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Heather Marie Fry was pretty, vivacious, popular, smart, and witty. Everybody in town knew her and loved her. She was the pride of her teachers and as loving and kind as she was talented. But she was starting to get headaches, and they were rapidly growing worse. When her mother took her to the doctor, she was told that Heather was fine, but Heather's health continued to deteriorate. Finally, they found someone who had the answer. Heather had a brain tumor. It was inoperable. Heather was twelve at the time. The doctors found the answer but not a solution. The best they could do was keep Heather as comfortable as possible for as long as possible. Family and friends rallied around Heather and Debra for support.Paint Me Black All Over is the story of a mother's quest to find the best help possible for her ill daughter and her struggle to keep her family together. Debra Tolar recounts the last year in the life of her daughter, Heather; the multiple bouts of radiation and chemotherapy; and all the pain and sorrow that went along with it. But amidst all the sorrow, Debra also relates a message of hope and joy, of the friends and support she found, and of the never-ending strength of her daughter. Paint Me Black All Over is a heart-wrenching account of childhood cancer that will inspire others in similar situations to never give up the fight.
Born in the late 1930s, the daughter of a white settler and an Alyawarra woman, Claire was four years old when she was taken to the Bungalow mission in Alice Springs. Much of her young life was spent on the newly formed Croker Island mission, and she recalls happy days in the care of compassionate missionaries. Sent south to escape the threat from Japanese fighters during World War II, Claire later returned to Croker Island and married. Inspired by others, Claire traced her Aboriginal family, however; she was never to meet her mother.
The antics and practical pranks of a twelve-year-old boy and two friends growing up in New Hampshire, one-hundred years ago. Written in diary form.
From one of Japan's most popular and respected storytellers, this collection introduces readers to more than 40 wonderous tales from rural Japan—many that have not previously been seen or heard—from animal tales and tales of supernatural beings to stories about village characters and priests and their apprentices. It's a fascinating assortment that will delight young listeners, intrigue older readers, and offer scholars new insights. Background on the country and Japanese culture, notes on the tales, a glossary, recipes, games and crafts, and color photos and illustrations enhance the collection. All levels. As in many countries, storytelling is a revered art in Japan, and traditional tales have been carefully preserved for centuries. Yet only a small portion of Japan's tales has been shared with English-speaking audiences. From one of Japan's most popular and respected storytellers, this collection introduces readers to more than 40 wondrous tales from rural Japan—stories that have not previously been seen or heard—from animal tales and tales of supernatural beings to stories about village characters and priests and their apprentices.
This memoir collage is an amazing collection of poetry, short stories and historical documents written by, for and about Joe Jelikovsky. Now in his mid 80's, Joe lived through, fought in, survived and healed from the Korean War. This personal, heart felt and in-depth story is authentic and will make you think about a man who was willing to give his life for people he never knew and the true meaning of Empathy For Strangers.
Spoken on Mavea Island by approximately 32 people, Mavea is an endangered Oceanic language of Vanuatu. This work provides grammatical descriptions of this hitherto undescribed language. Fourteen chapters, containing more than 1,400 examples, cover topics in the phonology and morphosyntax of Mavea, with an emphasis on the latter. Of particular interest are examples of individual speaker variation presented throughout the grammar; the presence of three linguo-labials (still used today by a single speaker) that were unexpectedly found before the rounded vowel /o/; and a chapter on numerals and the counting system, which have long been replaced by Bislama’s but are remembered by a handful of speakers. Most of the grammatical descriptions derive from a corpus of texts of various genres (conversations, traditional stories, personal histories, etc.) gathered during the author’s fieldwork, conducted for eleven months between 2005 and 2007.
Lieutenant Eve Dallas uncovers a conspiracy when she investigates the murders of some of New York City's troubled youth in this thriller in the #1 New York Times bestselling In Death series. Leading the demolition of a long-empty New York building that once housed a makeshift shelter for troubled teenagers, Lieutenant Eve Dallas’s husband uncovers two skeletons wrapped in plastic. And by the time Eve’s done with the crime scene, there are twelve murders to be solved. The victims are all young girls. A tattooed tough girl who dealt in illegal drugs. The runaway daughter of a pair of well-to-do doctors. They all had their stories. And they all lost their chance for a better life. Then Eve discovers a connection between the victims and someone she knows. And she grows even more determined to reveal the secrets of the place that was called The Sanctuary—and the evil concealed in one human heart.
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
These poems are of us. They are the things we see, day-in, day-out. The common and the not so common. The good and the bad. The perfect and the flawed. They are the things we all think about, ideas and experiences gnawing in the back of our brains. But more importantly, these poems are the things we sometimes wish we could share, wish we could question, but over which, for some reason, we remain silent.