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This volume of papers presented at the Architectural Paint Research in Building Conservation conference held at the National Museum of Denmark, Copenhagen, provides a unique overview and discussion of the latest developments within the field.
These are the proceedings of an English Heritage national seminar which was organised to address growing concerns about the variable quality of architectural paint research currently being carried out. The book describes and explains its role in understanding and managing historic buildings. The contributions contained in this book are designed to promote the development of standards and guidelines for use by clients and consultants, helping to shape the development of this vital new discipline. It therefore contains edited transcripts of the ground breaking discussion sessions on the proposed English Heritage guidelines and other important issues. The statutory requirements relating to painted interiors of listed buildings is another very problematical issue which has been considered in detail. In addition, guidance is provided on commissioning paint research and the pitfalls to avoid. The book will be essential reading for paint researched, architects, surveyors, conservation officers and all practitioners involved in commissioning paint research for historic buildings.
Mortars, Renders and Plasters provides a broad perspective of contemporaryconservation theory and practice not otherwise found in one publication, describing the history,physical properties, and deterioration of these important materials. Methods of assessing condition and evaluating options for treatment and repair are discussed, together with a range of practical conservation techniques and maintenance strategies.
Timber deals with wide-ranging use of the material in historic buildings, from vaststructural timber-frames through to high-class joinery and simple fixings. Particular attention is paid to how and why timber decays or faults occur, and the methods of assessing and dealing with this. The bulk of the book covers appropriate methods of repair and maintenance.
The versatility of modern commercial house paints has ensured their use in a broad range of applications, including the protection and decoration of historic buildings, the coating of toys and furniture, and the creation of works of art. Historically, house paints were based on naturally occurring oils, gums, resins, and proteins, but in the early twentieth century, the introduction of synthetic resins revolutionized the industry. Good quality ready-mixed products became available and were used by artists worldwide. While the ubiquity of commercial paints means that conservators are increasingly called upon to preserve them, such paints pose unique challenges including establishing exactly which materials are present. This book traces the history of the household paint industry in the United States and United Kingdom over the first half of the twentieth century. It includes chapters on the artistic use of commercial paints and the development of ready-mixed paints and synthetic resins; oil paints, oleoresinous gloss and enamel paints, water paints, nitrocellulose lacquers, oil-modified alkyds, and emulsion paints; and the conservation implications of these materials. The book will be of interest to conservators and conservation scientists working on a broad range of painted surfaces, as well as curators, art historians, and historians of architectural paint.
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
This book is the third in a series of volumes that combine conservation philosophy in the built environment with knowledge of traditional materials, and structural and constructional conservation techniques and technology: Understanding Historic Building Conservation Structures & Construction in Historic Building Conservation Materials & Skills for Historic Building Conservation The series aims to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge for architects, surveyors and engineers as well as for commissioning client bodies, managers and advisors. In each book, Michael Forsyth draws together chapters by leading architects, structural engineers and related professionals to reflect the interdisciplinary nature of conservation work. The books are structured to be of direct practical application, taking the reader through the process of historic building conservation and emphasising throughout the integrative teamwork involved. The present volume - Materials & Skills for Historic Building Conservation – describes the characteristics and process of decay of traditional materials which inform the selection of appropriate repair techniques. It provides essential information on the properties of the principal traditional external building materials. Their availability, sourcing and environmental impact is covered, as well as the causes of erosion and decay, and the skills required for their application on conservation projects. It covers the main most commonly used materials and conservation techniques including stone, brickwork, lime products, concrete, iron and steel, timber, wattle and daub, and glass, Thirteen chapters written by the experts present today's key issues in materials and skills for historic building conservation: Gus Astley, Patrick Baty, Charley Brentnall, Michael Bussell, Michael Forsyth, Tony Graham, Chris Harris, David McLaughlin, Brian Ridout, Mike Stock, Geoff Wallis, Ian Williams, Rory Young
Glass and Glazing looks at the conservation of one of the most important building materials, and its use in windows, roofing and walling. It considers the technological evolution of glass and glazing systems, the processes causing deterioration, and the practical application and long-term implications of common conservation materials and methods, as well as of alterations to improve performance.
Metals deals with the conservation of a group of materials that have been used in buildings for everything from structural components and fixings to weatherproofing, repairs, and decoration. It covers both the iron-based and the non-ferrous metals (such as copper, bronze and lead), in each case considering technological evolution, deterioration processes, and the practical application and long-term implications of the common conservation materials and methods.
Interior Finishes & Fittings for Historic Building Conservation complements Materials & Skills for Historic Building Conservation, combining the history and application of each material with current knowledge of maintenance and conservation techniques. Of direct practical application in the field, it takes the reader through the process of conserving historic interior finishes, covering everything from decorative plasterwork, joinery and paint colour; to chimneypieces, lighting and fire safety management. The series is particularly aimed at construction professionals – architects, decorative arts historians and specifiers, surveyors, engineers – as well as postgraduate building conservation students and undergraduate architects and surveyors as specialist or optional course reading. The series is also of value to other professional groups such as commissioning client bodies, managers and advisors, and interested individuals involved in house refurbishment or setting up a building preservation trust. While there is a focus on UK practice, most of the content is of relevance overseas (just as UK conservation courses attract many overseas students, for example from India, China, Australia and the USA). The chapters are written by leading conservators, historians, architects, and related professionals, who together reflect the interdisciplinary nature of conservation work. This volume on the historic interior is the fourth of a series on Historic Building Conservation that combine conservation philosophy in the built environment with knowledge of traditional materials and structural and constructional conservation techniques and technology: Understanding Historic Building Conservation Structures & Construction in Historic Building Conservation Materials & Skills for Historic Building Conservation Interior Finishes & Fittings for Historic Building Conservation While substantial publications exist on each of the subject areas - some by the authors of the Historic Building Conservation series - few individuals and practices have ready access to all of these or the time to read them in detail. The aim of the series is to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge within four volumes, sufficient for the professional to appreciate the subject better and to know where to seek further help.