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The two stories in this novel join together the well-educated forces and the professional skills of two Victorian English gentlemen working together in trying to solve another two murder cases involving missing classic paintings. This case also involves five ghastly murdered victims in a very strange fashion, all leading to a missing treasure of great value; now the second story involves the professor and his friend, the doctor, who are forced to play a murderous game which they must solve first before the murderer kills them.
After witnessing a prelude to murder, Robin Marcato is abducted and locked inside an old, abandoned car's trunk. She's wounded, dehydrated, and hungry...and a blizzard is coming. In the absence of a trunk release, her only hope is a text sent from her dying cell phone to a detective friend. But as hours pass, Robin realizes she must find a way to escape before she starves, freezes...or her attacker returns to finish her off. And the clock is ticking.
Zippy Cosmo moves his wife and family from Baltimore to the Eastern Shore to escape the city's inhumanity and growing civil rights violence. The small provincial town they settle in is sleepy and remote; it seems ideal to raise their five children. But, a tattoo artist rents the old post office building and "tattoos the wrong farmer's daughter" according to the local intel. The search for his killer and how it impacts this family's lives is what makes THE INK MASTER MURDER, a mystery by Gene Lovell, a fascinating read. Can you dig it?
Think you know everything there is to know about Hammer Films, the fabled "Studio that Dripped Blood?" The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution.
Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.
Although Hungarian ballads were first collected about a hundred years before this book was first published in 1967, they have remained largely unknown to Western scholars. This was the first comprehensive study of the Hungarian material in any major European language. Dr Leader provides an analytic description and full English text of the main Hungarian classical ballads with their published versions. She examines their characteristics, analyses their themes, motifs and underlying folk beliefs, and relates them to ballads of other countries, particularly England and Scotland. This pioneer work suggested fresh interpretations and solutions to the problems of Hungarian ballad scholarship and enlarged the study of international ballads by making the Magyar material available in translation. It had repercussions on a wide range of folklore studies and on the comparative study of European literatures, to which the oral narrative traditions serve as important groundwork.
FRAMED? Jessica’s art-viewing Italian vacation is interrupted by a pair of gunmen who steal a painting and kill a retired police officer in the process. Agreeing to help identify the crooks should they be caught, Jessica returns to Cabot Cove and puts the shocking experience behind her. Months later, Wayne Simsbury, the stepson of an old friend, comes to her for help. Wayne’s father has been shot to death. Not only has Wayne’s stepmother, Marlise, been charged with the murder, but Wayne himself claims to have witnessed the crime. Unsure what to do, he has sought out Jessica—the one person his stepmother had always claimed could help with any problem. Now, on top of a seemingly open-and-shut murder case to crack in Chicago, Jessica finds herself back in Italy helping the police make their case against the art thieves—and she faces a looming danger that may connect the Italian killers to the fate of her old friend....
You’re never ready for calamity to strike. Carol Kent and her husband Gene were devastated by the news that their son killed his wife’s ex-husband. Gene and Carol were buoyed in their faith by eight principles, gleaned from the story of Abraham and Isaac: Over the course of eight chapters Carol explores the power of unthinkable circumstances, relinquishment, heartache, community, hope, faith, joy, and speaking up.
First published as Game of Chance under A. C. Koning. 1929. Blinded war veteran Frederick Rowlands has escaped the bustle of London to establish a secure life for himself and his family in the countryside. But everything is about to change when an old friend, Chief Inspector Douglas, asks for his assistance in tracking down the killer of a beautiful dancer. That there is a link between the murder and St Dunstan's, the institute for blind ex-servicemen of which Rowlands himself is a member, is only one of the puzzling features of the case. Transported back into the whirl of London in order to unravel the mystery surrounding the dead woman, the Blind Detective is caught up in a deadly game of chance. A series of breathtaking twists and turns force him to confront his past, and to risk everything - including own life - in the process.
There are nearly 5,000 performers listed here, along with a quarter of a million film titles. The book is divided into two parts; the sound era, which has most of the entries, and the silent era, with about 700 names. Actors listed in this second section made no appearances after 1928. Actors whose careers spanned both talking films (which began in Britain in 1929) and silents are listed in the larger first section. Scottish, Irish, Welsh, Australian, Canadian, South African, and other British Commonwealth performers are included; British-born actors whose films were made outside the United Kingdom (as in Hollywood) and those born in foreign countries who filmed in Britain are also included. Birth and death dates are given when they could be traced. A brief character description is followed by the list of films, in chronological order. Original film titles and the year they were completed are also included.