were Apelles, Pmtogenes, and Aristides, who sue needed to the glory of these early painters, and who in some things even surpassed them, better acquainted with the art of preparing colours, and the means of giving them 111c body and more' solidity i - If the preservation of the colour ing was owing to a varnish, or to substances capable of making a varnish, 'did they mix them, as some modern painters do, with the colouring parts, even when distributed on the palette P - or did they reserve them to be applied -to the composition after it was finished? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.