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The ability to make painful holds in a striking technique relates to the master level. Wing Chun like other styles of martial arts contains the section of painful holds and throws. In the book was considered the technique of main painful holds on all arm joints and throws, realized after each painful hold. The first section of the book contains the theory of painful holds and allows to understand how and at which expanse painful holds and throws are realized. The second section of the book is devoted to the applied technique of painful holds. The book contains many illustrations.
This meticulously researched and eminently readable study considers the economic, political, and religious factors that led Shaolin monks to disregard the Buddhist prohibition against violence and instead create fighting techniques that by the 21st century have spread throughout the world.
This book features the teachings and training methods of Granmaster Gin Foon Mark. Grandmaster Mark's legacy is Kwang Sai Jook Lum Southern Praying Mantis. Read about the history of the style, training tips and methods from the master, and anecdotes from his more than 80 years studying Chinese martial arts.
Although the art of wing chun kung-fu is perhaps one of the most popular martial arts in the world, it was kept very much private until the 1950's. Hailing from mainland China, the Yuan Kay-San system of wing chun, one of the most rare and elusive branches of the art, is finally introduced to the Western world. For the first time in book form, Rene Ritchie, one of the art's leading scholars, shares the fundamentals of the Yuen Kay-San system of wing chun. Included are the history, concepts, and foundation of the art, the sup yee sik and siu lien tao forms, and their practical applications. For beginners, it serves as a great introduction to wing chun; for the seasoned practitioner, it offers a new and unique perspective into the art.
The first volume in a two-part series that explores the theory of Wing Chun—a style of kung fu and self-defense—from a technical, lifestyle, and philosophical perspective Written by Wayne Belonoha—a certified Ving Tsun Instructor and National Certified Coach, 7th Level, Master Degree—The Wing Chun Compendium offers hundreds of tips and techniques specifically designed to help readers advance to the next stage. The Wing Chun Compendium is divided into eight sections, including Theory, Techniques, Drills, Chi Sau (Sticky Hands), Forms, Pressure Points, Health and Fitness, and Terminology. Students of all levels will find tips for improving technique and gaining benefits from the book's instruction in over twenty of the top skill-building drills and exercises, such as the Maai Sang Jong and Bong Guek (Sticky Legs) drills. Covering all three hand forms (Siu Nim Tau, Cham Kiu, and Biu Ji), it also provides a detailed examination of each movement and application and features an extensive terminology section that includes the Chinese characters and both Cantonese and Mandarin pronunciations for over two hundred of the most common wing chun terms. The compendium concludes with Grandmaster Sunny Tang's special article, “Reflections of Siu Nim Tau After 30 Years.”
Wing Chun like other styles of martial arts contains the section of painful techniques. It is called chin-na in Chinese martial arts. Many movements in the form «Siu Leem Tau» and in “Form 108 on the wooden dummy” are masked and hidden techniques of chin-na. This book deciphers the movement of the forms of Wing Chun that are used for escaping from grips. This is the first level of chin-na in Wing-Chun. The purpose of the book is to summarize the principles of escaping from the grips, and not to collect all the techniques. The main thing is not the maximum number of techniques, but an understanding of biomechanics and principles of escaping from grips.
The book is devoted to the analysis of using the crane fist in Wing Chun. The author reveals general sources of styles appearance, general tactics and technique, general training methods, the use of wooden dummies in each style. The book contains many illustrations with detail description. The content of the book widens Wing Chun understanding, its technical arsenal on the base of analysis and synthesis of related style of white crane.
The book is devoted to the neck-holds in wing chun. The author summarized the most effective techniques of impact on the opponent's neck which were met for long years of studying the style. The neck-holds are generalized in three groups - suffocating, breaking and twisting holds. Each neck-hold is described in detail, given basic and applied variants of techniques. The book contains many illustrations. Presented neck-holds widens technical arsenal of wing chun for the advanced level of studying.
In 1895, the newly formed Greater Japan Martial Virtue Association (Dainippon Butokukai) held its first annual Martial Virtue Festival (butokusai) in the ancient capital of Kyoto. The Festival marked the arrival of a new iteration of modern Japan, as the Butokukai’s efforts to define and popularise Japanese martial arts became an important medium through which the bodies of millions of Japanese citizens would experience, draw on, and even shape the Japanese nation and state. This book shows how the notion and practice of Japanese martial arts in the late Meiji period brought Japanese bodies, Japanese nationalisms, and the Japanese state into sustained contact and dynamic engagement with one another. Using a range of disciplinary approaches, Denis Gainty shows how the metaphor of a national body and the cultural and historical meanings of martial arts were celebrated and appropriated by modern Japanese at all levels of society, allowing them to participate powerfully in shaping the modern Japanese nation and state. While recent works have cast modern Japanese and their bodies as subject to state domination and elite control, this book argues that having a body – being a body, and through that body experiencing and shaping social, political, and even cosmic realities – is an important and underexamined aspect of the late Meiji period. Martial Arts and the Body Politic in Meiji Japan is an important contribution to debates in Japanese and Asian social sciences, theories of the body and its role in modern historiography, and related questions of power and agency by suggesting a new and dramatic role for human bodies in the shaping of modern states and societies. As such, it will be valuable to students and scholars of Japanese studies, Japanese history, modern nations and nationalisms, and sport and leisure studies, as well as those interested in the body more broadly.